What was that Godard (or Griffith) line, “All you need to make a movie is a girl and…”? Lana Del Rey’s latest music video, “High by the Beach,” has just dropped, and it’s got a kind of Zabriskie Point-era Antonioni meets Andy Sidaris thing going on, with lovely handheld camerawork, a trendily minimal beachside house location (“no” production design is the new production design) and a blast of a finish.
by Scott Macaulay on Aug 13, 2015The following interview, in which producer and director Roger Corman broke down the filmmaking rules he lives by, was conducted in 2013 and is reposted today on the sad occasion of Corman’s passing last Thursday at the age of 98. R.I.P. Roger Corman. The legendary Roger Corman is America’s proto-independent filmmaker, having produced literally hundreds of films and directed dozens more, most of them genre films made under a “fast, cheap and profitable” model that still offers guidance for new filmmakers everywhere. And while Corman is best known for films made during an earlier independent era, one in which regional […]
by Scott Macaulay on Aug 10, 2015Jake Mahaffy appeared on Filmmaker‘s 25 New Faces list in 2005 following his Tarkovsky-esque black-and-white (shot on a hand cranked camera, no less) tale of American collapse, War. His very different 2008 feature Wellness won the Grand Prize at SXSW and now, seven years later, Mahaffy is back with the Venice-premiering Free in Deed. Produced by Mike Ryan, it’s easily the film I’m anticipating most on the Fall festival circuit. From the film’s Facebook page: Set in the distinctive world of storefront churches and based on actual events, Free in Deed depicts one man’s attempts to perform a miracle. When […]
by Scott Macaulay on Aug 3, 2015The Wire creator David Simon moves up the East Coast for his latest drama, Show Me a Hero, that’s set in Yonkers in the 1960s. Based on a true story, the six-part miniseries portrays a young mayor, played by Oscar Isaac, who, amidst the civil rights movements, fights local powers to build low-income housing in his borough. The cast is impressive and includes Alfred Molina, Bob Balaban and Winona Ryder. The series debuts August 16 on HBO.
by Scott Macaulay on Aug 3, 2015From the copyright notice to the ominous voiceover, the latest trailer for Alex Ross Perry’s Queen of Earth plunges us into the world of ’60s/’70s arthouse psychological horror — mid-period Bergman, Polanski and Allen’s Interiors, for example. Here, Elizabeth Moss (Mad Men, Top of the Lake) retreats to the lakeside home of her best friend, played by Katherine Waterston (Inherent Vice), to recuperate after twin emotional jolts. There’s history, however — the lingering after effects of another weekend at this house spent one year earlier. Wrote Scott Foundas in Variety: The flashbacks in Queen of Earthh are like little Proustian […]
by Scott Macaulay on Jul 30, 2015There are many places to find air conditioning in New York City this weekend, but, if you ask us, you should seek it at the Made in New York Media Center, where IFP’s Screen Forward is mounting a five-night Borscht Corporation retrospective. Borscht, if you don’t know, is the wildly creative, culturally prescient and litigation-inviting collective of Miami filmmakers (and their friends) who are behind some of today’s best short films and certainly one of our best film festivals. Headed by Lucas Leyva and Jillian Mayer, Borscht produces a semi-annual Miami festival centered around commissioned short films as well as […]
by Scott Macaulay on Jul 30, 2015“Call me crazy, but I don’t think distribution is the greatest problem facing independent cinema right now,” wrote producer Mike Ryan in these pages back in 2010. In an opinion piece titled “Straight Talk,” Ryan railed against what he saw as an overemphasis in our community on business plans and online marketing at the expense of innovative filmmaking. “Developing content and nurturing auteurs should be our top concern, not figuring out distribution models or revenue schemes,” he continued. “The whole purpose of independent film is to make films that aren’t pre-fabricated to hit a target audience of someone else’s devising. […]
by Scott Macaulay on Jul 23, 2015Kentucky-born Michael Shannon has been appearing regularly in television, independent film and studio pictures since the mid-’90s, but it was his Oscar-nominated turn as a bracingly honest, if perhaps mentally unstable, mathematician in Sam Mendes’s Revolutionary Road that made directors see him as a potential leading man. In the years since, Shannon has fulfilled that promise, most notably as another unbalanced seer in Jeff Nichols’s Take Shelter. But it’s in the next 12 months that Shannon will truly explode onscreen in a succession of notable lead and supporting parts. First up is his turn in theaters as a rapacious repo […]
by Scott Macaulay on Jul 23, 2015Michael Shaw has had an illustrious career as a production designer, moving from some of the most notable independent films of the 1990s (Heavy, Boys Don’t Cry, You Can Count on Me) to a string of this decade’s top television shows (The Big C, Orange is the New Black). On Saturday, July 25, he’ll be leading a production design masterclass focused on Orange is the New Black at the IFP’s Made in New York Media Center. Shaw kindly took time out from designing the Wall Street environs of Showtime’s upcoming Billions to speak about his career as a production designer, […]
by Scott Macaulay on Jul 23, 2015I have a lot of positive things to write about Apple Music, but in the interest of not burying the lede, I’ll write this first: If you have a large, well-tended and carefully created iTunes Music Library, do not upgrade to Apple Music. Do not install the latest 12.2 version of iTunes and, most importantly, do not turn on iCloud Music Library on any of your devices. Or, if you decide to ignore the above advice, make sure you have a Time Machine backup of your iTunes library before you go ahead and do so. Why the alarm, you ask? […]
by Scott Macaulay on Jul 6, 2015