I first met Jesse Borkowski back at RIT in 2002, and we became fast friends. His interest in experimental filmmaking mirrored my own, and soon we were the dynamic duo of cinematographer and assistant on over ten short films. Our verbal short hand and similar visual language made it easy for us to work together, but it wasn’t until now that we’ve collaborated on a project as co-directors; It was bound to happen. The film I’m referring to is Engram. This “epic” micro budget is an experiment in many things, one of those things being crowdsourcing. My last few attempts […]
(General Orders No. 9 is being distributed theatrically by Variance Films. It opens at the reRun Gastropub in New York City on June 24, 2011. Visit the film’s official website to learn more.) Deer trail becomes Indian trail becomes County road. General Orders No. 9 is one of those films where the adjectives used to describe it—dense, meditative, reflective, confounding—are intended as compliments, yet they will be mistaken by many for pejoratives. And while it would be stubborn and ignorant to think that everyone will respond to it with open arms, its refusal to speak to anyone except itself is […]
So last week we presented one type of manifesto knowing full well it’s almost impossible to define what this all is. The feedback was wonderful and I want to take a moment before I present the next two manifesto perspectives to comment. I think some people are completely right about the fact that sometimes the point of micro-budget is to NOT be part of a group. However, as humans, we group ourselves, and others, together so that we can quickly categorize and compartmentalize the world around us. Which is the very reason I started thinking about a rule book. Groups […]
Running for nine solid years and organized by the folks over at Subway Cinema, the New York Asian Film Festival is a genre lover’s dream — a carefully curated crop of new films from Korea, Thailand, Japan, Taiwan, and anywhere else on the continent they can get their hands on a good movie, watched in the company of equally discerning fans. The 2011 edition is kicking off on July 1 with the film Milocrorze: A Love Story, a genre-bending samurai romance in the form of a musical variety show, from Yoshimasa Ishibashi. I’m intrigued already. I remember the first time […]
Our last few posts have really sparked a great conversation and it seems to be one of definition. Not just of micro’s structure, but definition of our stance on art vs. commerce, and our perspective of micro’s purpose. A while back I made a half-joke on this column that someone should write a manifesto for micro-budget filmmakers. The more I thought about what it would contain, the more I realized I was writing one of my own. I immediately contacted one of our column alums Jamie Heinrich. Jamie is in the process of financing and shooting his next feature via […]
Any genre fan will tell you that when it comes to movie beasties, delayed gratification is key. It is considered classic good form to mount anticipation via quick glimpses of scales/fur/claws, or unnerving detritus left in the creature’s wake, all leading up to the spectacular fashion in which the monster will finally emerge. Rather than bend completely to convention, Trollhunter, with dry Scandinavian aplomb, breaks with this rule of horror suspense by having the grizzled titular character run out of the woods, shout “TROLL,” and cause his disbelieving companions to disperse chaotically amid earth-quaking snorts and stomps. The troll isn’t […]
(Reindeerspotting: Escape From Santaland is the opening night film in the MoMA Presents: DocPoint series and screens daily through Monday, June 13, 2011. Go here to learn more.) In the opening minutes of Joonas Neuvonen’s Reindeerspotting: Escape From Santaland, don’t be surprised if you’re overcome with that “here we go again” feeling, and not in a good way. For the eternal question remains, does the world really need yet another film about junky culture? Yes, we know drugs are bad. Yes, we understand by now that they numb your senses and make you behave in illegal, immoral ways. Yes, we […]
Unless you are a very serious basketball player — at minimum serious intramural league level, or one of those Wall Street guys who absolutely must blow off a ton of steam by playing their hearts out on the court or else they’ll absolutely lose their soul — there is a very distinct qualitative difference between what it feels like to play basketball for a while and to run for a while. After you finish playing basketball for a while you feel good, you’ve gotten some good cardio, but that cardio is intermittent, the game being filled with plenty of pauses […]
After our last post the response was overwhelming in regards to what micro is, if it’s important, and where it’s headed. In the spirit of conversation I worked with Todd Looby (pictured below) on a post almost exactly the opposite of Scott’s. Todd sees micro-budget filmmaking as a skill, a tool, and somewhat of a stepping-stone. Our conversation wouldn’t be a conversation without this point of view. To me, microfilmmaking is not an end that anyone in his or her right mind should be pursuing. Of course, as people interested in filmmaking, we are not necessarily right in the […]
In an impressive show of state pride and clever programming, the Alamo Drafthouse, the much-lauded Austin-based movie theater chain run by the same folks behind nerd art and t-shirt purveyor Mondo and annual genre film festival Fantastic Fest, is doing a roving summer screening series called The Rolling Road Show. Each of its ten lovely Texas cult classic films, from The Searchers to Bonnie and Clyde to Blood Simple, will be shown outdoors in a town related to the film. To promote the series, the Drafthouse worked with artist Jason Munn to create new, graphically minimalist posters for these films, […]