17729 Results for “”
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“The Only Important Thing is the Work”: Austin Pendleton on a Life on Stage (Back to One, Episode 218)
Austin Pendleton might be best known for My Cousin Vinny, or What’s Up Doc? but the 82-year-old actor, director, playwright and teacher is a one-man theater institution. It almost seems like there isn’t a great play that he hasn’t performed or directed, somewhere, in his more than 60 years in the business, and he’s not slowing down in the slightest. In this epic, 90-minute episode, what Meryl Streep said of Pendleton will ring tru: “There’s no line between the man and his work.” He talks about his latest performance, in the celebrated new Tracy Letts play The Minutes, then takes […]
by Peter Rinaldi on Aug 30, 2022 -
(Screen)Play Press Launches, Announces Six Inaugural Titles
Mexican-American filmmaker Eva Aridjis announced today the launch of (Screen)Play Press, which will publish scripts that have not yet been developed into feature films. Founded by Aridjis and fellow filmmaker/screenwriter Christine Vartoughian over a cup of coffee this past May, the first six titles published by (Screen)Play Press specifically spotlight scripts written by women. Each title will be available in paperback and e-book versions. “What we’d really love to emphasize is how many great un-produced screenplays we know are out there, and our desire to get these stories out into the world regardless of whether or not a film version […]
by Natalia Keogan on Aug 29, 2022 -
A Schoolhouse for Cinephiles: In Praise of Light Industry
After 11 years of residence in Greenpoint, co-founders Ed Halter and Thomas Beard are moving their microcinema, Light Industry—dedicated to screening film and electronic art in Brooklyn since 2008—to Williamsburg. Ed and Thomas found inspiration for Light Industry in Amos Vogel, who founded the New York Film Festival, pioneered early alternative film spaces such as Cinema 16 and once wrote that “the avant-garde’s delight in the unpredictable, its insistence on the deconstruction of ossified codes, its probing of the unacceptable, signify gestures of freedom in an increasingly commercialized cinema.” I would repeat this remark, word for word, about the indispensable […]
by Conor Williams on Aug 25, 2022 -
Watch: New Trailer for Todd Field’s TÁR
After a 16-year hiatus from filmmaking, Todd Field is back with TÁR. A new trailer has been released ahead of the film’s forthcoming screenings at fall festivals. TÁR stars Cate Blanchett as the titular character Lydia Tár, a (fictional) world-renowned composer who becomes the first female conductor of a prestigious German orchestra. Though further plot details are sparse, Blanchett will be joined by cast members Nina Hoss, Noémie Merlant and Mark Strong. In the Bedroom, Field’s first film from 2001, ranked sixth on Filmmaker‘s list of the 15 Best Debuts of the Century So Far. In 2006, he returned with […]
by Filmmaker Staff on Aug 25, 2022 -
Trailer Watch: Noah Baumbach’s White Noise
Netflix has released a teaser trailer for White Noise, Noah Baumbach‘s adaptation of author Don Delillo’s 1985 novel of the same name. Adam Driver plays Jack Gladney, a professor of Hitler Studies at a local liberal arts college, while Greta Gerwig plays his wife Babette. Both must confront their profound mortal fears when an “airborne toxic event” threatens their family and livelihoods—a catastrophic occurrence that reveals moments of mind-numbing mundanity. Once terrified of death, Jack becomes obsessed and consumed by it in the wake of this environmental crisis. Driver and Gerwig have collaborated with Baumbach extensively in the past, with […]
by Filmmaker Staff on Aug 25, 2022 -
Magic, Misdirection and the Amazing Kreskin: Michael Bilandic and Owen Kline on Funny Pages
Director Owen Kline texted me recently to let me know he was in my neighborhood, so we linked up in Washington Square Park to see what was good. He’d just gotten back from Cannes where his debut feature, Funny Pages, was a smash hit. I was excited to hear some glamorous, and hopefully debaucherous, tales from the Croisette. Instead, the very first words out of his mouth were, “Pick a number between between one and a thousand. And don’t tell me what it is!” He looked me dead in the eyes, on some mentalist shit, scribbled furiously on a clipboard for […]
by Michael Bilandic on Aug 25, 2022 -
Trailer Watch: Ana Lily Amirpour’s Mona Lisa and the Blood Moon
After its premiere at the 2021 Venice Film Festival, the trailer has finally arrived for Ana Lily Amirpour‘s latest film, Mona Lisa and the Blood Moon. This will be the director’s third film after previously helming A Girl Walks Home Alone at Night and The Bad Batch. The film stars Kate Hudson and Jun Jong Seo as an unlikely duo that embarks on a supernatural crime spree. Hudson plays the aptly named Bonnie, a stripper and single mother working in New Orleans. The titular Mona Lisa (Seo), on the other hand, is a fugitive who recently escaped from a mental institution. […]
by Filmmaker Staff on Aug 24, 2022 -
Trailer Watch: Matt Sobel’s Goodnight Mommy Remake
The trailer for Goodnight Mommy, an American remake of the Austrian film from 2014 of the same name by Veronika Franz and Severin Fiala, has just dropped from Prime Video. The new film is directed by Matt Sobel (a 2014 25 New Face following his first feature, the disturbing Take Me to the River) with a screenplay by Kyle Warren. The film stars Naomi Watts as a mother who is reunited with her two young sons, her face heavily bandaged after receiving plastic surgery. The children, however, begin to suspect that the woman under the bandages isn’t the same one […]
by Filmmaker Staff on Aug 24, 2022 -
“I Would Cut with Scissors if I Had To”: Editor Elísabet Ronaldsdóttir on Bullet Train
In Bullet Train, a half dozen assassins, the screw-up kid of a Russian crime lord and a lethally venomous snake are among the passengers on the titular mode of transport travelling from Tokyo to Kyoto. Balancing the sheer volume of characters and orchestrating the intricately choreographed tussles of action maestro David Leitch (John Wick and Atomic Blonde) already present ample challenges for an editor. For Elísabet Ronaldsdóttir, the Icelandic cutter of both Wick and Blonde, the degree of difficulty was further embellished by an array of flashbacks, Thomas the Tank Engine metaphors, surprise cameos and Engelbert Humperdinck needle drops. With […]
by Matt Mulcahey on Aug 24, 2022 -
The Evolution of Impact: The Future of Social Change and Nonfiction Storytelling
The conversation about documentary impact has undergone a number of shifts since impact producing began to emerge as a practice within the documentary field around 20 years ago. Today it is almost expected that a social issue documentary film will be accompanied by an impact campaign to help ensure its story will reach audiences and motivate them towards social change, deeper engagement with a story’s themes and further learning. But earlier, things were different—the argument had to be made that some documentary filmmakers should focus on impact and to develop best practices for engaging audiences around a film and its […]
by Sahar Driver and Sonya Childress on Aug 23, 2022
