Columns
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“Is That a 58 Degree Dutch Tilt?”: DP Brett Jutkiewicz on Scream
In the latest Scream installment, “elevated horror” and “requels” are among the contemporary genre trends affectionately deconstructed. The movie also lobs a little friendly fire toward the 1990s slasher revival that birthed the series—a character quips, “It was really over-lit and everyone had weird hair.” There’s not much cinematographer Brett Jutkiewicz can do about the latter, but the former served as a gauntlet thrown down. “When you have a line like that in the script, as a DP you think, ‘I guess I better not over-light this thing. I don’t want to end up as the butt of my own joke,’” […]
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Back to One, Episode 196: Dominique Fishback
Dominique Fishback talks about the characters she plays as if they inhabit her rather than the other way around. This begins to explain the immense, yet subtle, and always authentic power on display in performances such as Darlene in The Deuce, Kenya in The Hate You Give, and Deborah Johnson in Judas and the Black Messiah. Now she stars with Samuel L. Jackson in the Apple+ series The Last Days of Ptolemy Grey. She talks about the interesting way her character, Robyn, disrupted her usual psychological preparation process; where she gets the courage to fiercely advocate for her characters; repairing […]
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“I Think for Every Story There is a Hidden Way to Tell it Best, and Your Journey is to Try to Find It”: Director Rick Linklater on Apollo 10 1/2: A Space Age Childhood
When Richard Linklater was in second grade, he became enthralled by the historical moment that was happening right in his Houston backyard as NASA prepared for the Apollo moon landing. Decades later, it occurred to Linklater that he was probably the only filmmaker who remembered the excitement of that moment and was also that geographically close to NASA, a realization that led to his latest feature as writer-director, Apollo 10½: A Space Age Childhood. Combining the delicate observational eye and ear of Boyhood with the more fantastical animated approach of Waking Life and A Scanner Darkly, Apollo 10½ tells the […]
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Back To One Episode 195: Kelly AuCoin
You know him as Pastor Tim on The Americans, or “Dollar” Bill Stearn on Billions, or maybe Kelly AuCoin has wowed you as a regular on the New York stage for many years. In this episode he lifts the hood and lets us peek in on what keeps his acting engine running, or (because he prefers sports metaphors) what keeps him in the game. He talks about how his wife made him realize he actually does have a preparation process, the differences between his hours leading up to “action” as apposed to “curtain up,” the importance of the often overlooked […]
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Back to One, Episode 194: Ani Mesa and Alessandra Mesa
Alessandra Mesa and Ani Mesa are the stars of Erin Vassilopoulos’ debut feature Superior, a fascinating, fun, and suspenseful genre-blending exploration of identity. The three collaborated on a short of the same name six years earlier, and the feature functions almost like a sequel. In this episode they talk about the benefits of having the “real memories” of the short as a kind of backstory to use in the feature, how they made the anxiety of shooting on film work to their advantage, the interesting way Ani helped Alessandra (who co-wrote the script) take off the writer’s hat and put […]
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23 Days, Ten Crew Members, Two Lenses and One Joker: DP Drew Daniels on Red Rocket
“I really love to embrace limitations,” says cinematographer Drew Daniels. “I try to limit some of my choices on any film I do.” With Red Rocket, the opportunities to welcome constraints were plentiful. The latest from Tangerine and The Florida Project filmmaker Sean Baker, Red Rocket was shot in 23 days entirely on practical Texas locations with a supporting cast largely populated by local first-time actors. The crew boasted 10 members, including producers doing double duty as assistant directors or costume designers. The grip/electric department was a literal one man band, armed with Digital Sputniks, a few Astera tubes and […]
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Filmmaker Announces Spring Subscription Sale: 40% Discounts Plus Bonus Prizes
Filmmaker‘s once-a-year subscription sale launches today, with 40% discounts on our print and digital subscriptions. Filmmaker will be raising its cover price next issue, so this will be the last chance to lock in our old (and very reasonable!) pricing. All subscribers during this sale will receive Filmmaker‘s upcoming Spring issue and will be eligible for a selection of bonus gifts — Blu-rays, box sets and swag from a number of top distributors. In addition, all new and returning subscribers will receive a free three-month subscription to Metrograph, which includes discounts to its New York theater as well as access […]
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Back to One, Episode 193: Adrian Holmes
He played Captain Pike on Arrow, Basqat on Smallville, and Nick Barron on the acclaimed Canadian drama 19-2, and now Adrian Holmes has stepped into the biggest role of his career—Uncle Phil on Bel-Air, Peacock’s dramatic reboot of The Fresh Prince of Bel-Air. In this half hour, Holmes talks about the process of finding his own version of that iconic character, the theatrical trick he plays on himself in auditions that keeps him dropped in, why telling positive black stories is so important, and much more. Back To One can be found wherever you get your podcasts, including Apple Podcasts, […]
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Back to One, Episode 192: Franz Rogowski
In films such as Transit, In The Aisles, and Undine, German actor Franz Rogowski has quickly established himself as one of the most respected and sought after actors in international cinema. But now, with his transformative and revelatory performance in Great Freedom, it is hard to even find words to properly describe his astounding work, except maybe outer-worldly. On this episode we get a detailed glimpse into his unique preparation process, which involves using drawings and word graphics to move motivations and dialogue onto another plane of accessibility. He talks about “the exchange” that needs to take place for a […]
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Back to One, Episode 191: Emory Cohen
Emory Cohen’s past credits include Brooklyn, The Place Beyond The Pines, Lords of Chaos, and the short-lived but much-loved series The OA. Now he stars as Samuel in Brian Petsos’ wildly unique comedy Big Gold Brick and delivers a performance so full of mania, big humor and bold choices it will have you continuously rapt. On this episode, he talks about the aspects of his process that he relies on with every role, the walk down “the gallery” of past great performances, sometimes “silly” animal work, focused rehearsal with a coach, and he explains why he actually enjoys the restrictions […]
