Filmmaking
Filmmaking
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2012 SLAMDANCE FILMS IN COMPETITION ANNOUNCED
The Slamdance Film Festival announced today the films screening in their narrative and documentary competition programs for the 2012 edition. From nearly 5,000 submissions 10 narratives and 8 docs were chosen. The complete list of titles are below. The festival will take place in Park City, Utah from Jan. 20-26. NARRATIVE FEATURE COMPETITION PROGRAM BINDLESTIFFS – Director: Andrew Edison, Screenwriters: Andrew Edison, Luke Loftin. (USA) World Premiere Three smart-mouthed high school virgins, suspended from school on a graffiti charge, flee to the inner city to live out the plot of The Catcher in the Rye. Cast: Andrew Edison, Luke Loftin, […]
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The Blue Velvet Project, #54
Second #2538, 42:18 Frank has arrived, banging on the door. The fact that we anticipated his arrival makes it no less terrifying. Jeffrey—naked—has been shuttled into the closet, while Dorothy ditches the knife behind the radiator, in one of Blue Velvet’s many sly, tension-breaking references to Eraserhead. In Art and Fear, Paul Virilio reminds us that the coming of sound in film in the late 1920s effectively transformed silence into something alien, almost a special effect: Yet one crucial aspect of this mutation of the seventh art has been too long ignored and that is the arrival of the talkies. […]
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TITLES FOR 2012 SUNDANCE FILM FESTIVAL USA ANNOUNCED
Below are the titles that will be screening as part of the Sundance Institute’s Sundance Film Festival USA screening series. Designed in 2010 to bring the festival experience to movie-goers nationwide, nine films and their filmmakers will travel from Utah to one of the following cities: Ann Arbor, MI; Boston, MA; Brooklyn, NY; Chicago, IL; Houston, TX; Nashville, TN; Orlando, FL; San Francisco, CA; and Tucson, AZ. during the Sundance Film Festival. The films and cities they’ll be playing in are listed below. Tickets will be available through the theater’s box office. Attendees of screenings at Sundance Film Festival USA […]
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SETH ROGEN TO HOST SPIRIT AWARDS
In a release sent out today by Film Independent, Seth Rogen will be taking the hosting duties for the 2012 Film Independent Spirit Awards. The daytime event will take place Sat. Feb 25 (the day before the Oscars) in a tent on the beach in Santa Monica. It will air on IFC that evening. Rogen’s latest film, 50/50 is nominated at the Spirits this year for Best Feature, Best First Screenplay (Will Reiser) and Best Supporting Female (Anjelica Huston). See the full list of nominees here.
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LOUIS C.K. OFFERS $5 DOWNLOAD, ANSWERS QUESTIONS ON REDDIT
As one of Filmmaker‘s “Best of 2011” posts, Dan Schoenbrun hailed Louie as one of the year’s best TV shows. And now, as the year closes, the comedian has launched one of the year’s best DIY distribution and marketing efforts. As John Biggs wrote at Techcrunch, Louis CK is offering his Live at the Beacon Theater concert film for $5 as a DRM-free download or stream. And while the Hollywood studios are currently fighting piracy by borrowing a page from the firewalls of authoritarian regimes (see the SOPA legislation currently before Congress), C.K. is taking a more human approach. He […]
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IFP LABS: VARIANCE FILM’S DYLAN MARCHETTI OFFERS MARKETING ADVICE
Dylan Marchetti, founder of Variance Films, donated his afternoon Wednesday to mentoring filmmakers at IFP’s Marketing & Distribution Labs. Variance, a distribution company that has overseen the releases of niche indies and foreign imports like Guy and Madeline on a Park Bench, Littlerock, and Elite Squad: The Enemy Within, has built a reputation very much in line with the trailblazing, DIY-attitude that many of IFP’s lab filmmakers hold dear. And it was a great match, as Marchetti spent the afternoon listening to these filmmakers discuss their marketing and distribution strategies, offering tailored advice about the distribution paths that he felt […]
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IFP LABS: HOW TO MERCHANDISE EFFECTIVELY
A recurring topic all last week at IFP’s Marketing and Distribution Labs was how indie filmmakers can get the most out of their film’s release, both monetarily and in terms of marketing. Friday morning the conversation turned granular (but no less interesting) with lab leaders Jon Reiss, Amy Dotson, and Milton Tabbot discussing the pros and cons of various forms of merchandising. Stressed repeatedly – the key thing to remember is that each film requires a distinct merchandising campaign. Think about your film’s core audience, and what kinds of products they would most likely be interested in. Then plan accordingly. […]
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An Open letter To The Producers Guild Of America From Producer Karin Chien
The following is an open letter producer Karin Chien (Circumstance, The Exploding Girl) is addressing to the Producers Guild of America. An Open Letter to the Producers Guild of America. Recently, a film I produced with Melissa Lee and Maryam Keshavarz, CIRCUMSTANCE, was submitted for the Producer’s Guild of America’s awards consideration. CIRCUMSTANCE is a hard film to categorize: it’s a story of teenage love and personal freedom set in Iran, filmed in Beirut, edited in Chile, finished in France, and financed primarily by U.S. sources. And the film is in Farsi. We knew we were a long shot to […]
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The Blue Velvet Project, #53
Second #2491, 41:31 “Get over there on that couch,” Dorothy says, and then follows Jeffrey (naked except for his black socks), knife raised, as if she would plunge it into his back were he to hesitate. The frame practically vibrates in anticipation of the coming of some dark force against which this tableau is nothing but a pale rehearsal. In Cinema 1: The Movement-Image, Gilles Deleuze writes that the frame is related to an angle of framing. This is because the closed set is itself an optical system which refers to a point of view on the set of parts. […]
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Jared Flesher on Doc Filmmaking with a DSLR: Part One
Jared Flesher is a self-taught filmmaker. He shot his first feature-length documentary, The Farmer and The Horse on a Canon consumer camcorder, shooting and editing the entire movie himself. With the success of that movie under his belt, he moved on to his second documentary, Sourlands, which he just finished shooting and hopes to complete by June of 2012. For this movie he decided to make the switch to a larger sensor camera, and chose the Panasonic GH2. In the first part of this interview, Jared talks about why he made the movie, and his experience making the switch to […]
