Columns
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“There Is an Acceptance that Is Happening with Me Right Now Where I Just Only Care About Doing the Work”: Lukas Gage, Back To One, Episode 283
Lukas Gage is on a roll. In shows like The White Lotus, Euphoria, You, and the latest season of Fargo, films like How to Blow Up a Pipeline, Down Low (which he also co-wrote), and now the eagerly anticipated Road House reboot, he’s been able to display his immense talent and range. He’s even played himself in Gossip Girl and The Other Two. On this episode, he explains how sometimes doing the opposite of what’s described is beneficial in an audition, why over-directing doesn’t work for him, the importance of creativity for the actor, how he arrived at his current […]
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Back To One, Episode 282, Ben and Suzanne, A Reunion in 4 Parts star Anastasia Olowin On the 10-Year Journey to Bring the SXSW Hit to the Screen
The Brooklyn-based actor Anastasia Olowin stars in Shaun Seneviratne’s Ben and Suzanne, A Reunion in 4 Parts, which just had its world premiere at the SXSW Film Festival. She has such a command of the screen and brings so much life to her character, it’s hard to believe this is her first feature film. On this episode, she takes us back to her training at NYU’s Experimental Theater Wing, her eight years producing and acting in new work for the stage, and the 10-year journey to bring Ben and Suzanne to the screen. She talks about the collaborative process at […]
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“A Frankenstein Set of Lenses”: DP Matthew Libatique on Maestro
25 years ago, Pi—a $70,000 indie about an obsessive mathematician shot on 16mm black and white reversal stock—put cinematographer Matthew Libatique on the map. In the intervening quarter century, Libatique has earned three Academy Award nominations and shot multiple films for Spike Lee, Jon Favreau, Joel Schumacher and Darren Aronofsky. He helped inaugurate the Marvel Cinematic Universe with Iron Man and dipped into the D.C. sandbox with Birds of Prey. He’s shot horror movies, westerns, sci-fi flicks, war dramas, biopics and whatever genre mother! falls into. But what Matthew Libatique hasn’t done since Pi is shoot a film in black […]
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“Feeling Vulnerable is a Good Thing”: Hugo De Sousa, Back To One, Episode 281
As an actor, Hugo De Sousa had breakout leading roles in We Used to Know Each Other, Mister Limbo, and Everything in The End. I was introduced to his work as an actor/filmmaker, with the celebrated shorts he made in collaboration with Frank Mosley—The Event and Good Condition. On this episode he talks extensively about the making of those films, and his latest, which might be of particular, cathartic interest to listeners of this podcast, the absurdist short Je Ne Suis Pas Une Star De Cinéma. Plus he discusses the importance of feeling “out of balance in front of the […]
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“I Feel Like I’m Still Young Enough To Be a Fairly Humble, Malleable Student, and Old Enough To Be a Badass Teacher.” Mario Van Peebles, Back To One, Episode 280
Heartbreak Ridge put him on the map as an actor, New Jack City as a director, and with Posse, the 1993 hit Western he directed and stars in, Mario Van Peebles secured his place as a celebrated actor/director with countless credits, over the next 30 years, on the big and small screen. His latest is another star-filled, super fun western called Outlaw Posse. On this episode, he talks about the importance of discovering the tone of the project, how his love of learning leads to his desire to make “edutainment,” ways his acting experience informs his work as a director, […]
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“My Endless Struggle is for Utter Honesty on Film”: John Magaro, Back To One, Episode 279
John Magaro has been delivering consistently stellar performances in films like Not Fade Away, The Big Short, Carol, First Cow, and Showing Up, to name a few. This past year he played Arthur, husband of Greta Lee’s character Nora, in Past Lives. On this episode he talks, spoiler-free, about the last scene of that film and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, […]
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“Once in a While You Go, ‘My Vision is Enough’”: Scrambled‘s Leah McKendrick, Back To One, Episode 278
Leah McKendrick wrote, directed, and stars in the hilarious, super smart, and intensely personal new film Scrambled. It’s about a perpetual bridesmaid who, realizing she isn’t quite willing or able to settle down, decides to freeze her eggs. McKendrick doesn’t shy away from depicting her character’s sex life, the frustrations involving family and friends, and the true loneliness that enveloped her when she decided to do the same procedure in real life. It’s that rare film that will have you belly laughing one minute and crying hard the next. On this episode, we find out what elements were at play […]
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“This World That Molly and the Team Created For Us, is the Dream as an Actor”: How To Have Sex Star Mia McKenna-Bruce, Back To One, Episode 277
Mia McKenna-Bruce is an English actress. Her performance in the film How To Have Sex is, rightfully, being spoken about with many superlatives. Subtle, controlled, thoroughly alive, deeply impacting, it is a star-making turn. There’s a scene where her character, Tara, is simply walking down the street, and it’s something of a revelation. It won her the BIFA for Best Lead Performance. On this episode, she breaks down the ingredients that helped her deliver this work—an extensive audition process to find her co-stars that allowed her time to play; complete trust in the director, Molly Manning Walker, and everyone on […]
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112 Days in Iceland: DP Florian Hoffmeister on True Detective: Night Country
The diversity of cinematographer Florian Hoffmeister’s output makes it difficult to typecast him. The German DP won an Emmy for his work on a BBC version of Great Expectations and followed with the Rowan Atkinson spy spoof Johnny English Strikes Again. Then, in succession, he lensed the Scott Cooper horror flick Antlers, the Apple prestige drama Pachinko and Todd Field’s Tár, picking up an Oscar nomination for the latter. But with True Detective: Night Country, Hoffmeister returns to a previous specialty–unsettling subzero horror. Hoffmeister’s work on AMC’s The Terror followed an ill-fated 19th century artic expedition. He’s back to frigid […]
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“There’s a Lot in This Heart”: Sallieu Sesay, Back To One, Episode 276
Sallieu Sesay is a Sierra Leonean-American actor who has had recurring roles on CBS’ Seal Team and HBO’s Barry, and, in his latest, delivers an incredible supporting performance in John Trengove’s nihilistic thriller Manodrome alongside Jesse Eisenberg. On this episode he talks about doing tons of research before taking on that part, having so little in common with the character and facing the pressure of being at the center of a movie’s most pivotal scene. He gives us a glimpse at his dedication to this craft, his continuous training with some of the best acting teachers around such as Ivana […]
