Here’s a short film by Errol Morris made for the New York Times in which he speaks to young voters about their voting plans, or lack thereof.
The whole idea of remaking Evil Dead just seems wrong, but this upcoming movie has the backing of both Sam Raimi (who has a co-writer and producer credit on the film) and Bruce Campbell, who’s also a producer — and declared last year, “The remake’s gonna kick ass – you have my word.” This NSFW trailer has a number of elements in it that will be all too familiar to fans of the original, but I’m not sure if that’s necessarily a good thing. What do you think?
If you’ve come anywhere near the blog or print magazine recently, you’ll know that Filmmaker — myself, and much of our staff — are in love with Joachim Trier’s feature, Oslo, August 31st, which opened this weekend from Strand Releasing. I sat down with Trier last month for a short chat, posted below. We talk about the movie’s inspirations, the Louis Malle film based on the same book, adaptation, and then Trier gives some very solid and inspiring advice to young directors. Also, read my interview with Trier from the Winter, 2012 issue.
With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal’s Green. At SXSW this year she arrives with four titles, including Amy Seimetz’s Sun Don’t Shine and Bob Byington’s Somebody Up There Likes Me. Here I talk with Sheil about how she got into acting, being a movie fan, her influences and the particular pleasures of independent film.
Yesterday I posted Ira Glass’s amazing rant about producing Mike Birbiglia’s debut feature, Sleepwalk with Me, premiering here at the 2012 Sundance Film Festival. Now, here’s Birbiglia himself discussing the medical condition that prompted the film, the challenges of transferring material from his comedic monologues to film, and pizza…
When Mike Birbiglia asked This American Life‘s Ira Glass to produce his first feature, Sleepwalk with Me, premiering here at Sundance, Glass thought it sounded like it might be fun. “I’d read a couple of scripts, look at a couple of rough cuts,” he remembers thinking. Glass’s presumption was far from the truth… very far. In this short interview, shot before Sundance while Glass was in the sound studio with Birbiglia, he ponders — hilariously — the job of the producer.
In the first of a series of videos we did at this year’s Gotham Independent Film Awards, Gary Oldman talks to Filmmaker about his new film, Tinker, Tailor, Soldier, Spy (which opens Fri.) as well as what he’s gotten out of working on franchises like Batman and Harry Potter and why acting still interests him. Oldman was honored with a Tribute Award at this year’s Gothams. See more news and features from nominees and winners here. Coming later this month (and throughout awards season) we’ll have more videos of winners from the Gotham Awards. [jwplayer config=”FM Player” file=”https://filmmakermagazine.com/videos/Gary_Oldman_Final_Cut_640_338.mov” image=”https://filmmakermagazine.com/news/wp-content/uploads/2011/12/Gary-Oldman-Still-640-x-338.jpg”]
The bicycles are sitting in my storage unit, but Chloe Sevigny kept a key piece of costumery from Gummo: the rabbit ears she made for the Bunny Boy character. (Sevigny not only co-starred in the movie, she was also its costume designer.) She explains in this video released by Opening Ceremony tied to the launch of her third collection for the fashion house. (HT: Portable TV.) At Home with Chloë: Part 1 from Opening Ceremony on Vimeo.
When Jamie Stuart and I shot this video at Sundance this year, our jaws dropped at Peter Mullan spun out an incredibly eloquent, sustained one-take summation of Paddy Considine’s Tyrannosaur. He’s a great actor, of course, but still we were stunned at how it all just flowed. Here is that video, with Mullan and writer/director Paddy Considine talking about making a movie based on a short, dark characters, and where it all comes from. The film opens tomorrow from Strand Releasing.
Calvin Reeder’s trippy art-horror film The Oregonian lands in New York today for one screening at Brooklyn’s Nitehawk Cinema. When we selected Reeder for our 25 New Faces series, Mike Plante wrote: “I’m not really sure” how he arrived at his alt-horror style, Reeder says. “Just sorta roll the dice. I do love Sleepaway Camp. I just like to make movies all bent up, I guess.” Originally from Portland, Ore., and living in Seattle up until this year, Reeder played extensively with the great art-punk bands the Popular Shapes and the Intelligence. But he got notoriety, for better or worse, […]