Directors
Interviews - Directors
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“I Believe Her Experience of Love Was a Brutal One”: Director Eva Vitija on Her Patricia Highsmith Doc, Loving Highsmith
With their pronounced and callous violence, their serpentine studies of obsession, delusion, and identity, Patricia Highsmith’s hypergraphic body of work has by now become as much a part of the culture of literary fiction and cinema as that of her lionized male counterparts. But where the personas of Hammett and Chandler have been crafted into legend, the Fort Worth-born Highsmith has stayed a cipher. While in recent years a pair of biographies and the release of her excerpted private diaries have let some light into the picture, Highsmith’s peripatetic nature remains elusive and secretive. Expatriated from the States and then […]
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“Making These Documentaries Is Like a Wild Goose Chase All Over the Globe”: Chapman and Maclain Way on Untold Volume 2
Now in its second season, Untold—the Netflix documentary series executive produced by brothers Chapman and Maclain Way (Wild Wild Country)—continues to offer an intriguing selection of sports-centered stories. From covering the world’s most successful female boxer to the infamous “Malice at the Palace” brawl, Volume 1 of the series became popular for choosing to tell a side of a notable story you thought you knew—essentially a nonfiction offering of feature-length episodes packaged under the Untold umbrella. As a basketball fan, I was curious to see what Volume 2 would include. Having premiered on August 16th and rolling out an episode […]
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Magic, Misdirection and the Amazing Kreskin: Michael Bilandic and Owen Kline on Funny Pages
Director Owen Kline texted me recently to let me know he was in my neighborhood, so we linked up in Washington Square Park to see what was good. He’d just gotten back from Cannes where his debut feature, Funny Pages, was a smash hit. I was excited to hear some glamorous, and hopefully debaucherous, tales from the Croisette. Instead, the very first words out of his mouth were, “Pick a number between between one and a thousand. And don’t tell me what it is!” He looked me dead in the eyes, on some mentalist shit, scribbled furiously on a clipboard for […]
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“Always Maximize Your Shooting Time”: Lodge Kerrigan on Keane
If every film is a document of its own making, then Lodge Kerrigan’s Keane, shot in real locations in and around New York City in 2004, is also a depiction of the period in which it was made. Viewing the film on the occasion of a new digital restoration by Grasshopper Film that begins a theatrical run at Film at Lincoln Center today, I was struck by the numerous billboards and posters placed atop taxi cabs that the film’s lead character, William Keane (Damian Lewis), obliviously walks by. Short of pointing at the screen, Leonardo DiCaprio-style, as I noticed a […]
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“I Never Made a Living Making Movies”: Michael Roemer on Nothing But a Man and The Plot Against Harry
This past spring, Michael Roemer’s 1984 family melodrama Vengeance Is Mine enjoyed a moment in the spotlight thanks to a revival run at Film Forum. But that was only the latest renaissance for the 94-year-old Roemer, who made a number of movies with a delayed reception of one kind or another. Nothing But a Man (1964), a Southern-set story centered on a black railroad worker and his family relationships, received a very limited initial release, and The Plot Against Harry (1969), a deadpan New York comedy about a small-time Jewish gangster, went from seeming a lost cause to playing in […]
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“The Stories I Tell Are Just a Way To Get To Know My True Self”: J. Sean Smith on Her Student Short Film Showcase Winner #Whitina
Issues of identity and immigration take Instagram by storm in #Whitina, director J. Sean Smith’s short film, originally helmed as her thesis for the University of Southern California’s Film & Television Production MFA program. The film’s title references the conflict between protagonist Genesis’s (Inde Navarrette) Latinx heritage and her mannerisms and interests, which more closely reflect those of her white classmates. This disconnect has caused a palpable resentment among her culturally rigid Latinx peers, who write off Genesis as a white girl wannabe and an assimilationist snob. However, this tune quickly changes when Genesis helps her former friend (and current […]
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“I Believe That Filmmaking Is a Dream Capturing Machine”: Jorge G. Camarena on His Student Short Film Showcase Winner Spaceship
Fusing harsh realities with otherworldly wonders, Jorge G. Camarena’s short film Spaceship is an adept blend of melancholy and magical realism. An MFA graduate of the AFI Conservatory’s directing program, Camarena had a robust career in music video and commercial work before pursuing his postgraduate studies. The visual slickness of his commissioned work coupled with a desire to tell stories of people living on the margins (or as he describes, “hidden in plain sight”) makes for a final product that is both sharply focused and totally vulnerable. This description also feels apt for Spaceship’s protagonist, a trans woman and single […]
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“Film Can Be a Powerful Medium for Disrupting Assumptions About What Is Normal”: Evan Bode on His Student Short Film Showcase Winner Thine Own Self
Currently a candidate for an MFA in Syracuse University’s film program, Evan Bode recently pursued a cinematic undertaking that is staggeringly bold in its sheer gumption. Though he had never formally dabbled in helming animated films, Bode decided to use the newfound creative freedom of film school to make Thine Own Self, a 5-minute, dialogue-free animated film that utilizes desk drawer clay, green poster paper and the filmmaker’s own hands as its principal storytelling devices. The film begins by introducing the viewer to a sect of colorful entities that exist in whimsical tranquility, floating above the horizon without qualm. That […]
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“To Be a Good Director Is To Be a Good Listener”: Jun Hee Han on His Student Short Film Showcase Winner Uncle
The shattered illusions of childhood innocence are comedically contrasted with a run-down Seoul porn theater in Jun Hee Han’s short film Uncle. A graduate from UCLA’s MFA program in film directing, Han had an unlikely catalyst for his filmmaking career. After studying philosophy as an undergraduate at Rice University in Houston, Texas, Han was tapped for mandatory military conscription in his birthplace of South Korea. Feeling disconnected from his heritage while growing up in the U.S., his time in the army ignited a passion to tell stories connected to his home country—an artistic pursuit that directly resulted in Uncle, which […]
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“I Think the Funniest Things Are Truthful”: Akanksha Cruczynski on Her Student Short Film Showcase Winner Close Ties to Home Country
The downtown digs of a wealthy couple become a source of luxury and languish for a displaced dog sitter in Akanksha Cruczynski’s Close Ties to Home Country. The Columbia College Chicago MFA grad stars as a version of herself in the short, which allows her to reflect on many of her own anxieties about her overarching place in the world. Born in India and raised in Saudi Arabia, the filmmaker has grown accustomed to ignorant remarks ever since relocating to Chicago to pursue higher education. Many of these comments have been repeated and parodied in Close Ties to Home Country, […]
