Powered by 
[PREMIERE SCREENING: Friday, Jan. 22, 6:00 pm — Yarrow Hotel Theatre, Park City] The hardest decision we had to make actually happened prior to shooting. During 2007, my team and I had been commissioned to write a horror-comedy script. We had been working on the script for many months and actually had the budget to make it. At this moment, we were on the verge of going to our bosses and trying to figure out how we could take leave of absences from our jobs to go film this movie in the late summer. At the time I was working […]
[PREMIERE SCREENING: Friday, Jan. 22, 11:30 am — Library Center Theatre, Park City] Our film was a slow burn. It took eight months for the true story to emerge. The last two-thirds of the film unfold over the course of one incredible week. Our toughest decisions came in the editing room, trying to distill the most exhilarating, unsettling and ultimately revelatory week of our lives into an hour and a half.
[PREMIERE SCREENING: Friday, Jan. 22, 3:00 pm — Temple Theatre, Park City] The hardest decision I made in making Family Affair was to ask my father the question, “Why?” When my father was arrested, I was 10 years old. It wouldn’t be until much later in life that I’d come to comprehend the full magnitude of the crimes he committed against my sisters. For reasons I once could not understand, my sisters had maintained a relationship with my father almost immediately following his release from prison. In November of 2002, my sisters invited me to spend Thanksgiving with them in […]
[PREMIERE SCREENING: Friday, Jan. 22, 8:30 am — Prospector Square Theatre, Park City] Jeesh, the amount of decisions that go into making a movie… the words “the amount” are so heavy because the list is heavy, breathing is a decision, but to quantify them seems like the scariest task with such a daunting overhead. Of course the best decisions are the ones that you don’t have to make but are forced into. During Daddy Longlegs, we were so preoccupied with constantly providing stimuli from the writing process all the way through editing: for ourselves, for the actors, the non-actors, the […]
[New Frontier Performances and Installations] When it comes to shooting one is faced with endless decisions. I make them like when playing a computer game or making music — really quick and without too much thinking. I make up my mind really fast just so I won’t lose my cool with my crew. Afterward I think, “What the hell was that decision?” But then in retrospect it usually works out well. Instinct is the only thing an artist can truly trust when it comes to those decisions. If the vision is clear then instinct will follow.
[New Frontier Performances and Installations] The Cloud Mirror is a technological exploration of how our online standards of privacy and tact contrast so dramatically with those standard in the real world. When building The Cloud Mirror, I had to consider whether I felt comfortable taking people’s information from Facebook and Twitter and splashing it on their faces in a real public space for all to see. I found I felt uncomfortable with invading people’s privacy in this way, even though they themselves had made the information public. In fact I discovered people who post their “relationship status”” publicly on Facebook […]
[PREMIERE SCREENING: Friday, Jan. 22, 8:00 pm — Racquet Club, Park City] The shooting of this movie was insane. We shot three different times over the course of almost two years. The first time we worked with an outline and the actors completely improvising from that outline. The second time we had some scripted scenes, and the third time we went in completely scripted. With all that shooting I had a crazy amount of material to work with, and it was really hard to cut certain scenes that I loved. The hardest decision was because we shot so much, I […]
[PREMIERE SCREENING: Friday, Jan. 22, 2:30 pm — Library Center Theatre, Park City] Do I need permission to film that person? In my previous documentaries, the answer was always clear: get a signed release form. But this film was set in a different world: a virtual world called Second Life, populated solely by digital avatars. Was this a game or a place governed by the laws of the real world? To make things more complicated, most “residents” (as the users call themselves) fiercely guard their real identities, adopting fanciful new names, ethnicities, nationalities, genders, even species. Asking for a resident’s […]
[PREMIERE SCREENING: Thursday, Jan. 21, 9:30 pm — Eccles Theatre, Park City] Our goal in making Restrepo, a documentary about soldiers at a remote outpost in Afghanistan, was to give viewers the experience of a 90-minute deployment. We had no difficult decisions, per se, but we did have important ones. First and foremost, we decided that our cameras would never leave the soldiers. We would not interview generals or diplomats; we would not return to the United States to talk to the families. We would limit ourselves to what the soldiers had access to and nothing more. Finally our film […]
New Frontier Performances and Installations [PREMIERE SCREENING: Thursday, Jan. 21, 3:00 pm — New Frontier on Main, Park City] Not filming anything, I developed software that breaks down film as video into its basic primitives — the building blocks of media. I take body signals and sound to reanimate and dematerialize existing media and create film objects and “dream anatomies” of our familiar media body. These computational cinema works are not recorded; they are generated as the viewer experiences the work in real time. The works synchronize with your own body to create new synesthetic experiences.