Congratulations to filmmaker, new media creator, and Filmmaker contributor Lance Weiler, who was awarded the Arte France Cinrma prize here at this year’s Rotterdam Cinemart. In his remarks when presenting the award, Arte’s Michel Reilhac said that the award acknowledged the visionary nature of Weiler’s project and noted that it speaks towards the type of new thinking about audience and platforms that will be necessary if our world of specialty cinema is to survive in the coming years. Weiler’s project is described by him in the program book thusly: HIM is my newest cross-media poject — a collision of film, […]
Via Wired’s Underwire blog comes news of Gotham Best Film Not Playing at a Theater Near You director Nina Paley’s latest effort to raise money to pay the music rights for her film Sita Sings the Blues. Nominated for a Spirit Award, she’s auctioning off her companion seat. Bids start at $1,000.
The award winners of the 2009 Sundance Film Festival were announced this evening and Lee Daniels‘s Push: Based on a novel by Sapphire was the big winner as it took not only the Dramatic Grand Jury prize but also the Audience Award and Special Jury prize for actress Mo’Nique. Ondi Timoner‘s We Live In Public was awarded the top Documentary prize. The full list of winners are below. Dramatic Grand Jury Prize:Push: Based on a novel by Sapphire, Lee Daniels Documentary Grand Jury Prize:We Live In Public, directed by Ondi Timoner Dramatic World Cinema Jury Prize:The Maid, directed by Sebastian […]
Closing its 15th year, the Slamdance Film Festival announced the winners of its 2009 edition Friday night with Mo Perkins‘s A Quiet Little Marriage winning the Best Narrative Feature Award. The full list of winner are below. Best Narrative FeatureA Quiet Little Marriage, directed by Mo Perkins Special Jury Mention for Best Performance: Larry Fessenden in I Sell the Dead Best Documentary FeatureStrongman, directed by Zachary Levy Special Jury Mention: Second Sight, directed by Alison McAlpine Best Narrative ShortPrincess Margaret Blvd, directed by Kazik Radwanski Best Documentary ShortRare Chicken Rescue, directed by Randall Wood Best Animated ShortUndone, directed by Hayley […]
Previously I posted some thoughts on the Kevin Lee/YouTube situation, and now, via Lee’s Shooting Down Pictures blog, it’s great to report that YouTube has responded to criticism and restored Lee’s account. In a long post entitled “Things I Learned from Losing — and Regaining — my YouTube Account,” Lee tells all of us how we can defend ourselves against a similar type of complaint, the nature of copyright laws and why YouTube may not be to blame for his situation, and also how we can fight further for digital rights and fair use issues. Thanks to Kevin for his […]
Over on the main page, select stories from the Winter issue have been posted. Steve McQueen talks about his amazing first feature, Hunger; Greg Mottola chats about his return to indie films with Adventureland; and the always talkative James Toback reveals how it was to get inside the mind of Mike Tyson for his documentary, Tyson. Also, Jon Reiss continues his series of pieces on self-distribution, this time focusing on the home video aspect, and Lance Weiler gives tips on how to build a film industry via the Web. And much more, enjoy. Don’t forget: You can get the latest […]
So you come from outside the industry, scrape up enough money to make a small movie about working-class characters… and get slagged off on MSNBC by Courtney Hazlett for being a member of an “elite, effete” group who made a movie that you have to see on “some website.” Check out the clip at the link.
I’m in the group that believes that physical media — books, DVDs, CDs — is essentially going away. I think a sentimental or nostalgic connection will be required to convince us in the future to actually buy something that will sit on our shelves. You love Thomas Pynchon, you have all his books, so when his new one comes out you’ll buy it to reconnect to that part of you that used to love to buy things and loved the idea that your own literary cool could be signified by a physical object. That new writer who has gotten great […]
I agree with Manohla, the reduced crowds make this Sundance the most pleasant in years. In her just-posted piece in the New York Times on the festival, however, she includes a bit of historical summary that nails the current conundrum facing the independent sector. An excerpt: The industry was still in attendance this year, but the high-roller fever that has gripped the festival for the last decade has cooled. Although this made for the most pleasant Sundance in memory, it also presents a host of unknowns. If the studios don’t buy independent films, fewer investors in turn may be inclined […]
Two years ago at SXSW I stood in line trying to see the premiere of Gary Hustwit’s Helvetica. At SXSW, ‘natch, the heavy contingent of designers made my attendance impossible as the line snuch through the lobby of the convention center when I arrived. Now, Hustwit has a new doc, Objectified, that will premiere at SXSW this year , and it’s about industrial design. So, expect another packed premiere, especially given news on the film’s blog that Hustwit filmed an interview with Apple designer Jony Ive inside Apple’s super-secret design facility. Here’s the trailer.