Filmmaking

A QUICK TAKE ON BIG RIVER MAN

Before I head out to Strand Releasing’s 20th Anniversary dinner here at Sundance I want to quickly note John Maringouin’s eccentric and winning documentary Big River Man. It’s like an updated, black comic Aguirre, the Wrath of God with the quest for power and search for gold replaced by the subject’s environmental consciousness and love affair with both long distance swimming and the media. Briefly, it’s the tale of 52-year-old Slovenian swimmer Martin Strel, who, after swimming many of the world’s longest rivers, decides to swim the length of the Amazon to both complete his life goal but to also […]

By Scott Macaulay on Jan 17, 2009 Filmmaking
HUMPDAY IS "WOW"

Last night director Lynn Shelton’s Facebook status report was “Lynn Shelton is… wow.” An appropriate indicator of her mood and well-being because, as Mike Jones reports in Variety, her well-loved Humpday is “in play,” with four distributors circling. With all the speculation about sales and acquisitions, it’s great that this true indie from the Pacific Northwest is the first major buzzed-about title here. Expect Nick Dawson’s inteview with Shelton on these pages in the next few days. (And you can also check out my take on Shelton’s previous film here.)

By Scott Macaulay on Jan 17, 2009 Filmmaking
HOPE’S KEYNOTE ADDRESS

Courtesy of the Workbook Project, here is Ted Hope’s closing speech at the Sundance Art House Convergence confeence. From their description: This year before Sundance kicked off a number of exhibitors, bookers and filmmakers gathered for an event called Art House Convergence. During the three day conference 51 Art Houses met in Salt Lake City to discuss the major issues facing the industry and how they can work together to share resources. The following video is of producer Ted Hope’s closing keynote. Hope’s remarks present his vision of where filmmakers will be a year from now thanks to new distribution […]

By Scott Macaulay on Jan 17, 2009 Filmmaking
JOY DIVISION HERE, FOR ONE WEEK

I may be at Sundance, but it’s still cool to be able to embed Grant Gee’s Joy Division doc for you here, courtesy of Pitchfork. It’s live for one week.

By Scott Macaulay on Jan 17, 2009 Filmmaking
QUIET PARK CITY

Wake up, edit a few pieces for our standalone festival page, and then head to the registration office where I get my badge in about one minute’s time. Walk over to a press screening where I enter just as the movie is starting and get a seat. Later, meet some friends and snag a table for six on Main Street for dinner. Another press screening — this time I stroll in during the opening credits and easily score a good seat. Am I at Sundance? Yes, it is quieter this year. It feels like a lot less people are here. […]

By Scott Macaulay on Jan 17, 2009 Filmmaking
SAG NIXES GUARANTEED COMPLETION CONTRACTS

Just a couple of days after I noted SAG’s response to the question of whether or not studios could acquire films made under their Guaranteed Completion Contracts, the guild has now decided to stop issuing these waivers to indie films entirely. Dave McNary reports in Variety: With a SAG strike becoming less likely, the Screen Actors Guild has announced it’s pulled the plug on offering waivers to indie film producers that would allow production to continue if there’s a work stoppage. SAG made the brief announcement Friday evening, suspending a program that’s covered over 800 productions in about a year. […]

By Scott Macaulay on Jan 17, 2009 Filmmaking
SIN NOMBRE, SUNDANCE TO SUNDANCE

I wrote for the FilmInFocus site a piece on Cary Fukunaga’s journey from Sundance (the festival in 2005 and Labs in 2006) to Sundance (this year’s Dramatic Competition with his film, Sin Nombre). Fukunaga was one of our “25 New Faces,” and we are big fans of his. In the piece, I recount his work at the Labs and hear from the actors about the way in which they worked with on the set.

By Scott Macaulay on Jan 16, 2009 Filmmaking
TED HOPE SPEAKS AT SUNDANCE’S ARTHOUSE CONVERGENCE CONFERENCE

Ted Hope gave the closing speech at the festival’s conference bringing together exhibitors and filmmakers. It’s long, and I’m packing and getting ready to head to the airport, so I don’t have time to read it carefully and post my thoughts, but I’ll try to in the next couple of days. For now, I’m linking to it and running the first three paragraphs here. Read it and post your thoughts. The beginning: In case you haven’t heard, our business is in the midst of a transformation from a limited supply gatekeeper entertainment economy based on impulse buys to a new […]

By Scott Macaulay on Jan 15, 2009 Filmmaking
CHALLENGING THE SUNDANCE SOURPUSSES

Over at Movie City News’s “10 Days of Sundance,” Ray Pride has posted a spirited rejoinder to some of the online Sundance sourpusses who are either celebrating their non-attendance or kvetching already about the shuttle and movie lines they’ll be standing in. Encompassing Dennis Hopper, the Joker, Sarah Palin and Lance Hammer, it begins: THE OTHER DAY, I READ A CYNICAL PIECE OF TRASH by someone who hates this film festival among other things in her or his life and career. It infuriated me. I wish it could be forgotten, made unread. The bit read like some other pieces, about […]

By Scott Macaulay on Jan 15, 2009 Filmmaking
SUNDANCE SHORTS FREE ON iTUNES

Once again Sundance has teamed with iTunes to showcase a collection of shorts during the fest for free. From January 15 through January 25, visit www.itunes.com/sundance to view 10 shorts from this year’s festival representing a variety of countries, styles, genres, and stories. They include: Acting for the Camera (Director: Justin Nowell; Screenwriter: ThomasNowell)-An acting class. Today’s scene: the orgasm from ‘When Harry MetSally.’ Countertransference (Director: Madeleine Olnek; Screenwriters: MadeleineOlnek and Cast)-A comedy about an awkward woman with assertivenessproblems who seeks the questionable help of a therapist. HUG (Director: Khary Jones)-Drew is a musician with a contract ready tosign. When […]

By Jason Guerrasio on Jan 14, 2009 Filmmaking

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