Filmmaker Videos
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Trailer Watch: Mike Mills’s C’mon, C’mon
After winning an Oscar for portraying a sociopathic villain, Joaquin Phoenix now essays a (seemingly gentle) radio journalist in the new picture from Mike Mills, his follow-up to 2016’s 20th Century Women. Gabby Hoffman co-stars in the road trip film, which finds Phoenix’s character traveling cross country to interview children and teens about the state of the world. Wrote Rodrigo Perez in his Playlist review, “Vaguely reminiscent of Wim Wenders’ Alice In The Cities—a journalist is saddled with a young girl and lets her tag along on his road trip—the filmmaker’s dynamic work shares little else with the film and […]
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Trailer Watch: Mia Hansen-Løve’s Bergman Island
Writing out of Cannes, Blake Williams reviewed Mia Hansen-Løve’s latest, Bergman Island, a meta-fictional drama about a female filmmaker’s marriage to a fellow director and the ways in which she mines her life, creative anxieties and influences for narrative material. About the film, which jumps between the filmmaker’s (played by Phantom Thread‘s Vicki Krieps) exploration of the Baltic island where Ingmar Bergman lived and shot several of his films, her conversations with her partner (Tim Roth) about her efforts to crack her third act, and imagined scenes from the film to be, which feature Mia Wasikowska and Joachim Trier-regular Anders […]
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Trailer Watch: Wild Tigers I Have Known (15th Anniversary Edition)
When I recently interviewed Cam Archer about his latest short, His Image, the director told me that he has been revisiting old projects, creating new high-definition scans and working on new edits. The first of those projects to see the light of day is out October 26, and a trailer has just dropped. Via video label Altered Innocence comes a 15th anniversary edition of Archer’s debut feature, Wild Tigers I Have Known, in what’s billed as a “2021 Edit and Mix.” Bonus features on the disk include: -Pull-out Poster by Michael Gillette -Deleted Scenes -A 2021 Interview with Lou Stumpf (who […]
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Trailer Watch: Todd Haynes’s The Velvet Underground
“The artist is not with society, he’s different,” says Mary Woronov in the just-dropped trailer for Todd Haynes’s fantastic documentary, The Velvet Underground. It’s an apt pull-quote for a film that’s more about the band and the culture they arose from, reacted to and fermented than any rise/fall/redemption-styled rock narrative. Set against a few of Velvet hits (“Sweet Jane,” initially in a drone-y, slowed-down live version; “Here She Goes Again”; “Venus in Furs”) the trailer gives a glimpse of the film’s elegant graphics, masterful use of archival (not just VU concerts but experimental films of the day) and smart musicology. […]
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Trailer Watch: Paul Schrader’s The Card Counter
The first trailer for The Card Counter, Paul Schrader’s keenly anticipated follow-up to First Reformed, has arrived. The premise is straightforward: sentenced to ten years in prison, fall guy Oscar Isaac learns how to count cards. The tone here is intriguingly all over the place, including Isaac’ flirtatious casino floor meeting with dealer Tiffany Haddish, promises of cold-blooded revenge and at least one shot directly quoting, per Schrader’s usual reference point, Pickpocket. (It’s the hands reaching towards each other through a prison visiting room’s glass pane.) The Card Counter premieres at this year’s Venice Film Festival before entering release on September 10 from […]
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Watch: Leah Shore’s Music Video for The Malpractice, Get Father on the Phone
Filmmaker Leah Shore — a 25 New Face who contributed an illustration to Joanne McNeil’s Speculations column last issue — has directed a music video for the band The Malpractice. With pink curtains, green shag wallpaper and cardboard broccoli, the video features Sarah Ellen Stephens, who stars in Shore’s recent short film, Puss, and film critic and programmer Aaron Hillis in a playfully menacing infantilism scenario that Shore shot entirely in her own apartment. Check it out above.
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Trailer Watch: Somos., James Schamus’s First Television Series, Soon Premiering on Netflix
Producer, screenwriter and director James Schamus has created a six-episode series, Somos., for Netflix that will premiere June 30. The first trailer has dropped along with a statement by Schamus on the Netflix site. Based on a ProPublica oral history of a cartel massacre in Allende, Mexico, crimes that journalist Ginger Thompson writes were triggered by actions by the U.S. Drug Enforcement Administration, the series has two goals, says Schamus: In telling the story, we have two core objectives: to make visible the people our culture often works to erase from our perceptions and memories, and to affirm our co-existence […]
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Trailer Watch: Theo Anthony’s All Light, Everywhere
All Light, Everywhere—Theo Anthony’s follow up to his feature debut Ratfilm—premiered during this year’s Sundance Film Festival. Now scheduled for theatrical release on June 4, All Light is a sweeping essay-film look at modes of surveillance and the ways they feed racism. Drone surveillance and police bodycams manufactured by Axon (formerly TASER) are just some of the subjects under consideration by Anthony (a 25 New Face of Film in 2015). (And click here to read Anthony’s interview with Sky Hopinka, the cover feature from our most recent issue.)
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Watch: David Lynch’s Donovan Video, “I Am the Shaman”
David Lynch directs as well as plays on a new video from Scottish songwriter and performer Donovan. The director is credited with “unique Modal Guitar Textures and effects” on the track, which, in a statement posted to Facebook by Donovan, came together quickly: It was all impromptu. I visited the studio and David said … “Sit at the mics with your guitar Don.” David in same room behind control desk with my Linda. He had asked me to only bring in a song just emerging, not anywhere near finished. We would see what happens. It happened! I composed extempore … […]
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Trailer Watch: Nicole Riegel’s Holler
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
