Filmmaking
Filmmaking
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Wanda: Film from the Future
Still Life: Notes on Barbara Loden’s Wanda (1970) Anna Backman Rogers 154 pages Punctum Books, 2021 One of the complaints made about feminist films of the 1970s and ’80s was that they were too experimental, too avant-garde, too elitist. They refused the pleasures of pop cinema. They skipped the well-told story and refused the escapism of character identification. And beauty? Forget it! Take Barbara Loden’s Wanda, from 1970: it’s a desolate portrait of what New Yorker critic Paulene Kael dubbed an “ignorant slut” in a film described by Jump Cut’s Chuck Kleinhans as “flat and opaque.” Indeed, Wanda, who is […]
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“We Set Out To Make a Documentary in Six Months, Get the Music Out There, Play at Sundance and It Ends Up Taking Us Six Years”: Directors Richard Peete and Robert Yapkowitz on Karen Dalton: In My Own Time
Filmmakers Richard Peete and Robert Yapkowitz were deep in Missouri, working in the prop department for Debra Granik’s Winter’s Bone, when they both became consumed with the legendary 1960s-era folk singer Karen Dalton. The artist, who died of AIDS in 1993, only 55 years old, was famously described by admirer and peer Bob Dylan as someone who “sang like Billie Holiday and played guitar like Jimmy Reed.” Her hallowed status on the Greenwich Village scene that launched Dylan and many others never elevated her to mainstream success. Drug addiction and emotional turmoil took a heavy toll, yet Dalton left behind […]
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Jim Hemphill’s Home Video Recommendations: “Melvin Van Peebles: Essential Films,” Love and Basketball and Masquerade
When screenwriter, director, producer, actor, novelist, stock options trader, playwright, musician, newspaper columnist and gallery artist Melvin Van Peebles died last week at the age of 89, he left behind one of the most varied and entertaining bodies of work in all of American (and French, thanks to his Parisian detour in the 1960s) arts and letters. He’s best known for his revolutionary 1971 feature Sweet Sweetback’s Baadasssss Song, but that classic—important as it is as a point of reference and inspiration for generations of independent filmmakers—only scratches the surface of Van Peebles’s genius and audacity. Thankfully, the Criterion Collection […]
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Sentient.Art.Film Announces Inaugural Line of Sight Fellows
Sentient.Art.Film, which describes itself as a “creative distribution initiative,” is in the middle of its second online repertory series, “My Sight is Lined with Visions” (online through January 22 of next year). Now, Sentient.Art.Film has announced the five artists and filmmakers chosen for its inaugural Line of Sight fellowship. From the press release: Unlike the project-based artist development programs that dominate the indie film landscape, the Line of Sight Fellowship provides intergenerational mentorship and community-building discussion space for participants to develop a collective understanding of historical radical filmmaking (particularly the practices of marginalized communities) and shared future imaginaries outside of […]
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Overwhelming the Circuit: How I Scored First-Class Distribution for My Microbudget Film
My film was never going to be an easy sell. It’s black and white, nearly three hours long and stars no recognizable name actors. That’s all without mentioning that it was shot on the rattiest of shoestrings and, as a story, it’s a rather strange ride. Yet it wound up with dozens of positive (and sometimes rave) reviews from established critics, and a distribution deal with Kino Lorber, one of the best—if not the best—arthouse distributors in the country, and all without a publicist or sales agent. To invoke the Talking Heads: “Well, how did I get here?” I have […]
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Watch: Short Films from the 2021 Filmfort Film Festival
Filmmaker is very happy to partner with the Filmfort Film Festival for its 2021 Filmfort Online Showcase. These films are available to watch here, free, on the site through Sunday, September 27. Check out the rest of the lineup at Filmfort and keep up via social @filmfortfest and #filmfort2021 #filmfortweekend. Enjoy! Changing Landscapes: Isle of Eigg dir. Aaron Farley, John Schlue, Alexander Falk USA 29 mins Do you see what I see? from Brad Abrahams on Vimeo. Do You See What I See? dir. Brad Abrahams USA, 12 mins Here you go: Halpate dir. Adam Khalil & Adam Piron USA, […]
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Remembering Melvin Van Peebles, 1932 – 2021
Melvin Van Peebles, revolutionary independent filmmaker whose credits include Sweet Sweetback’s Baadasssss Song, Watermelon Man and La Permission, died Tuesday in Manhattan. He was 89. On this sad occasion we’re reprinting Brandon Harris’s profile of Van Peebles from Filmmaker‘s Fall, 2008 issue. It isn’t the first thing you notice when you walk into Melvin Van Peebles’s Columbus Circle South digs, but very few items within his intimate, eclectically appointed apartment — one that sports the back end of a VW bus jutting out of one parlor wall and a giant sculpture of a hot dog near the window — speak […]
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SFFILM and Kenneth Rainin Foundation Announce 20 Narrative Films Winning SFFILM Rainin Grants
SFFILM, in partnership with the Kenneth Rainin Foundation, announced today the 20 projects that will receive SFILM Rainin Grants totaling $490,000. The grants will support the makers’ screenwriting and development activities, with these grants remaining among the very few that fund narrative filmmakers in the development stage. Additionally, two projects have been awarded SFFILM Rainin Filmmakers with Disabilities Grants — a new initiative supporting applicants whose films specifically address stories from the disability community. According to the press release, “SFFILM Rainin Grants are awarded annually to filmmakers whose narrative feature films meaningfully explore pressing social issues and/or have significant economic […]
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“…The Parts That Were Left out of the Ken Burns Documentary”: Tom Surgal on the “Historical Corrective” That is His Free Jazz Documentary, Fire Music
Many years in the making, Fire Music tells the many-stranded story of free jazz, a chronically misunderstood and often maligned expansion of the improvisatory African-American art form that exploded as a movement in the 1960s through the innovations of path-breaking titans like John Coltrane, Ornette Coleman, Cecil Taylor, Albert Ayler and Sun Ra. Although this avant-garde has been around long enough to become its own tradition – its oldest living exponents are in their 90s – the music still remains somehow outside the mainstream. Even this week, Twitter was abuzz over Tonight Show host Jimmy Fallon’s mockery of the German […]
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TIFF 2021 Critic’s Notebook: Lucile Hadzihalilovic’s Earwig
Lucile Hadzihalilovic*’s Earwig is, in broad outline, synopsizable with the same sentence as her first two features, Innocence and Evolution: a child (or group of children) grows up in deliberate isolation from the wider world under the watchful gaze of ambivalently motivated custodians, themselves operating under the direction of obscure masters. Intentions are unclear, but the fundamental fears—of puberty, parents, the body and its sexually-tinged conditioning for adulthood—remain clear and similar. The visual approach is always that of horror’s visual language without its traditional jolting sonic components—i.e., long walks down sinisterly lit hallways or down stairwells, no suddenly violent sounds. When I asked Hadzihalilovic […]
