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“We Did Not Have an Interior to Shoot for Eight-and-a-Half Episodes”: DP Christina Alexandra Voros on Her Emmy-Nominated 1883 Work
“The landscape is its own character,” says 1883 cinematographer Christina Alexandra Voros. It’s not an unusual declaration for an epic outdoor adventure, until Voros adds, “And that character was the biggest diva on the show.” A prequel to Paramount+’s popular Yellowstone series, 1883 subjected its crew to both a stifling Texas summer and a frigid Montana winter to trace the Dutton clan’s westward journey via wagon train. “It was punishing,” said Voros. “It was either raining, windy or just plain freezing, or it was 500 background people in downtown Ft. Worth sweltering under the August sun in wool clothing.” Braving […]
by Matt Mulcahey on Jul 28, 2022 -
Trailer Watch: Andrew Dominik’s Ana de Armas-Starring Blonde
“Ms. Monroe, it’s time,” are the first ominous words heard in the just-released trailer for Andrew Dominik’s long-awaited Netflix production, Blonde, based on Joyce Carol Oates’s book about actor and movie star Marilyn Monroe. Ana de Armas plays Monroe in the dark drama. In addition to first glimpses of de Armas’s performance, among what’s striking about the trailer is Chayse Irvin’s cinematography, which, across scenes, instantly recalls the different period photographic styles — in cinema, paparazzi shots, and media and magazine coverage — associated with Monroe’s depiction. Interestingly, Blonde is Irvin’s second credit this year. The BlacKkKlansman DP also shot […]
by Scott Macaulay on Jul 28, 2022 -
“Over-Coverge is the Enemy of Style”: DP Jules O’Loughlin on The Old Man and Ms. Marvel
In Disney’s Ms. Marvel, a teen in an exuberantly colored Jersey City discovers super powers after slipping a magical bangle on her wrist. In FX’s The Old Man, a septuagenarian dusts off a long-dormant aptitude for violence when his former life as a CIA operative catches up with him. In the overlapping Venn diagram of these seemingly disparate shows, you’ll find cinematographer Jules O’Loughlin. The Australian DP shot two episodes of each series, which also share critical flashbacks set on different continents than their main story, as well as shoots that were greatly affected by COVID. With both shows now […]
by Matt Mulcahey on Jul 27, 2022 -
Venice Film Festival Announces 2022 Lineup
The lineup for the 79th Venice Film Festival is now live, one day after Noah Baumbach‘s adaptation of Don Delillo’s novel White Noise was announced as the opening night film. The films announced today include Andrew Dominik‘s Blonde, Darren Aronofsky‘s The Whale, Joanna Hogg‘s The Eternal Daughter, recently jailed Iranian director Jafar Panahi‘s No Bears, Frederick Wiseman‘s narrative turn A Couple and more. White Noise marks the first time that a Netflix film serves as the festival’s opening night film. The streamer is also present with Dominik’s Blonde, the Nicolas Winding Refn mini-series Copenhagen Cowboy and Alejandro González Iñárritu’s Bardo (or False […]
by Filmmaker Staff on Jul 26, 2022 -
Trailer Watch: Ti West’s Pearl
Watch the trailer for Pearl, the second film from director Ti West to be released this year. Back in March, we got the ’70s slasher throwback X, and Pearl is a prequel that charts the origin story of X‘s geriatric killer. Mia Goth, who co-wrote the screenplay with West, stars as the titular character during her young womanhood. While filming X, Goth portrayed both the film’s final girl and crazed killer. It appears she sheds the extensive prosthetics and dual performance in Pearl. The film will be released in theaters by A24 on September 16.
by Filmmaker Staff on Jul 26, 2022 -
Back to One, Episode 213: Angourie Rice
She’s only 21, but Australian actor Angourie Rice has earned respect in Hollywood for stacking up diverse roles in The Nice Guys, The Beguiled, Jasper Jones, Mare of Easttown, not to mention a few Spider-Man movies. Now she has her first starring role in Honor Society for Paramount+. She talks about how it helped her to be able to relate so much to her character in that film, and why talking directly to the camera was oddly easy. We chat about her podcast, The Community Library, which is a celebration of literature and storytelling of all kinds. This leads to […]
by Peter Rinaldi on Jul 26, 2022 -
Trailer Watch: Todd Field’s TÁR
Todd Field makes his long-awaited return with TÁR, the writer/director’s third narrative feature. The film stars Cate Blanchett as the titular (though fictitious) Lydia Tár, a world-renowned composer who becomes the first female chief conductor of a major German orchestra. TÁR comes 16 years after Field’s previous film, the 2006 psychological drama Little Children, and 21 years after his 2001 debut In the Bedroom (read our interview with Field from the Fall 2001 print issue). Though both films received several Oscar nominations (including Best Picture for In the Bedroom) and overwhelming critical acclaim, none of Field’s subsequent projects have materialized until […]
by Filmmaker Staff on Jul 25, 2022 -
Sundance Institute Announces 11 Producers Lab Fellows, Summit Participants for 2022
The Sundance Institute announced today the fellows selected for this year’s Producers Lab (July 25-28) alongside the participants in its Producers Summit (July 29-31). The forthcoming Lab features 11 fellows, with six fiction and five non-fiction producers among them, each with specific projects. More than 40 industry leaders and 26 independent filmmakers will also be involved in the subsequent Producers Summit. From the press release: The Producers Labs support emerging independent producers through intimate group sessions and one-on-one meetings with veteran producer advisors to hone their creative instincts, communication, and problem-solving skills and to develop strategies for pitching, financing, production, […]
by Filmmaker Staff on Jul 25, 2022 -
Film Writer and Curator Travis Crawford, R.I.P.
Film writer and festival curator Travis Crawford, who worked extensively with various home video labels in the restoration of classic foreign-language, independent and genre work, died this week, I was saddened to learn via social media. He was 52. Crawford, who for many years curated the Philadelphia Film Festival’s Danger after Dark series, wrote extensively for Filmmaker over the years, predominantly in the late aughts and early ’10s, when he headed up the print magazine’s “Load and Play” columns. His pieces on Brian De Palma’s Blow Out, David Lynch’s Blue Velvet, and the seven-disk Criterion box-set, American Lost and Found: […]
by Scott Macaulay on Jul 22, 2022 -
“Our Culture…Rarely Celebrates Older Women”: Silas Howard and Naz Riahi on Madelynn Von Ritz is Almost Famous
Filmmakers Silas Howard and Naz Riahi focus on an under-appreciated local musician in their documentary short Madelynn Von Ritz Is Almost Famous, which they co-directed. The titular subject, who performs under the unassuming moniker Lynn Castle, once had a single chart on the U.S. Top 100 in 1967. The psychedelic-twinged song, “Lady Barber,” detailed the exploits of the singer/songwriter’s day job working as a hairdresser for some of Los Angeles’ most celebrated musicians of the era (yes, Jim Morrison among them). Now 83, Von Ritz still has plenty of creative kick left in her, even if the critical recognition for her […]
by Natalia Keogan on Jul 22, 2022
