Editors
Interviews - Editors
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“Establishing the Idea of Ending Scenes Abruptly…”: Editor Greg Jardin on It’s What’s Inside
In the Sundance 2024 Midnight premiere It’s What’s Inside, the feature debut of writer-director Greg Jardin, an uninvited guest with a mysterious suitcase derails a pre-wedding party. Below, Jardin discusses what led him to edit his own film, the balance between long shots and flutter cuts, and more. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Jardin: I started out directing low-budget music videos, which I more or less […]
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“This is the Story of Environmental Racism”: Editor Rosella Tursi on God Save Texas: The Price of Oil
Inspired by God Save Texas: A Journey into the Soul of the Lone Star State, the Pulitzer Prize-winning journalist Lawrence Wright’s examination of the contradictions and history of Texas, God Save Texas is an anthology series in which three Texan directors offer their own perspective on the state. The second of these, God Save Texas: The Price of Oil, is Corman’s World director Alex Stapleton’s examination of the history of the country’s energy sector and its relationship to her own family history, who arrived as enslaved people in the 1830s. Below, God Save Texas: The Price of Oil editor Rosella Tursi discusses editing the […]
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“The Point Is to Struggle With What You’ve Been Given”: Editor John Magary on Between the Temples
Between the Temples, co-written by C. Mason Wells and director Nathan Silver, follows a spiritually conflicted cantor (Jason Schwartzman) who finds his faith somewhat revitalized when his grade school music teacher (Carol Kane) enrolls as his latest adult bat mitzvah student. Editor John Magary discusses how he approached cutting Between the Temples, particularly when it came to navigating the film’s heavy use of improv. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]
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“How You Bring a Story to Life Is Just a Question of Your Imagination”: Editor Otto Burnham on Super/Man: The Christopher Reeve Story
Archival footage and previously unseen home movies lend a new perspective of Christopher Reeve’s rise to stardom in Super/Man: The Christopher Reeve Story. Editor Otto Burnham shares his approach to cutting Ian Bonhôte and Peter Ettedgui’s doc, which makes it Sundance 2024 debut in the festival’s Premieres section. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Burnham: I was rollerblading badly in East London on a bright, chilly January […]
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“I ‘Write’ My Films in the Editing Room”: Editor Jules Rosskam on Desire Lines
Premiering in the NEXT section of the 2024 Sundance Film Festival, Desire Lines presents the time-traveling journey of an Iranian-American trans man, utilizing a vast archive of queer images in order to transport him between time and space. Filmmaker and queer scholar Jules Rosskam also served as the film’s co-writer, producer and editor. Below, he describes why he always opts to edit his own work, the various artists that inspire him and a reoccurring motif the film contains that revealed itself during the edit. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you […]
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“The Ending Was Always Clear for Us”: Editor Emma Backman on As We Speak
Born and raised in the Bronx, rapper Kemba guides viewers through some of the largest issues involving rap lyrics, freedom of speech and the First Amendment in As We Speak, the directorial debut of J.M. Harper. Looking at cases both in the U.S. and internationally, Harper’s documentary poses insightful questions about who is protected, or perhaps left vulnerable, by these legislative battles. Emma Backman, who previously collaborated with Harper on a series of commercials, discusses her experience cutting the film, which served as one of her first major feature-length projects as an editor. See all responses to our annual Sundance […]
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“Some Moments Feel Like They’re from a Totally Different World”: Editor Tory Stewart on Conbody VS Everybody
Debra Granik, whose most recent work was the 2018 Sundance premiere Leave No Trace, returns to documentary with Conbody VS Everybody, an episodic series that marks her first entry in the medium. The series follows Coss Marte, an ex-convict who starts a gym with the aim of breaking the cycle of recidivism and fending off gentrification in New York City’s Lower East Side. Editing the series is Tory Stewart, editor of Stray Dog, Granik’s 2014 documentary, and also a contributor on Leave No Trace and Winter’s Bone. Below, she talks about how the edit and the series evolved over many years and the time capsule […]
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“We Allow Each Person to Identify with Any or All of the Main Characters”: Editor Adam Dicterow on In the Summers
Director Alessandra Lacorazza’s In the Summers follows two sisters who, over several formative summers, visit their caring but tempestuous father in Las Cruces, New Mexico. The cast includes Lio Mehiel, who won an acting prize at last year’s Sundance for Mutt, as well as Sasha Calle and René Pérez Joglar (also known as Residente, co-founder of the rap outfit Calle 13). Adam Dicterow, whose previous credits include the aforementioned Mutt, as well as Dear Evan Hansen, and HBO’s Succession, served as editor. Below, he talks about why the film moves through different styles and recalls the editing room deliberations about the film’s ending. […]
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“We Wanted To Embed the Viewer in the Energy of the Campaign”: Editor Aaron Soffin on And So It Begins
After Filipino president Rodrigo Duterte’s term comes to an end, the promise of democracy and threat of increased authoritarianism sends droves of citizens into the street to campaign for Liberal Party candidate Leni Robredo. Filmmaker Ramona S. Díaz captures the lead-up and aftermath of this critical election in her film And So It Begins, a companion to her 2020 doc A Thousand Cuts, about journalist Maria Ressa, who risks her life in order to vocally criticize Duterte’s involvement in the war on drugs. Below, editor Aaron Soffin discusses how he came onto the project only five months ago, trained under […]
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“I Hope Watching Her Will Spark That Curiosity in All of Us”: Editor Celia Beasley on Penelope
With Penelope, Mel Eslyn, director of last year’s Biosphere and a producer who has worked with the Duplass brothers and Lynn Shelton, enters the world of episodic series. The series follows a 16-year-old girl who, feeling out of place in the world, ventures into the wilderness. Penelope will screen as part of Sundance’s Episodic Pilot Showcase. Below, editor Celia Beasley discusses the importance of Washington state’s indie film community and how the series reignited her love of the outdoors. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? […]
