The Venice Production Bridge, a platform connecting European and international producers with potential sales agent, distributors and financiers able to provide final financing for their projects, announced today a new Gap Financing Market to take place during this year’s Venice Film Festival. Running September 2 – 4, the initiative will curate a selection of 25 European and international projects seeking the final 30% of their financing. Projects can be at any stage, from development to post-production, but must prove that the 70% of their existing financing is secure. Significantly, the initiative is open to both documentaries as well as fiction […]
by Scott Macaulay on May 23, 2016One of the more surprising Cannes awards ceremonies has just ended, with Ken Loach becoming a two-time Palme d’Or winner with his I, Daniel Blake, about a 59-year-old carpenter battling England’s health care system following a heart attack, winning the top prize. (The director’s The Wind that Swept the Barley won the Palme in 2006.) I, Daniel Blake, while not one of the buzzier titles in the Competition, was generally well received; the same can’t be said for the jury’s Grand Prix, awarded to Xavier Dolan’s It’s Only the End of the World. Variety’s Guy Lodge tweeted, “Giving Xavier Dolan […]
by Scott Macaulay on May 22, 2016One of our 25 New Faces in 2011, Kirby Ferguson has, with his Everything is a Remix Project, created a web series that artfully blends cultural criticism with legal and copyright commentary. In the latest edition, Ferguson considers J.J. Abrams’ Star Wars: The Force Awakens and wonders if blockbuster artistic sampling has run its course. “Is remixing a weak point in The Force Awakens? Is the remix method growing stale? Have we reached the limits of remixing?” For his conclusions, watch the video above.
by Scott Macaulay on May 21, 2016Nicholas Winding Refn’s new The Neon Demon, premiering in Competition at the 2016 Cannes Film Festival, is a nightmarish, outlandish fashion-world riff on A Star is Born in which vampiric models struggling to remain alluring in a swipe-to-the-next-one culture provide a ready-made metaphor for beauty industry soul-sucking. Elle Fanning is Jesse — blonde, beautiful, 16, and something of an empty vessel waiting to be anointed the next “It Girl.” Her journey through Angeleno nightclubs, booking agencies and photography studios is one of ribald psychological horror, as physical spaces twist and expand, friends become alien, and even her scuzzy, entirely unfashionable […]
by Scott Macaulay on May 19, 2016Finding political resonance within the intimate story of a blind man, his past, and the Lebanese countryside, Tramontane is the debut feature of filmmaker Vatche Boulghourjian. Based in Beirut, Boulghourjian studied at NYU Film School, and his filmmaking draws upon the community he found in both his home and place of study. Premiering in Critics’ Week at the 2016 Cannes Film Festival, Tramontane also received early development support from the Venice Biennale College Cinema, where I was one of its mentors several years ago. At the time, I was struck by Boulghourjian’s intelligence, empathy and ability to articulate the larger […]
by Scott Macaulay on May 16, 2016VR AXS Map, a platform using VR to help the disabled pre-visit and share information about accessible public spaces, was named the winner on Wednesday night of the Made In New York Media Center by IFP’s Demo Day. The curated audience of VCs, entrepreneurs, creative directors and brands voted the award after five teams of Media Center entrepreneurs pitched their projects to a panel moderated by Mashable’s Jason Abruzzese and consisting of Fran Hauser (Partner Rothenburg Ventures) and Matthew Hooper (VP, Open Innovation, Barclays; Head of Rise, NY). VR AXS Map stood out due to its obvious social utility and […]
by Scott Macaulay on May 6, 2016Auteur Paul Thomas Anderson, for whom Radiohead’s Jonny Greenwood scored his There Will Be Blood, has directed the band’s new video, which has dropped just days after their stop-motion animated clip for debut single Burn the Witch. Check out Dreaming above.
by Scott Macaulay on May 6, 2016Steven Mnuchin, a Goldman Sachs veteran and hedge fund manager who has executive produced a number of studio films, has joined the presidential campaign of Donald Trump as its National Finance Chairman. Through his Dune Capital, and later through a partnership between Dune and Ryan Kavanaugh’s now bankrupt Relativity Media, Mnuchin was involved with the financing of such films as Mad Max: Fury Road, Black Mass, Our Brand is Crisis and American Sniper. A partner in RatPac Dune Entertainment along with Brett Ratner and James Packer, Mnuchin has also been involved with the financing of many Fox and Warner films […]
by Scott Macaulay on May 5, 2016The Sundance Institute announced today the eight first-time feature directors selected to participate in its June Directors Lab. Over nearly a month at the Lab — a program that has mentored directors including Cary Fukunaga, Quentin Tarantino, Dee Rees and Marielle Heller — the directors will receive guidance and mentorship from an impressive list of advisors (director David Gordon Green, DP Bradford Young and editor Dylan Tichenor, to name a few), and will workshop scenes with actors and crew. This year’s filmmakers arrive in Utah with a diverse group of projects spanning topics from the Zambian space program, a mysterious […]
by Scott Macaulay on May 5, 2016Written by Zachary Treitz and Kate Lyn Sheil, and directed by Treitz, Men Go to Battle is an ambitious independent historical drama that tells the story of two quarreling brothers whose back-and-forth are interrupted by the Civil War. Here’s how the filmmakers synopsize the film, which stars Tim Morton, David Maloney and, from Spring Breakers, Rachel Korine: While most Americans predict that the Civil War will end by Christmas, Henry (Tim Morton) and Francis Mellon (David Maloney) are more concerned about braving another winter on their struggling rural Kentucky farm. The brothers have become suffocatingly close. Francis’ practical jokes become […]
by Scott Macaulay on May 3, 2016