Focal Point

In-depth interviews with directors and cinematographers by Jim Hemphill

  • “I Was Getting Hate Mail Before I Even Started Shooting”: Keith Gordon on The Singing Detective

    Writer-director Keith Gordon had one of the best film schools imaginable in the late ’70s and early ’80s, when he broke into the business as an actor and appeared in several now classic movies including All That Jazz, Dressed to Kill, and Christine. He must have learned quite a bit watching the likes of Fosse, De Palma, and Carpenter direct, because his own filmography is one of the most consistent in all of contemporary American cinema. Gordon has directed five features to date, every single one of which is an uncompromised treasure – and each one is different from the…  Read more

    On Aug 12, 2015
    By on Aug 12, 2015Columns
  • “The Ultimate ’80s Guilty Pleasure Movie”: Randal Kleiser on Summer Lovers

    Has there ever been another summer for American movies like the summer of 1982? From the release of John Milius’s Conan the Barbarian on May 14 to the exploitation double-whammy of Class of 1984 and The Beastmaster on August 20, virtually every week saw the release of one or more spectacularly enjoyable films across a wide array of genres. The summer gave us a pair of Spielberg classics (E.T., Poltergeist) and numerous seminal science fiction films (Blade Runner and John Carpenter’s The Thing were released on the same day); teen comedies both high (Fast Times at Ridgemont High, The Last…  Read more

    On Aug 5, 2015
    By on Aug 5, 2015Columns
© 2020 Filmmaker Magazine
All Rights Reserved
A Publication of IPF