Authors — Vadim Rizov
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Win an Alejandro Jodorowsky Prize Pack
Thanks to our friends at ABCKO Films, Filmmaker has a prize pack to give away tied to Alejandro Jodorowsky’s The Dance of Reality, the cult favorite’s first feature since 1990’s The Rainbow Thief. In this new film, Jodorowsky revisits his ’30s Chilean childhood while producing typically fantastical imagery. The prize pack includes an El Topo Blu-ray, The Holy Mountain Blu-ray, and the El Topo soundtrack on both CD and vinyl. To win, be the first to answer this question: what sci-fi novel did Jodorowsky try and ultimately fail to bring to the screen, as chronicled in a recently released documentary? […]
by Vadim Rizov on Jun 5, 2014 -
Two New Apichatpong Weerasethakul Gallery Shows, Plus a New Journal About His Work
Though it’s no secret that Uncle Boonmee Who Can Recall His Past Lives director Apichatpong Weerasethakul is probably even more prolific as a gallery artist than as a director, coverage of his non-film work often gets short shrift. Reviews of two recent exhibitions shed light on the latest developments in this arena of his work. From London, Marco Bohr reports on “Double Visions,” a recently closed exhibit held at the Anthony Reynolds Gallery. Bohr is skeptical of the success of this exhibition, which includes Dilbar, a ten-minute video of a Bangladeshi migrant worker in the UAE, and Teem, three mobile […]
by Vadim Rizov on Jun 4, 2014 -
Streaming More Eco-Friendly Than DVDs, Study (Sort Of) Says
A study published last week in the journal Environmental Research Letters under the self-explanatory title “The energy and greenhouse-gas implications of internet video streaming in the United States” looks at numbers from 2011 to conclude that streaming services and servers have become much more energy efficient. As a result, streaming consumes significantly less energy and emits less carbon dioxide than the manufacture and distribution of DVDs. (This is all explained in plain language here and here). The easy-to-extrapolate conclusion is not only that streaming is the increasingly dominant distribution platform of choice but that that turns out to be a […]
by Vadim Rizov on Jun 3, 2014 -
“Why Don’t We All Go Blow Stuff Up?” Kelly Reichardt on Night Moves
In Night Moves, Jesse Eisenberg’s baleful, twitchy intensity finds another fitting incarnation. His Josh is an environmentalist visibly dissatisfied with perceived half-measures who plans to blow up a dam as an act of eco-terrorism-/-activism with the help of ex-Marine buddy Harmon (Peter Sarsgaard) and Dena (Dakota Fanning). To do this, they’ll need to purchase suspicious quantities of ammonium nitrate and buy a boat to pack it into. The middle-aged suburban guy selling his fishing vessel couldn’t be more innocuous in his personal manner, but we see his neighborhood through Josh’s angry eyes: the backyard waterfall is a clear misallocation of […]
by Vadim Rizov on May 30, 2014 -
“The Unseen Seen”: Reiner Riedler’s Photos of Film Reels
Very neat: Reiner Riedler has come up with a new way to look at the death throes of 35mm. Granted access by the Deutsche Kinemathek to its archives, Riedler photographed a broad cross-section of movies — features and trailers, original negatives and copies, preserved and decayed, nitrate and acetate — in their increasingly-rarely-seen state as coiled reels around a core. “I drew up a list of well-known films and those with unusual titles,” Riedler explained to Design Boom. “I set up a little photo studio inside the cinema of the archive and backlit the film rolls by installing film lights […]
by Vadim Rizov on May 28, 2014 -
Former Managing Editor Nick Dawson Launches The Talkhouse Film
Now it can be revealed: former Filmmaker Magazine managing editor Nick Dawson is now the editor of The Talkhouse Film, an expansion of the popular site dedicated to musicians talking about music. As you might expect, The Talkhouse Film has directors discussing other directors’ movies. Today’s launch introduces a boatload of pieces that are already up, including Ping Pong Summer director Michael Tully on Cold In July, Sharknado director Anthony C. Ferrante on Godzilla (!), Ain’t Them Bodies Saints director David Lowery on The Immigrant, and much more. Take a look around and expect more in the weeks (and years) […]
by Vadim Rizov on May 23, 2014 -
Cannes Day 9: France Responds to Welcome To New York, Ukraine & Azerbaijan Unite
News items of interest as the Cannes Film Festival rolls through its ninth day: • At The Conversation, Sue Harris has an overview of the furious reception Abel Ferrara’s Welcome To New York has received in France. As she points out, the casting of Gérard Depardieu is far from incidental: Depardieu’s casting breaches the fictional veneer of Ferrara’s film in ways that no other actor could. No one could be more suited to play the nation’s premier “disgraced” Frenchmen than the other principle one. And so, thanks to a volatile mix of the real and the imagined – a heady […]
by Vadim Rizov on May 22, 2014 -
Xavier Dolan’s Mommy Was Shot In a New Aspect Ratio
As far as I know, this is a first: Québecois auteur Xavier Dolan’s fifth feature Mommy premiered at Cannes today, and word has trickled out from first viewers that it’s shot in a ratio that’s new to the movies. 1.1 is a perfect square: think a CD cover photo. Dolan shot a music video in the aspect ratio last year, which inspired him to do the same for Mommy — a fact he somehow managed to keep under wraps. In the press kit, Dolan explains his thought process: “After having shot a music video in 1:1 last year, it dawned […]
by Vadim Rizov on May 21, 2014 -
Cannes Day 8: Solidarity, “Busting” Anti-Fracking Celebrities and Ukrainian Crisis
Some notes of interest from the Cannes Film Festival as it enters its closing stretch: • Programmed in the less-exhaustively covered “Un Certain Regard” section, Philippe Lacote’s Run is the first film from the Ivory Coast to play at Cannes in 29 years. In an interesting interview with Reuters’ Michael Roddy, Lacote gets into the historical particulars of his genre movie and has some words about his relationship to the festival’s most prominent African film, Abderrahmane Sissako Timbuktu. “The problem with the international festivals and with European and American audiences is this ‘vogue,’” he notes. “People in the Occident want […]
by Vadim Rizov on May 21, 2014 -
Watch: An Interview with Searching For Sugar Man Director Malik Bendjelloul
Thanks to director Darius Devas for emailing us about his interview from SXSW 2012 with Malik Bendjelloul, the late director of Searching For Sugar Man. In this five-minute interview, a thoroughly engaged Bendjelloul talks about finding his story, constructing a narrative that builds from one “and then” moment to another, and the human brain’s close resemblance to a chimpanzee’s.
by Vadim Rizov on May 21, 2014
