Festivals & Events
Festivals & Events
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“The Biggest Challenge on a Verité Production is Time”: DP Christopher LaMarca on Sugarcane
Sugarcane, co-directed by journalists Julian Brave NoiseCat and Emily Kassie, is an investigation into the abuse and missing persons cases at an indigenous residential school and the associated tumult on the nearby Reserve. It is the debut film by NoiseCat, a former policy with personal ties to the community, and the second, after A Girl Named C, for Kassie. Christopher LaMarca served as cinematographer, his second such credit, after Ry Russo-Young’s Nuclear Family. Below, he discusses some of the challenges peculiar to shooting verité films. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you […]
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“Adapt and Let the Film Show You What It Wants to Show You”: DP Kristen Correll on My Old Ass
In My Old Ass, an incoming college freshman encounters an older version of herself during a mushroom trip, spurring a journey of self-discovery. The film is director Megan Park’s follow-up the 2021 SXSW premiere The Fallout and stars Maisy Stella (Nashville) alongside Aubrey Plaza (Emily the Criminal). Kristen Correll (The Fallout, Parachute) served as director of photography. Below, she talks about going with the flow during shooting, the film’s nostalgic tone, and the ’90s favorites that provided influence. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were […]
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“I Attribute Our Ingenuity to Collective Organizing Principles” | Jazmin Jones, Seeking Mavis Beacon
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Given the investigative nature of Seeking Mavis Beacon, I knew I wanted to play with elements of noir and true crime. It’s worth mentioning that I have a contentious relationship with these film genres but, aesthetically speaking, they’re rife with visual motifs that […]
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“The Gravestones Appear Almost Like Signs” | Hans Block and Moritz Riesewieck, Eternal You
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? For our film we were interested in contrasting the world of digital afterlife with traditional forms of remembrance and commemoration. There is one scene in which the camera floats at some height, almost vertically above the graves of a large cemetery in western […]
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“The Audience Must Be Transported Here to Feel What It’s Like”: DP Andrey Stefanov on Porcelain War
Although artists by trade, Ukrainians Slava Leontyev, Anya Stasenko and Andrey Stefanov opted to help their countries fight off the Russian invasion. Their lives, their continued passion for their art and their country are now the subject of Porcelain War, co-directed by Leontyev and Brendan Bellomo, the latter of whom is based in the United States. Below, Stefanov, who also served as the film’s cinematographer, discusses making a film about war-torn Ukraine and the place of the filmmakers within it and how they managed to do it across two continents. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: […]
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“The Experience of Being an Outsider Is a Universal One”: River Gallo and Esteban Arango on Ponyboi
On a dreary Valentine’s Day in New Jersey during the early aughts, intersex laundromat employee and sex worker Ponyboi (River Gallo) finds themselves embroiled in a bungled drug deal. Estranged from his family and afraid of coming clean to his best friend (Victoria Pedretti) and her husband (Dylan O’Brien)—also Ponyboi’s boss and clandestine sexual partner—he decides to go on the run and permanently escape the Garden State. Along the way, he crosses paths with a rugged kindly stranger who’s shrouded in mystery and en route to Las Vegas. Just when he’s ready to hitch a ride to the desert, however, […]
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“The Millennial Decline That’s Taking Place in the Present Moment”: Theda Hammel on Stress Positions
Premiering in the U.S. Dramatic Competition at the 2024 Sundance Film Festival, Stress Positions—the feature debut from writer, director and star Theda Hammel—takes place during the not-so-distant summer of 2020. While this setting immediately evokes recollections of quarantine, protest movements and rapidly-changing health and safety standards, Hammel isn’t striving to present a time capsule. Instead, the filmmaker opts for a satirical take on how the pandemic shaped generational notions of social justice, artistry and personal identity, particularly among New York’s well-to-do queer fringe. Hammel plays Karla, a trans woman whose relationship with Vanessa (Amy Zimmer), her cis lesbian girlfriend, has […]
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“The Biggest Inspiration for Me Making This Film at All Was Maria’s Blog” | Silje Evensmo Jacobsen, A New Kind of Wilderness
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The biggest inspiration for me making this film at all was Maria’s blog, where she was telling the story of her family’s journey towards being wild and free. She inspired me so much both when it comes to storytelling, and visually with […]
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“Me Being There by Myself Led to More Authentic and Intimate Situations”: DP Silje Evensmo Jacobsen on A New Kind of Wilderness
Director Silje Evensmo Jacobsen also served as the primary cinematographer on her documentary A New Kind of Wilderness, premiering at the 2024 Sundance Film Festival in the World Documentary Competition. The film follows the Payne family, who’ve been happily residing in a remote Norwegian forest until a death in the family forces them to move back into populated society. Below, Evensmo Jacobsen describes her approach to shooting A New Kind of Wilderness, which she did alongside directing in order to foster a more genuine intimacy with the film’s subjects. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How […]
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“Stay True to Your Gut”: Producer Mari Bakke Riise on A New Kind of Wilderness
When the Payne family experiences a personal tragedy, they must leave the home they love in the remote Norwegian wilderness and enmesh themselves in the society they once felt so strongly opposed to in A New Kind of Wilderness, the latest documentary from filmmaker Silje Evensmo Jacobsen. First-time producer Mari Bakke Riise, who also served as the film’s editor, discusses how her long-time collaboration with Evensmo Jacobsen led to her multi-pronged involvement on this project. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce this film, your […]
