Features
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Film Schools in a Time of Disruption
At YouVisit Studios in midtown Manhattan, Ben Leonberg, Scott Riehs and Alice Shindelar, three recent graduates of the film MFA program at Columbia, bring their education to bear in rather unexpected ways. They are still, in a sense, filmmakers — Leonberg a creative director, Shindelar a writer/director and Riehs a creative producer, each aspiring to one day make a feature. But as their day job they practice filmmaking of a very different type: together they conceive, write and shoot commercial content that YouVisit calls “interactive virtual experiences.” They work in 360-degree video and with virtual-reality headsets. They experiment with new […]
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Surveying Inner Landscapes
In the current climate of conglomerate studio entertainment, the Holy Grail is no longer the summer tentpole or the once fabled franchise. It is now the “shared universe,” a property capable of infinite expansion across an ever-enlarging landscape of consumption platforms. No outfit has embraced this new paradigm more than Marvel, whose television and film empire spans multiple networks and studios. As a product of FX and Marvel Television, Legion belongs to that universe, yet the new series from Fargo creator Noah Hawley feels like its own creature — not an offshoot or a spinoff or a cog in a […]
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Cosmic Mash-Up: James Gunn Talks Making Guardians of the Galaxy Vol. 2 With Bobcat Goldthwait
Sheer, unbridled glee — it’s not an emotion one would associate with today’s increasingly portentous blockbusters, their apocalyptic grimness ineffectively untempered by their series of rote one-liners. Indeed, while there is certainly a place for the adult-themed superhero movies following in the wake of Christopher Nolan’s Batman Begins, and a certain fascination to the interlocking narratives of the Marvel Cinematic Universe, too often in superhero movies one hopes for more of the out-there, the bizarre and, even, the childlike. All those qualities were what fueled the unexpected success of Marvel’s 2014 picture Guardians of the Galaxy, in which a misfit […]
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Helicopter Parent: Cristian Mungiu on Graduation
Cristian Mungiu’s feature debut, 2002’s Occident, was an accomplished exercise in the then-fashionable mode of multiple narratives, which slowly overlap and converge, but it wasn’t until 2007’s 4 Months, 3 Weeks and 2 Days that he received significant international attention. Building on the style established by his contemporary, Cristi Puiu, in 2005’s The Death of Mr. Lazarescu (as well as using Puiu’s DP Oleg Mutu), Mungiu crafted an intense portrait of a woman trying to get a proscribed abortion in the waning days of Ceaușescu’s Romania. The film won the Palme d’Or, solidifying the rise of the Romanian New Wave. […]
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The Sorrows of a Young Vampire: Writer/Director Mike O’Shea on The Transfiguration
In Mike O’Shea’s insidiously unsettling and remarkably assured debut film The Transfiguration — the most unlikely official selection at last year’s Cannes Film Festival — Milo (Eric Ruffin), a black teenager in a far flung outer borough ghetto, is first seen hunched over a dead white man in a public bathroom stall, his mouth wrapped around the cadaver’s jugular. Although he might be the super predator of Hillary Clinton’s nightmares, this kid is no regular old vampire; he can walk around during daylight hours and eats actual food. Perhaps he’s just a killer? The movie gives you little certainty on […]
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Working Through Fear: An Interview with Blumhouse’s Jason Blum
Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie maestro Jason Blum. Since founding the company, Blum has produced dozens of films that have made varying degrees of impact on the zeitgeist: the found-footage scares of the Paranormal Activity films, the reinvented haunted house of the Insidious pictures, the social violence of The Purge series. And then, of course, there’s megahit Get Out, Jordan Peele’s ferociously intelligent satire on racism that, despite its share of lobotomies and knifings and violently applied white […]
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Alone Inside: Kristi Jacobson on Her Penetrating Documentary about Solitary Confinement, Solitary
Kristi Jacobson was nominated for the Truer than Fiction Spirit Award for her artful and incisive documentary on solitary confinement, Solitary. The film plays this month on HBO, and filmmaker Alix Lambert interviewed Jacobson for our Winter issue. With Solitary, filmmaker Kristi Jacobson offers her audience an experience both visceral and intimate inside the notorious Red Onion supermax prison in Wise County, Virginia. Jacobson, who spent a year filming at the prison, examines the devastating effects of solitary confinement by introducing us to the men who are incarcerated as well as to the guards and others who work at the […]
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The Art of Walking: Eduardo Williams on The Human Surge
In Eduardo Williams’s shorts and, now, his debut feature The Human Surge, packs of young men and women wander without purpose but still with great persistence around the globe. 2012’s The Sound of the Stars Dazes Me and 2011’s Could See a Puma, were shot at home in Buenos Aires, 2013’s That I’m Falling? in Sierra Leone and 2014’s I Forgot! in Vietnam. Logically building on this peripatetic tendency, Surge moves from Argentina to Mozambique to the Philippines in three discrete but linked segments. No matter where the characters are, there’s often a basic MO: young people trekking reluctantly to […]
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The Terror of the Text: Olivier Assayas and Kristen Stewart on Personal Shopper
Personal Shopper, Olivier Assayas’s latest feature, begins with a classic horror movie trope: an evening spent in a haunted house. Kristen Stewart plays expat Maureen — not a paranormalist or twentysomething thrill-seeker but a personal clothes buyer and stylist to Kyra, a celebrity socialite and member of the Davos set. Something of a savant, Maureen does this job with an instinctual certainty but little evident pleasure. Whether that’s due to her preternatural cool or an overlay of mourning is unclear. But several months earlier, her brother, with whom she shares a congenital heart condition, died in a drafty mansion somewhere […]
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Meat is Murder: Julia Ducournau On Her Wildly Creative Female Cannibal Film, Raw
Julia Ducournau’s debut feature film Raw is an earnest, sincere work with a clean pop sensibility that also happens to be about cannibalism. When mild-mannered vegetarian college freshman Justine (Garance Marillier) joins her older sister Alexia (Ella Rumpf) at veterinary school, she discovers an appetite for human flesh that she didn’t know she had. Raw is first and foremost their story, and the plot hinges entirely on whether or not their relationship is tearing itself apart or stitching itself back together. Like all siblings, they understand each other better than anyone else, simultaneously totally devoted and flippantly cruel. Marillier and Rumpf’s […]
