Director Interviews
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Steve Collins, You Hurt My Feelings
Steve Collins’ You Hurt My Feelings is the story of emotionally remote and unavailable people, a trio of wounded individuals who fail to connect with one another. Though Collins’ film deals with familiar subject matter, its tale is told with such clever minimalism and discernible sweetness that it goes down rather smoothly. While the characters may not be able to express themselves emotionally, Collins and his director of photography, Jeremy Saulnier (Septien, Putty Hill), find real poetry in the changing of the New England seasons, the passage of time providing an even greater window in the the failed lives on display. John […]
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The Blue Velvet Project, #106
Second #4982, 83:02 This frame comes from perhaps the most difficult scene to watch—without flinching or looking away—in Blue Velvet. Frank, getting warmed up for his violent gender-bending abuse of Jeffrey, assaults what is beneath Dorothy’s robe. The viewer is trapped in the backseat with Jeffrey, sutured into his point of view. Jeffrey, who is unable to decipher the meaning of Frank. On one level, Blue Velvet is a post-apocalyptic film, where what has been destroyed is not just buildings but meaning itself. In Brian Evenson’s new novel Immobility, the main character—a paralyzed-from-the-waste-down man named Horkai—considers the devastated landscape as […]
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Damon Russell, Snow on tha Bluff
The line separating documentary and narrative film aesthetics has never been more porous than it is now, but Damon Russell’s revelatory Snow on tha Bluff lives comfortably on that line. An incredible combination of found footage, no-budget narrative ingenuity and pulled-from-the-streets doc immediacy, it discovers in its incredibly charismatic and troubled protagonist, Curtis Snow, an American life many of us would probably rather forget about. Easy to dismiss as “Cops from the perp’s perspective,” perhaps, this startlingly authentic document of the life of a young, black, crack-dealing single parent — and of the dangers that lurk in poor and working-class black […]
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Nanni Moretti, We Have a Pope
Deeply shrouded in mystery, the election of the Pope is a strange amalgam of modern democracy and ancient ritual. It is also a circumstance that seems ripe for farce. At least Nanni Moretti, perhaps Italy’s most revered contemporary filmmaker, seems to think so. His newest film, We Have a Pope, which premiered last year in Cannes as Habemus Papam, is an often funny, sneakily moving investigation of the Vatican’s less-than-infallible process of choosing the divine, and one man’s rejection of his supposedly divine calling. Starring Michel Piccoli as a would-be Pope who disappears after his election and Moretti himself as […]
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Grover Babcock and Blue Hadaegh, Scenes of a Crime
The 2011 winner of the Filmmaker-sponsored Best Film Not Playing at a Theater Near You IFP Gotham Award, Grover Babcock and Blue Hadaegh’s Scenes of a Crime is a powerful social justice documentary that uses its feature-length format as its most powerful argument for the innocence of Adrian Thomas, a New York man currently inprisoned for the shaking death of his infant son. Over the course of the film’s 88 minutes, we go beyond the soundbite, watching long stretches of Thomas’s interview by two detectives — a grilling that resulted in a confession that specialists in police interrogation believe was […]
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Terence Davies, The Deep Blue Sea
One of the United Kingdom’s most lauded stylists, Terence Davies has carefully crafted a body of work that fits squarely into the class-conscious, post-neorealist tradition of British cinema, working without much fanfare or regard for the exigencies of commercial filmmaking that the age and his stature would seem to demand. Now in his mid-sixties, Davies has in the last 30 years quietly established himself as one of the finest British filmmakers of his generation. He is not a cinephile and his lugubrious, sublimely photographed and insidiously hard-hearted narratives — such as 1988’s Distant Voices, Still Lives, which will screen as […]
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David Gelb, Jiro Dreams of Sushi
Jiro Ono, the world’s most acclaimed sushi chef, is not one to rest. As hard working an octogenarian as you’re ever likely to encounter on screen, Jiro is a celebrity in Japan, but little known here in the States. That is likely to change thanks to director David Gelb’s portrait of the man, his two sons and the philosophy of diligence, hard work and perfectionism they demonstrate in Jiro Dreams of Sushi. A hit at last year’s Berlinale and Tribeca Film Festival, it depicts the rigorous work ethic that Jiro, who began making sushi professionally shortly after World War II, […]
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Ruaridh Arrow, How to Start a Revolution
Although you’ve probably never heard of him, writer and professor Gene Sharp is one of the foremost scholars on grassroots, non-violent protest movements. The son of an itinerant preacher, the Ohio-born octogenarian, whose writings have informed the tactics of protest movement leaders from Serbia to Iran and the Ukraine to Syria, teaches at UMass Dartmouth. He lives a life of relative quiet and solitude, at least when revolutionaries from around the globe aren’t clamoring for his advice. In Ruaridh Arrow’s documentary How to Start a Revolution we get up close and personal with Sharp, who has drawn the direct ire […]
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Liza Johnson, Return
A low-key drama that articulates the ennui of a returning servicewoman after a tour in the Middle East, Liza Johnson’s Return strikes a delicate balance between familial melodrama and suffering vet pic. Light on exposition and heavy on expert thesping, it features a striking performance by Linda Cardellini, once the most sly and attractive of the awkward high schoolers on Freaks and Geeks, and now a fully mature screen actress making the most of her copious talents. We meet her character Kelly at the airport, freshly arrived in Ohio after a stint in an unnamed theater of war, and only […]
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Zack Parker, Scalene
Zack Parker’s Scalene is a small midwestern gem of a psychological thriller, with several moments that are as shocking as any that will find their way to commercial movie screens all year. Parker and his co-writer, longtime collaborator Brandon Owens use two storytelling devices that have gone in and out of vogue — out-of-sequence and multiple-perspective recounting of events — to marvelous effect. Shot in the filmmaker’s home state of Indiana, it is a heady and tragic mind bender, one that has been unduly overlooked by the major American fests while having had a long run on the regional circuit. The film opens […]
