Recently receiving its online premiere after months of plaudits on the genre festival circuit, Will Blank’s Limbo is a beautifully executed fantasy short concluding with an unexpected philosophical gut punch. Adapted from Marian Churchland’s graphic short story, the set up is simple — a man coping with the detritus of a failing relationship heads to the desert, where he comes across a dying dog able to grant him one wish. The starkness of the environment and the pathos of the situation — nobly conveyed by Sam Elliott, who voices the (skillfully animatronic) dog — elevates this simple story into something […]
This video essay examines Thelma Schoonmaker’s key contributions to Martin Scorsese’s work by taking a closer look at two scenes from Raging Bull. Bonus: footage of the Scorsese exhibition currently on display at the Eye Filmmuseum in Amsterdam.
A team of notables are behind a forthcoming independent web series about “the opposing but intersecting trajectories of a lesbian soon-to-be nun (Ana Fabrega), her Jewish stalker (Carl Kranz), and the object of her affection (Hari Nef).” In addition to the actors above, the cast includes Eleanore Pienta (star of Filmmaker favorite See You Next Tuesday) and 2015 25 New Face Zia Anger, and the series is written, directed and edited by Sarah Salovaara (the short Google Ambien and also a former Filmmaker Contributing Web Editor). It’s produced by Rachel Wolther — whose Snowy Bing Bong was a delirious highlight […]
In this video essay, Adam Tinius (aka “Entertain the Elk”) makes the case for Stanley Kubrick’s mastery of practical lighting.
Michel Gondry has made a charming and inventive — in his typically lo-fi way — short film for Apple that shows off the video capabilities of the iPhone 7. With elements of The Red Balloon, Toy Story and, I’m sure, memories Gondry has revisited from his own childhood family vacations in France, the short follows a family on their annual summer sojourn, a trip that winds up leaving the youngest child’s prized red tricycle along the side of the road. Impressively, the short doesn’t try to fake some kind of crazy bokeh, or indulge in trick macro shots. No, like […]
The title is literal: this video essay looks at some of David Lynch’s key visual inspirations, including Rene Margritte, Edward Hopper, Arnold Böcklin and Francis Bacon.
The iPad is my favorite device of all time, yet, after a brief stab at writing and editing for this site on it when the first iPad came out, I pretty much gave up on it as a productivity device. I’m waiting for iOS 11 to see if that changes — I suspect for me it won’t, actually; I’m too committed to my multi-window writing workflow. But one app I may try to play around with is the new Luma Fusion, which looks like an impressive leap over iMovie and other iPad video editors. Here’s 9 to 5 Mac’s Jeff […]
One of my favorite Filmmaker video interviews is one from 2012 where, spontaneously, This American Life creator Ira Glass goes on a rant about the job of film producer. As you can see and hear above, his jeremiad is both passionate and quite specific — Glass is not going off about a job he hasn’t done. No, anyone whose name sits — or deserves to sit — above-the-line on a call sheet will recognize the laundry list of tediums and indignities that comprise a substantial chunk of the glamorous job of the producer. But, as noted above, Glass gave this […]
Several 25 New Faces — directors Andrea Sisson and Pete Ohs as well as star Julia Garner — grace the Los Angeles Film Festival premiere, Everything Beautiful is Far Away, which screens tonight at 9:10 PM. Here’s the festival capsule: Traveling across a barren landscape, Lernert digs through piles of rubbish in an attempt to build a body for his companion, Susan, the unresponsive robot head who hangs from the back of his pack. The pair come across Rola, a spirited young woman who lacks survival skills but makes up for the deficiency with sheer determination. This unlikely trio navigates […]
Andreas Halskov — whose useful overview of David Lynch’s visual references we posted a while ago — has also gone deep on the director’s much-discussed use of noise and interference, examining it as a stylistic device, recurring motif and general theme.