Sundance starts tomorrow, and just before the curtain raises we’re squeaking in with a list of films our correspondents — Vadim Rizov, Meredith Alloway and myself — are excited to see. I’m about to start packing, and colleagues from other magazines and companies are Facebooking their SARS-mask covered faces on their way to the influenza petri-dish of Park City. I could spin this intro out longer — quote Sundance festival director John Cooper on how this year’s festival is full of “alternative voices” — or perhaps left-turn into some metaphor or another, but I’ll just do what we do here […]
Much has been written on the proliferation of film festivals over the last two decades or so. Tentacular events in whose midst commercial imperatives and nobler intentions (or alleged such) dialectically coexist, festivals can be many things, but rarely do they feel as vital and unprecedented as the first edition of the Pingyao Crouching Tiger Hidden Dragon International Film Festival (PYIFF). Unprecedented indeed it was, for the festival founded by the Chinese director Jia Zhangke is the first ever in China to be approved by the authorities but operated by a private company. This organizational set-up allowed its founder and […]
Rotterdam Film Festival The year started with my first visit to the Rotterdam Film Festival, which is once again being seen as a festival for experimental and challenging films under the auspices of Artistic Director Bero Beyer and which offers an eclectic mix of cinemas. The Willem Burger Complex — where I saw a number of films, including one-time Spike Lee cinematographer Ernest Dickerson’s Double Play, a playful but ultimately unsatisfactory adaptation of Frank Martinus Arion’s Curaçao-set novel — is a beautiful building designed for conferences, but the seats do make you feel like you’re in a lecture hall, befitting […]
“The sky above the port was the color of television, tuned to a dead channel.” opens William Gibson’s Neuromancer, set in Chiba, Japan (while generally accepted as a reference to the novelist’s home in Vancouver). A similar pall intermittently lingered over the northern Portuguese city of Porto during the city’s Porto/Post/Doc festival. The pallid grey and smoke were reminders of the devastating fires that have engulfed northern regions of the country since the summer, claiming many lives. The cinematic image of smokey cobblestone streets — with a knowledge of the real, if unseen forces behind them — provided a somber and […]
A sense of optimism flowed through the 37th edition of the Hawaii International Film Festival, held over ten days in Honolulu this past November. Last year’s version may have been sucker-punched midway through thanks to the election of Donald Trump, which knocked the wind out of many audience members and staffers here in this deep-blue, Obama-proud state. A year later the crowds and the energy were back, along with an even-stronger determination to not only hear new stories, but to committedly tell and help preserve their own. While the amount of made-in-Hawaii documentary and narrative features was only slightly over […]
Sundance always drops an announcement or two following their initial burst in early December, and today the Sundance Institute has done just that, releasing the titles of films and programs that cross the festival’s various programming categories. Honestly, when the first list came out without Tamara Jenkins’s latest, Private Life, I was expecting to see it slide into the schedule at a later date, which it has done today. The Slums of Beverly Hills/The Savages director’s new film stars Kathryn Hahn and Paul Giamatti in a tale of a couple exploring assisted reproduction and domestic adoption as they try to […]
Here are my favorite film experiences of the year: 10. Loving Vincent (2017; dir. Dorota Kobiela & Hugh Welchman; Lincoln Plaza Cinema) 9. The Red Turtle (2016; dir. Michaël Dudok de Wit; Lincoln Plaza Cinema) 8. Metropolis (1927; dir. Fritz Lang; Marble Collegiate Church) 7. La Belle et la Bête (1946; dir. Jean Cocteau; Tribeca Film Festival at Town Hall) 6. The Last Animals (2017; dir. Kate Brooks; Tribeca Film Festival at Cinépolis Chelsea) 5. City Lights (1931; dir. Charlie Chaplin; United Palace) 4. Harmony of Difference (2017; dir. Kamasi Washington; Whitney Biennial) 3. Romeo + Juliet (1996; dir. Baz Luhrmann; Little Cinema at House of Yes) 2. Imponderable (2015-16; […]
Discussing the Other, race, and privilege in documentaries is no straightforward task. Who can tell whose story to whom using whose story-telling techniques have been questions since before 1922’s Nanook of the North, and when we toss in why, and whose paying for it, it doesn’t get simpler. At a panel on perspective and point of view in storytelling at DOC NYC PRO, filmmaker Renee Tajima-Peña deftly moderated as five award-winning filmmakers who present as non-white grappled with some of the issues around representation, the white gaze, and what we as individuals can do to support each other, act authentically […]
Slamdance’s Beyond category — for emerging filmmakers working beyond their first features — was announced yesterday along with its two shorts competitions, with five world premieres gracing the first category. The 2018 Slamdance Film Festival runs January 19-25 in Park City, Utah. Check out the announcement below. BEYOND PROGRAM Back at the Staircase (USA) World Premiere Director: Drew Britton Five distinctive people, each with a flimsy coping strategy, find themselves stuck together after an accident. Cast: Jennifer Lafleur, Stephen Plunkett, Leonora Pitts, Mickey O’Hagan, Logan Lark, Heather LaVine Funny Story (USA) World Premiere Director: Michael Gallagher After years of being […]
Sundance’s technology-focused New Frontier section spreads out to three venues this year as its lineup incorporates film, live performance, VR and mixed reality, and even AI. Of the latter, in Frankenstein AI: A Monster Made by Many, audiences “interact with” artificial intelligence to create a shared narrative, and in TendAR AI mixes with biometrics and facial recognition to humorously ponder the social issues surrounding this new tech. Regarding the venues and the program, from the press release: The New Frontier Exhibition at Kimball Art Center will host immersive dance and cutting edge VR & MR works as well as works […]