Last night at the Times Centre in New York, BRITDOC’s Puma Impact Award was bestowed upon the visibly shell-shocked filmmakers behind the year’s most innovative film, The Act of Killing. Director Joshua Oppenheimer, co-director Christine Cynn, and producer Signe Byrge Sørensen assumed the stage to collect their iridescent trophy – and its accompanying 50,000 Euro prize, to be split between the team and their activist efforts – from jurors Susan Sarandon, Zadie Smith, and Ricken Patel. Absent were two members of the jury, Gael García Bernal and Eric Schlosser, but, perhaps more notably, The Act of Killing’s anonymous co-director and 60 crew […]
by Sarah Salovaara on Nov 14, 2013The backlash against the Academy’s recent changes to its nomination policies for documentary films contrasted with the casual atmosphere of last night’s Cinema Eye Honors. In an intimate theater at the Museum of the Moving Image, the pillars of the documentary community gathered to celebrate the breadth and diversity of their craft. In attendance were Frederick Wiseman, Al Maysles, Steve James, Alex Gibney, Michael Moore, Joe Berlinger, Bruce Sinofsky and many more. Founder and co-host AJ Schnack spoke of the Cinema Eyes evolution prior to the awards: “Some things about Cinema Eye are the same as they were that first time that we gathered […]
by Daniel James Scott on Jan 12, 2012Originally published in our Summer 2011 issue, I sat down with Steve James to talk about his latest documentary, The Interrupters. Nominated for Best Documentary for this year’s Gotham Independent Film Awards, this could be the start of a busy award season for the film and its veteran director. From the interview: Though the film touches on some horrible aspects of Chicago, it also has a lot of hope in it. It is kind of a love letter to your city. We wanted the film to be raw, immersive, and uncompromising, but we also didn’t want it to be one […]
by Jason Guerrasio on Nov 7, 2011Select stories from our Summer issue are now available, including this year’s 25 New Faces of Independent Film. You can also read online our interviews with Steve James on his new film The Interrupters, Evan Glodell talks about Bellflower and doc filmmaker Paul Devlin looks at the battle between documentary filmmakers and the IRS. Plus, columns Culture Hacker, Industry Beat and more. The issue hits stands next week, but you can read it now on your desktop by subscribing to our digital issue. Learn more here. Enjoy.
by Jason Guerrasio on Jul 20, 2011Acclaimed documentary filmmaker Steve James returns to his native Chicago to look at a group of ex-cons who have formed an organization dedicated to wiping out the violence that has plagued their streets in THE INTERRUPTERS. By Jason Guerrasio | Photograph by Henny Garfunkel
by Jason Guerrasio on Jul 20, 2011The 2011 Dallas International Film Festival closes today, wrapping up an 11 day fest that accomplished what all regional fests should: screening favorites on the festival circuit while highlighting the talents of filmmakers in its community. Thanks to the tireless efforts of the Dallas Film Society (which took over the festival when the three-year licensing and consulting deal with AFI wasn’t renewed before the 2010 fest) — specifically chairman Michael Cain and artistic director James Faust — the 5th DIFF has integrated itself nicely into a Dallas arts community that already has a full calendar of events to choose from […]
by Jason Guerrasio on Apr 10, 2011There’s nothing like a parade to celebrate community spirit. When I arrived in Columbia, Missouri (aka CoMo) throngs of revelers in homemade costumes were marching down the main boulevard to kick off the 8th edition of the True/False Film Fest. The aptly named documentary festival ran from March 3-6, and community spirit was evident in the grassroots event dedicated to the audience experience. Columbia, a small city just north of the Ozarks, counts more than one quarter of its 108,000 residents as advanced degree holders. The University of Missouri (aka Mizzou) is the largest among several schools, and its prominent […]
by Rania Richardson on Mar 9, 2011[PREMIERE SCREENING: Friday, Jan. 21, 9:00 pm — Temple Theatre] Making The Interrupters was, by its very nature, a series of hoped-for surprises: Producer Alex Kotlowitz and I wanted to be awakened in the middle of the night by a violence interrupter and told we should come quick to capture them dealing with a potential mediation. No such moment was more surprising than “Flamo,” a young man full of rage, making his entrance into our film by opening his front door and angrily flinging his cell phone out into the snow. He was on a warpath of revenge against this […]
by Filmmaker Staff on Jan 21, 2011