Features
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25 New Faces of Independent Film – 2011
Welcome to the 14th edition of Filmmaker’s “25 New Faces of Independent Film.
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NEIGHBORHOOD WATCH
Acclaimed documentary filmmaker Steve James returns to his native Chicago to look at a group of ex-cons who have formed an organization dedicated to wiping out the violence that has plagued their streets in THE INTERRUPTERS. By Jason Guerrasio | Photograph by Henny Garfunkel -
HIGH OCTANE
For Evan Glodell, surviving a bad breakup by making a movie wasn’t enough — he also built the camera it was shot on and the car featured in its story. Dubbed the mad scientist of this year’s Sundance, he takes Septien director Michael tully through the apocalyptic fever dream that is BELLFLOWER. Photograph by Henny Garfunkel -
I WANNA SEE YOUR HANDS IN THE AIR
Both actor and bona fide Hollywood star, Mark Ruffalo has made a surprising directorial debut with Sympathy For Delicious, a bold fable about religion and rock & roll, betrayal and friendship. By Scott Macaulay
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We Are the Night: Interviewing the Team Behind Myth of the American Sleepover
The Myth of the American Sleepover has seduced audiences from Austin to Cannes with the intimacy of its look at a group of teenagers during one long, magical summer night. Writer-director David Robert Mitchell and his team discuss the film’s journey to the screen. By James Ponsoldt
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TOURIST SEASON
With his second feature, the Gotham Award-winning Littlerock, California native Mike Ott explores the dreams of a small California town through the eyes of a visiting pair of young Japanese tourists. By Ray Pride.
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POSSIBLE SIDE EFFECTS
From a screenplay by Leslie Dixon, Neil Burger takes us on a pharmaceutical-fueled joyride through a conspiratorially intelligent New York business world in Limitless. By Scott Macaulay PLUS: Leslie Dixon on nurturing your inner Tarantino.
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PAST TENSE
Winner of the Palme d’Or at this past year’s Cannes Film Festival, Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives is an enlightening journey graced with a fairytale feel that’s unlike anything you’ll see in theaters this year. By Howard Feinstein.
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SPY CAMERA
For Dana Adam Shapiro’s eerie and erotic relationship drama Monogamy, cinematographer Doug Emmett creates a voyeuristic visual style in line with the film’s conflicted protagonist. Here D.P. Eric Lin chats with Emmett about crafting the film’s unique look.
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This Gun for Hire
Both a Cannes sensation and a hit television miniseries in France, Olivier Assayas’s Carlos, an incisive and exciting look at left-wing mercenary Ilich Ramírez Sánchez and the political culture that sustained him, now comes Stateside.
