Festivals & Events
Festivals & Events
-
Sundance Announces Live and Online Presentation Details of Its 2021 Festival
The Sundance Institute announced details of its 2021 edition — plans that will see Sundance offer titles to home audiences via a custom-designed online platform while socially-distanced live events (continent upon local health and safety guidelines at the time of the screenings) will occur in Park City, Utah as well as at a number of “satellite screens” across the country. Running January 28 – February 3, 2021, the Sundance Film Festival will stream its more than 70 features in three-hour blocks throughout the day, with films beginning simultaneously “to preserve the energy of a Festival,” according to the press release. […]
-
Slamdance Announces 132 Features, Shorts and Episodics; Fest Passes Free Until December 31
The Slamdance Film Festival announced today the 132 features, shorts and episodic programs that will comprise its hybrid 2021 edition. Running February 12-25, the festival is billing the program “its most accessible festival ever,” and with good reason. All films, Q&A’s and panels will be available on Slamdance.com, AppleTV, Roku, Firestick and YouTube; “early adopter” passes will be free until December 31; and regular passes are only $10. Additionally, there’s a new section, Unstoppable, showcasing creators with disabilities. The festival’s live component will consist of a two-night drive-in presentation in Joshua Tree open to the public on February 13th and […]
-
“It is Being Told Now—Because It is Supposed to Be Told Now”: Christopher Kahunahana on Waikiki and Native Hawaiian Storytelling
With Waikiki opening in New York and Los Angeles on Friday, Oct. 27, 2023 (official site here), we’re reposting Jason Sanders’s 2020 interview with Christopher Kahunahana. A film with “a seventeen-day shoot and two+ years of post-production,” Christopher Kahunahana’s long-awaited feature debut Waikiki marks a coming of age for the emerging Hawaiian filmmaking scene. The first completed narrative feature film by a Kanaka Maoli (Native Hawaiian) filmmaker, Waikiki follows a young indigenous woman, Kea (a mesmerizing Danielle Zalopany), working multiple jobs—hula dancer for tourists, karaoke hostess for drunks, Hawaiian-language schoolteacher for kids—just in order to hold on, but slowly starting to […]
-
Hawai’i International Film Festival 2020: Gathering Community
If there’s any film festival that could possibly benefit from this pandemic era’s new virtual normal, consider the one in the most remote major city in the world, Honolulu. (The city’s closest neighbor with a population over 500k is San Francisco, a mere 2386 miles away). The launch pad for Hawaiian filmmakers, a cultural centerpiece for cinematic voices across the Pacific Islands and Polynesia, and a proven showcase for East Asian genre and arthouse cinema, the Hawai’i International Film Festival has always spread its proverbial audience net far and wide, with theaters filled with high-school surfers one moment, and the […]
-
Fall 2020 Winners Announced for the Final Edition of the SFFILM Westridge Grants
SFFILM, in partnership with the Westridge Foundation, announced today the six films that will receive a total of $100,000 in funding as part of the SFFILM Westridge granting program. One of the few grants available to narrative filmmakers in the development phase, a SFILM Westridge grant helps “protect filmmakers’ creative processes, and allows them the time and space to concentrate properly on crafting their story, structure, characters, and themes, and refining their projects before diving into financing, production, and beyond.” SFFILM and the Westridge Foundation also announce that this sixth edition will the last for this grant, which was initiated […]
-
Watch: Alison Nguyen’s my favorite software is being here Online and In Person
Artist and filmmaker Alison Nguyen — selected for Filmmaker‘s 2018 25 New Faces and a contributor to this Summer’s Pandemic Diaries — is showing new work featuring her Andra8, “a computer-generated woman based on the artist’s physicality.” As part of her current virtual exhibition at the Hartnett Gallery, i broke my mind at the link in the bio (running through December 18), Nguyen will screen today, Monday, November 23, her new my favorite software is being here, which captures the data-driven emotional rhythms and perceptive swings of her virtual creation. The piece, which is highly recommended, screens free today 6:30 PM Eastern […]
-
“His Materials and His Letters Were Just Sitting in Boxes in the Basement of Her House”: R.J. Cutler on Belushi at DOC NYC
From the mid to late 70s John Belushi was a multimedia meteor, seemingly destined to be an inescapable part of the zeitgeist for years to come. The outsized and ubiquitous talent — original cast member on late night TV’s SNL, scene-stealing star of the big screen (National Lampoon’s Animal House, The Blues Brothers), and hit record maker (again with The Blues Brothers) — was so inescapable that when in 1982, at the age of only 33 and the peak of his career, his life crashed to a drug-fueled end at L.A.’s Chateau Marmont, the shock to the world was seismic. So how […]
-
“There is No Film Safe from Some Version of Exploitation…”: Mo Scarpelli on her DOC NYC Feature El Father Plays Himself
Mo Scarpelli’s El Father Plays Himself, which premiered at Visions du Réel, is now at DOC NYC and will next be hitting IDFA, is one complicated multilayered journey, both logistically and emotionally. It began when Scarpelli (Anbessa, Frame by Frame) decided to train her documentary lens on a narrative feature in the making — specifically her partner Jorge Thielen Armand’s La Fortaleza (which premiered at Rotterdam). La Fortaleza in turn is based on the hard-hitting, hard-drinking life of Jorge Roque Thielen, the director’s father, who stars as himself in his own story. That “el father” remains as wild and unpredictable […]
-
First Cow Tops Nominees for 30th Annual IFP Gotham Awards; All Best Feature Nominees are Directed by Women
The Independent Filmmaker Project (IFP) announced today the nominees for its 30th annual IFP Gotham Awards. Kelly Reichardt’s First Cow received the most nominations — Best Feature, Best Screenplay, Best Actor and Breakthrough Actor. Other multiple nominees include Chloé Zhao’s Nomadland, Radha Blank’s The 40-Year-Old Version, Charlie Kaufman’s I’m Thinking of Ending Things, Eliza Hittman’s Never Rarely Sometimes Always, Natalie Erika James’s Relic and Alex Thompson and Kelly O’Sullivan’s Saint Frances. And, for the first time, all five of the Best Feature Nominees — The Assistant, First Cow, Never Rarely Sometimes Always and Relic — are directed by women. “We congratulate […]
-
“They Live and Breathe Video, So We Just Completely Fit in with the Fixtures”: Hrafnhildur Gunnarsdóttir on her DOC NYC-debuting The Vasulka Effect
As a New Yorker who has long prided my ability to namecheck most of the experimental art pioneers of the 1960s, I’m embarrassed to say I’d never heard of Steina and Woody Vasulka before watching Hrafnhildur Gunnarsdóttir’s The Vasulka Effect. Sure, I knew of The Kitchen, the legendary performance space the couple founded in 1971. And of course I was familiar with the work of the sound and visual visionaries that the Soho (now West Chelsea) institution provided a platform for — from Philip Glass and Laurie Anderson to Nam June Paik and Bill Viola. I’d just never connected a […]
