Authors — Vadim Rizov
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TIFF 2018 Critic’s Notebook 1: Boy Erased, Burning
An adaptation of Garrard Conley’s memoir (which I haven’t read) about attending a “gay conversion” camp at age 19, Joel Edgerton’s Boy Erased scans as, and turns out to be precisely, textbook Oscar-bait: it’s topical, its heart is in the right place, the cast is stacked, and despite all good intentions the final effect is very meh (“powerful” is a word I expect to see used a lot). Edgerton’s directorial debut, The Gift, was (minus its vile ending) a tautly commendable thriller; visually, Boy Erased looks very much in the same pocket at the outset, all nighttime darkness and tightly composed […]
by Vadim Rizov on Sep 6, 2018 -
“Would You Mind Going to Video Village?” Andrew Bujalski on Support The Girls, Hollywood Casting and the Patriarchy
The last time I interviewed Andrew Bujalski, he’d thrown a number of viewers for a loop with Results, his gym-set, quasi-romantic comedy starring Guy Pierce and Cobie Smulders. The overt weirdness of Computer Chess was one thing, but Bujalski feinting at a mainstream-leaning movie with honest-to-goodness name actors, a perky score and the promise of two hot people hooking up for a happy ending was a proposition that seemed to fry the expectations of both veteran Bujalski viewers (who didn’t see it coming) and people who didn’t know his work at all (and didn’t get the normal romcom they expected). I’m firmly […]
by Vadim Rizov on Aug 24, 2018 -
“I Had a Moral Crisis”: Bing Liu on Minding the Gap, Personal Doc Voiceovers and Cycles of Abuse
Bing Liu’s first feature documentary, Minding the Gap, draws upon a deep trove of skater tapes he’d kept since his teen years. The film tracks three male skaters growing up (or failing to) in economically dispossessed Rockford, IL. Two are the director’s old friends: in between countless beers, Zack is introduced as he prepares to have a child he clearly isn’t ready for with his girlfriend Nina. Keire doesn’t have any attachments beyond family, but finding his first job is a struggle; the ultimate goal is to get out. The third character is the filmmaker himself. What all three subjects have in […]
by Vadim Rizov on Aug 15, 2018 -
“David Duke Called Us Out By Name”: BlacKkKlansman Screenwriters Charlie Wachtel and David Rabinowitz
When I went to see BlacKkKlansman earlier this summer, I was startled to completely lose it two minutes in. The opening scene is a fire-breathing racist monologue by Alec Baldwin as a segregationist leader. I knew the premise of the film — the true story of how black police officer Ron Stallworth (John David Washington) infiltrated a Colorado branch of the KKK with the help of a white partner, Flip Zimmerman (Adam Driver), in the late ’70s — and figured a fair amount of racist invective would be involved. What I did not expect was to hear Baldwin spit out the words “fucking Jews” […]
by Vadim Rizov on Aug 9, 2018 -
Trailer Watch: Ricky D’Ambrose’s Notes On An Appearance
We’re pleased to host the online launch of the trailer for Ricky D’Ambrose’s first feature film, Notes On An Appearance. D’Ambrose was one of our 25 New Faces of Film last year; writing about his film—a tersely evocative look at a young man’s sudden disappearance, and its effect (or lack thereof) on his friends—at this year’s New Directors/New Films, I noted that “consistently clipped editing keeps the tone fluid: humor is in the cuts, and the film is never needlessly dour, deliberately refusing to dutifully find its way to a neatly summarizable Statement About The Zeitgeist.” The film begins a theatrical […]
by Vadim Rizov on Jul 24, 2018 -
Christopher Nolan’s “Unrestored” 70mm 2001: A Space Odyssey at the Village East
I’d seen 2001: A Space Odyssey on 70mm twice over the years before going to see the “unrestored” print out now in limited release. Christopher Nolan premiered this new print at Cannes, and his interview from there with Eric Hynes is helpful to understanding some of the thinking behind this reissue. Still, I haven’t read anyone really breaking down what Nolan’s birthed, which is incredibly specific. Nolan’s explanation is that he’s gone back to the original camera negative to come up with a print that looks like what the very first public audience to view 2001 would have seen. This isn’t entirely accurate, […]
by Vadim Rizov on Jun 25, 2018 -
BAMcinemaFest 2018: Four Features and Four Shorts
The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]
by Vadim Rizov on Jun 20, 2018 -
Watch (?): Donald Trump’s “Action-Movie Style Trailer,” Shown to Kim Jong-un, Ostensibly For Diplomatic Purposes
I have written before about the remarkably shoddy aesthetics of the videos put out by Team Trump, and I’m not the only one to have noticed: last year, over at The Outline, Tolulope Edionwe wrote a sharp post about “the iMovie president.” The whole post is worth reading, but this assessment rings particularly true: “This has become a pattern for Trump: poorly-edited digital content in which serious and significant subjects are given bad color treatments, low resolution, and carelessly incorrect accoutrements.” In the Ernest Goes to Pyongyang reality which we are on course to enter shortly, our lawfully elected president (or whatever) […]
by Vadim Rizov on Jun 12, 2018 -
Notes on Camp: Desiree Akhavan on The Miseducation of Cameron Post, ADR Rewriting and 4 Non Blondes’ “What’s Up”
In Desiree Akhavan’s feature debut, Appropriate Behavior, the cowriter/director was front and center as Shirin, a young, bisexual Persian Brooklynite trying to figure out how to live her life, one sexually impulsive bad decision at a time. It was in keeping with the of-the-moment nature of The Slope, Akhavan’s reputation-making 2011 web series about a year in a lesbian couple’s New York relationship, in which she again costarred. Her sophomore feature, The Miseducation of Cameron Post, tackles new territory: It’s Akhavan’s first time working from an adaptation, first period piece and first time staying offscreen in her work. Miseducation was […]
by Vadim Rizov on Jun 11, 2018 -
Canyon Cinema 50, Art of the Real and Emile de Antonio in NYC, Week of 4/27
A few weeks ago my Twitter feed abruptly devolved into a long argument about The Canon: is it just an ossified collection of movies made by white men that should be junked? I don’t think The Canon is a fixed, immutable body of work, never to be added or subtracted to — it’s being constantly reshuffled, with films and filmmakers rising and falling in prominence. Repertory houses have a major part to play in that process, which I note while in the position of wanting to commend a smattering of series and screenings kicking off this weekend in NYC, none of […]
by Vadim Rizov on Apr 26, 2018
