It doesn’t matter where we’re from, we all remember the way the place used to be. You know, before the local dive bar became a TGIF, the Kroger became the Whole Foods, and back when the scene was truly a scene. But, of course, as powerful as nostalgia can be, it is also self-generating. What’s around us right now will one day be a newcomer’s “way it was.” In terms of a filmmaker’s celebration of his hometown, Rick Linklater’s Slacker has, perhaps, no equal. It not only documented a place, Austin, but it grafted a sensibility onto that place, a […]
Film Independent announced today that producer and former executive and festival programmer Rebecca Yeldham has accepted the post of Director of the Los Angeles Film Festival. From the press release: “Rebecca has a wide range of experience in the industry and she’s an inspiring leader — her many talents make her a natural fit for the Los Angeles Film Festival,” said Dawn Hudson, Executive Director of Film Independent. “She has been intimately involved in the building of this festival and the organization over the last nine years as a Film Independent Board member. Rebecca shares our vision of expanding the […]
Celebrating the work of one of Austin’s filmmaking treasures, Toby Hooper, SXSW will be screening his little know first film, Eggshells. In this week’s Austin Chronicle, Louis Black, co-founder/editor of the paper and SXSW, writes about the film, which hasn’t been screened in close to four decades. An excerpt from the story: There were many extraordinary talents that worked on [Texas] Chainsaw [Massacre], including cinematographer Daniel Pearl; Hooper’s co-writer, Kim Henkel; art and production designer Robert Burns; and Wayne Bell doing sound. Even though, in so many ways, it is clearly a director’s movie in that all the elements are […]
If you have a film at SXSW and would like to send short reports on the festival, your film, and your experience there for Filmmaker blog posting consideration, you can email me at editor.filmmakermagazine AT gmail.com. We have a number of feature interviews going up throughout the festival, and we’ll be posting from the ground, but Filmmaker always welcomes first-person pieces from those involved with the films themselves. And, if you are attending, stop by my panel on Sunday at 1:00pm. (Why does the SXSW calendar function keep auto-syncing it do my calendar at 2:00pm?) It’s entitled “Self-Distribution: Not All […]
If there were to be a mumblecore parade, Joe Swanberg would be the man in the shiny red convertible, waving to onlookers and trailing a team of baton twirlers in his wake. His films – LOL, Hannah Takes the Stairs, Nights & Weekends – have helped to define a genre that was never supposed to be a genre at all. Alexander the Last, his latest, was executive produced by Noah Baumbach and stars Jess Weixler (Teeth), Barlow Jacobs (Great World of Sound, Shotgun Stories), Amy Seimetz and Justin Rice (Mutual Appreciation), as well as Jane Adams and Josh Hamilton. It’s […]
Originally posted in our SXSW 2009 coverage, Breaking Upwards opens in select theaters this Friday. In Breaking Upwards, Daryl Wein and Zoe Lister-Jones play a young New York couple named Daryl and Zoe. The film was written by the two of them, plus Peter Duchan, directed by Wein, and produced by all three. Zoe plays an actress, starring in an Off-Broadway play; Julie White plays Daryl’s mother, and was cast after appearing in an Off-Broadway play with Lister-Jones. To say that this film is autobiographical is, to be brief, an understatement. It’s a romantic comedy that borrows its hyper-articulate, hyper-intellectual […]
Ry Russo-Young’s You Won’t Miss Me was one of our favorite films at Sundance this year. It is a free-wheeling, lyrical but sometimes jarring depiction of a few months in the life of young and struggling New York actress navigating both harsh auditions and her own chaotic emotional relationships. The film has a deceptively casual feel as it avoids obvious plot points and melodramatic narrative contrivances. By its conclusion, however, it feels full — an honest portrait of character we haven’t quite seen on screen before at a very specific moment in her life. Following its Sundance premiere, the film […]
As I sit here editing the interviews and short reports we’ll be posting in our SXSW section beginning Thursday night/Friday morning, I’m wondering what level of SXSW reporting rises to the level of the impactful meaningfulness we aspire to on this blog. There is less industry news at SXSW, and fewer (try no) eight-figure acquisitions… but does that mean that we should be promoting a contest in which all you aspiring filmmakers create a music video for Double D’s “South By Girls”? From the site: It all started as a joke. On a Twitter challenge from a record-industry friend, Eston […]
Former publicist Reid Rosefelt resurfaces today with the launch of SpeedCine, a site that acts as a database for legal film viewing and downloading on the web. It’s a clever idea. You scan through the titles listed on the site, click one, and you’re sent to a page with links to the various viewing options on the ‘net. For example, say I want to watch Jeff Lipsky’s Flannel Pajamas. One click and I see that I can instantly watch it on Amazon VOD or, if I have a subscription, via Netflix. I can also download to rent from Jaman or […]
Tonight the Sundance Institute announced the appointment of John Cooper as the new director of the Sundance Film Festival. Cooper has been with Sundance for 20 years and now, following Geoff Gilmore’s departure to Tribeca Enterprises, steps into the leadership position. When Holly Willis interviewed him for this magazine three years ago she wrote, “Funny, self-deprecating and entirely approachable, Cooper is known to thousands of American filmmakers as the guy who calls with really excellent news. For the festival, he’s integral, the armature that supports everything.” We congratulate Cooper on the appointment and look forward to talking with him in […]