Festivals & Events
Festivals & Events
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“The Storm, the Fog, the Humidity” | Christopher Murray, Sorcery
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I think our obstruction was the unpredictable weather of Chiloe Island at the very south of Chile. The storm, the fog, the humidity. But really, more than an obstruction, I think it was just an intense force to relate to while shooting. In a way, the weather also directed us and the film, as a kind of atmospheric spell. It […]
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“A Family Drama and a Whodunnit at the Same Time”: Editor Robert Grigsby Wilson on Fancy Dance
Jax (Lily Gladstone) has been taking care of her niece Roki (Isabel Deroy-Olson) ever since her sister’s recent disappearance in Fancy Dance, the feature debut from Indigenous filmmaker Erica Tremblay. When two weeks pass without word from her, CPS shows up at Jax’s door and insists that she’s not a fit guardian for the young girl. As a last resort, she jets off with Roki to attend a powwow she’s long been anticipating—with the lingering hope that her mother might just show up there, as well. Editor Robert Grigsby Wilson talks about cutting the film, touching upon his previous collaboration […]
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“The Textures, Colors and Feeling of Muscogee Nation Permeate the Screen”: DP Tyler Graim on Bad Press
When the Muscogee Nation begins censoring its free press, reporter Angel Ellis and her colleagues at Mvskoke Media engage in a dogged quest for transparency and government accountability on the behalf its readers and the community at large. This is the fight that unfolds in the documentary Bad Press, from co-directors Rebecca Landsberry-Baker and Joe Peeler, which follows the ramifications of the 2015 Free Press Act’s repeal. Cinematographer Tyler Graim discusses how he approached shooting a documentary full of twists and turns and the influence of “slow cinema” on the film’s visual style. See all responses to our annual Sundance […]
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“It Took an Additional 14 Months of Editing” | Joe Peeler, Bad Press
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? In the fall of 2021, we were about a year into our edit and preparing to submit Bad Press to the 2022 Sundance Film Festival. We had been filming the battle for free press in the Muscogee Nation for two-and-a-half years at that point, and we felt that the story had all but wrapped up. Suddenly, about two weeks before […]
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“Creative Storytelling Needs Rather Simple Tools”: Editors Tushar Prakash and Hendrik Mägar on Smoke Sauna Sisterhood
In Smoke Sauna Sisterhood, the hazy and intimate doc from Estonian director Anna Hints, a group of women bear body and soul for the camera as they engage in lengthy shvitzes and discuss their most personal thoughts and memories while worshiping the divine feminine connection they all share. Editors Tushar Prakash and Hendrik Mägar discuss how they each approached cutting the film, with Mägar coming on during post-production to do the final edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors […]
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“My Own Sweat Would Drip Onto the Camera”: DP Ants Tammik on Smoke Sauna Sisterhood
Women bear all in Smoke Sauna Sisterhood, the intimate documentary from Estonian filmmaker Anna Hints. While partaking in the ritualistic cleanse, a group of women divulge secrets, talk through past traumas and, above all, foster their feminine bond while sweating bullets in the nude. DP Ants Tammik tells Filmmaker about the complications of shooting in such a hot, stuffy environment with sensitive equipment —and a few injuries he sustained along the way. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and […]
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“Each Film I Make Will Require New and Different Ways of Thinking”: Editor Luke Lorentzen on A Still Small Voice
An aspiring chaplain must complete her yearlong residency at NYC’s Mount Sinai Hospital during a particularly dark period for public health in A Still Small Voice, the latest from doc filmmaker Luke Lorentzen. Between 2020 and 2021, Mati conducts visits as part of the hospital’s spiritual care department, navigating the grief, trauma and uncertainly that weighs heavily on these patients—and herself. Lorentzen, who acted as director, cinematographer and editor, discusses his experience cutting the film, which he describes as his “favorite part of the filmmaking process.” See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did […]
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“Two Lenses and a Monitor Did Not Survive” | Anna Hints, Smoke Sauna Sisterhood
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I must say that the Smoke Sauna Sisterhood journey has been a total roller-coster or as we call in Estonian “American hills.” So I am more than delighted that in the end of the journey we end up with the world premiere at Sundance in the middle of real American mountains. The first big obstacle was that my first producer […]
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“I Had To Shoot This Film as a One-Person Crew”: DP Luke Lorentzen on A Still Small Voice
An aspiring chaplain named Mati navigates tragedy, grief and her own bandwidth for handling the incalculable loss of the pandemic in A Still Small Voice, the latest from documentary filmmaker Luke Lorentzen. Finishing her yearlong residency at the spiritual care department in New York City’s Mount Sinai Hospital, Lorentzen captures Mati and her supervisor Rev. David’s fight to maintain hope and warmth between 2020 and 2021, two of the deadliest years in U.S. history. Lorentzen, who directed, shot and edited the film, discusses how his one-person shoot allowed him to blend into the doc’s setting—and gain the trust of subjects—more […]
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“All of My Supporting Artists Were Testing Positive” | Nida Manzoor, Polite Society
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? At the beginning of the film there is a big school fight between Ria, the main character, and the school bully. I had always imagined it being set in this grand, round school library, filled with rabid teen girl spectators, creating a bloodthirsty gladiatorial image, a feeling of epic spectacle. When it came to the reality of filming, we were […]
