Festivals & Events
Festivals & Events
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Between Tourneur and Buñuel: Serge Bozon on Don Juan
Five years after upending the gender dynamics of Dr. Jekyll and Mr. Hyde in the Isabelle Huppert-starring Mrs. Hyde, French director Serge Bozon has returned with a modern spin on the legend of Don Juan. Like his early features Mods (2002) and La France (2007), Bozon’s Don Juan is a musical of sorts: characters often break into song—not in joyous expressions of amour fou, but rather in pained soliloquies of regret and heartbreak. Starring Tahar Rahim and Virginie Efira, the film opens with Efira’s Julie no-showing at the couple’s wedding, an act of self-possession that leaves Rahim’s coquettish Laurent, a […]
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17 Films and VR Pieces to Anticipate at the 2022 Tribeca Festival
The Tribeca Festival kicks off today, remaining in its pandemic-motivated June slot while embracing in-person screenings and events. The Godfather, accompanied by a discussion with Al Pacino, is the big retrospective, and among the celebrity-driven live talks is the sold-out conversation between director Mike Mills and Taylor Swift. As usual, for our recommendation list we at Filmmaker have tried to look past the higher-profile events, focusing on independent work by both promising new and established older creators that we’ve strong reason to believe will be worth your while. God’s Time. The feature debut from 25 New Face Daniel Antebi, God’s Time […]
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Tabitha Jackson Steps Down from Role as Sundance Film Festival Director
Tabitha Jackson, Director, Sundance Film Festival and Public Programming, will be stepping down from the role following this month’s Sundance Film Festival London, the Sundance Institute announced today. Jackson ran Sundance’s Documentary Film Program from 2013 until taking over the festival leadership role in 2020. Her two years as Festival Director coincided with the pandemic, during which she led the festival’s pivot to a successful virtual model that saw increased audiences as well as a Satellite Screen program that extended programming to arthouses around the country. In her previous Sundance role as head of the Documentary Film Program, Jackson, a […]
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Adventures in Festival Babysitting: The Need for Day Care at Film Festivals
Being a parent and working in the film industry is tough. Being a parent at a film festival, with your child in tow, is another matter. Thanks to a fully supported day care facility in Cannes called The Red Balloon, or Le Ballon Rouge, after Albert Lamorisse’s popular children’s film, I just about conducted “business as usual” on the Croisette. I’m still reeling from this opportunity, as are the other participating parents who continue to converse in a long “parents in Cannes” WhatsApp group chat. Some variation of “I couldn’t have attended Cannes without this service” is the most common […]
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“We Try Not to Think”: Véréna Paravel and Lucien Castaing-Taylor on De Humani Corporis Fabrica
It was only a matter of time before Sensory Ethnography Lab explorers Véréna Paravel and Lucien Castaing-Taylor went inside—deep inside. Shot at eight different French hospitals, De Humani Corporis Fabrica intermingles imagery from within and without the human body, observing patients and listening in on surgeons during operations with special cameras and medical equipment. Immersive in different ways from their masterpiece Leviathan, and even more hypnotic than Caniba in aligning the screen’s surface with the textures of tissue, Paravel and Castaing-Taylor’s latest film takes its title from Vesalius’s groundbreaking 16th-century anatomy text, de- and re-familiarizing us with the interiors and […]
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Cannes 2022: Metronom, Showing Up
For two weeks I lived within a Cannes-imposed schedule, with every day structured by the bookending options of a new Directors Fortnight title each morning and a new Competition film at night. More importantly, there was the 7 am roll call, when tickets were unlocked online for screenings four days out. This became a relatively smooth process once the functionally unusable press URL initially given for this purpose was changed, but those tickets still went fast. Every day (before the last four days of the festival, when this unloved ritual ceased), my roommates and I would wake up at 6:59, log […]
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“I Had No Fear of Making it Too Much”: Ruben Östlund on His Cannes Palme d’Or-Winning Triangle of Sadness
Critics at Cannes were divided over Triangle of Sadness, some happily going along with its soak-the-rich ride on a yacht, others unmoved by a comic setpiece with wealthy passengers throwing up their oysters. The Competition jury, however, was crystal clear on the matter: director Ruben Östlund joined a select group of two-time Palme d’Or winners, adding this laurel to his previous one for The Square. As he did at the 2017 Cannes closing ceremony, after receiving his award, Östlund lead the audience in a primal scream. This time for the 48-year-old Swede it must felt like a relief as much […]
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“Maybe Life is Just Killing Time Between Festivals”: Sarah Winshall’s Cannes Diary #3
Producer Sarah Winshall (We’re All Going to the World’s Fair) has been posting diary entries from her trip to the 2022 Cannes Film Festival. Read her previous reports here. Don’t worry guys, I’ve gotten some rest and I’m feeling much better. In fact, I’ve been back home in Los Angeles two nights and both nights I dreamed I was still in Cannes. They were pleasant dreams in which my subconscious invented new films that everyone was excited to see, I bumped into new friends and was whisked off to various parties. In these dreams I’m rushing around but I’m not […]
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Cannes 2022: The Awards, Close, Broker and Boy from Heaven
Only a couple of months after the Academy of Motion Picture Arts and Science’s completion of their decades-long endeavor to totally delegitimize the Oscars, Cannes provided another argument for doing away with all cinema awards entirely. The Vincent Lindon-led jury of nine couldn’t manage to make admirable choices even as they lauded virtually half the contenders in the field. Then again, at least one member of said jury admitted to not knowing who or how old Jerzy Skolimowski is until after the screening of his radiant EO—ex aequo winner, nevertheless, of the Jury Prize (something like third or fourth or […]
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Champagne, the Red Carpet and Stars at Noon: Pepi Ginsberg’s Cannes Diary
Filmmaker Pepi Ginsberg is attending Cannes for the first time with her short, The Pass, in the La Cinef section. Below, she begins a diary series on her trip there. Read an interview with Ginsberg about the film here and part one of this series here. — Editor 5/25/22 Had a celebratory bottle of champagne with the team. It felt good to sit, take a beat, share the drink. Saw Nostalgia. Was fascinating to see Naples, I’ve never been. It was painted as some kind of inferno. The grit was palpable and exotic. Called it a night after the screening […]
