Festivals & Events
Festivals & Events
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“Our Job Was To Create Two Movies”: Editor Brian Kates on Kiss of the Spider Woman and It’s Never Over, Jeff Buckley
Screening in Sundance’s Premieres section, Kiss of the Spider Woman is a reimagining of the 1985 film set amid Argentina’s Dirty War, with one prisoner relating his favorite Hollywood musical to the other. The film is directed by Bill Condon, whose credits include Dreamgirls, Gods and Monsters, and both parts of The Twilight Saga: Breaking Dawn. It’s Never Over, Jeff Buckley, a documentary about the belated singer who drowned at 27 in 1997 featuring never-before-seen footage and interviews with those close to him, is also screening as part of the Premieres section. The film marks the return of Amy Berg (Phoenix Rising) to Sundance. […]
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“A Tradition My Dad and I Shared for Nearly Three Decades” | Tadashi Nakamura, Third Act
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? Looking back on the production of Third Act, one of the most significant days for me was filming a scene of my dad and me driving to the Rose Bowl for a UCLA football game. This wasn’t just any outing—it was a tradition my dad and I shared for nearly three decades, starting when […]
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“A Spark That Turned into a Wild Creative Ride” | Amber Fares, Coexistence, My Ass!
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? I met Noam in a cafe in Brooklyn in the fall of 2019. We knew each other from years prior when I was living in Ramallah, Palestine, and making my first film, Speed Sisters. She was working for the UN at the time. But when we reconnected in the US, she was at Harvard for […]
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“Let the Weight of the Words Carry the Scene”: DP Bao Nguyen on The Stringer
Nick Ut’s Pulitzer Prize–winning photo The Terror of War, sometimes referred to as “Napalm Girl,” is one of the most recognizable photographs ever taken. The Stringer, directed by Bao Nguyen (The Greatest Night in Pop) and playing the 2025 Sundance Film Festival’s Premires sections, investigates the history of the photograph and contests its authorship. Nguyen also served as one of three cinematographers on the film, alongside Andrew Yuyi Truong. Below, the three of them answer discuss establishing a consistent visual language and connecting the themes of secrecy and discovery with shadow and light. See all responses to our annual Sundance cinematographer […]
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“Claustrophobic Framing Became the Photographic Heart”: DP Ben Fordesman on The Thing with Feathers
A young father (Benedict Cumberbatch) of two boys suspects he is being stalked by a malevolent creature after the sudden death of his wife in The Thing with Feathers. The Premieres section film is the fiction feature debut of Dylan Southern, best known for a slew of music documentaries (Shut Up and the Play the Hits, Meet Me in the Bathroom). Ben Fordesman (Love Lies Bleeding, Saint Maud) served as DP on the film after working with Southern on commercials and music videos. Below, he details at length how he made the crow stalking the young father feel real and how he […]
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“I’ve Never Prepped a Movie So Many Times.”: DP Christopher Aoun, All That’s Left of You
Taking place in 1948, 1978, 1988 and 2022, All That’s Left of You traces the history of a fictional Palestinian family in flashback after a confrontation at a West Bank protest. All That’s Left of You is the third feature of director Cherien Dabris, whose Amreeka and May in the Summer played Sundance in 2009 and 2013, respectively. Christopher Aoun (Capernaum) served as the film’s cinematographer. Below, he talks about how he distinguished the film’s four timelines and the difficulties of prepping the film from scratch after the crew was forced out of the West Bank in the aftermath of October 7, 2023. See all responses to our […]
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“Each Set of Rushes Presents a Unique Puzzle”: Editor George Cragg on The Thing with Feathers
In The Thing with Feathers, a widower and father of two suspects he is being stalked by a crow-like figure. The adaptation of Max Porter’s book of the same name stars Benedict Cumberbatch and is the fiction feature debut of director Dylan Southern (Shut Up and Play the Hits, Meet Me in the Bathroom). The versatile George Cragg (Collective, I Am Not a Witch, Earth Mama) served as the film’s editor in his first collaboration with Southern. He talks about how he made his way up in the industry and how he and Southern restructured the film below. See all responses to our […]
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“All the Delicate Layers Gently Rose to the Surface”: DP Daisy Zhou on Bunnylovr
In Bunnylovr, a Chinese American cam girl tries to reconnect with her father while managing a deteriorating relationship with one of her clients. The film, part of the U.S. Dramatic Competition at the 2025 Sundance Film Festival, is director Katarina Zhu directorial feature debut. Handling cinematographer duties is Daisy Zhou (The African Desperate, Suicide by Sunlight). Below, she rattles off a number of influences and goes into detail about her camera selection and approach to lighting. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the […]
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“Everything That Can Go Wrong Did” | Katarina Zhu, Bunnylovr
Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The second day of the shoot will be forever seared into my memory, partly because everything that can go wrong did, but mainly because it was the moment I realized just how extraordinary my team was and how grateful I was to be surrounded by them. It was the first day that another actor, […]
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Sundance 2025: Omaha, Seeds, The Dating Game
A Brigham Young University graduate and longtime Utah resident, Cole Webley’s repeatedly testified how much it means to have his debut feature premiere here after years of rejected shorts. The Utah runs deep in Omaha, whose opening minutes seem to take place in, if not the exact neighborhood, a dead ringer for the suburban setting of fellow BYU alum and screenwriter Robert Machoian’s The Killing of Two Lovers. One morning a father (John Magaro) wakes adolescent daughter Ella (Molly Belle Wright) and even younger son Charlie (Wyatt Solis), piles them and adorable golden retriever Rex into the car, and gets […]
