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Back To One Episode 209: Antonia Campbell-Hughes
I watched the movie Cordelia not knowing anything at all about it, and never having seen Irish actor Antonia Campbell-Hughes in anything before. The psychological thriller greatly impressed me in no small part due to the captivating performance of Campbell-Hughes, particularly the emotional depth that she invites the viewer to examine without words. In this episode, she talks about the layering work she did to build that character, the unorthodox way her process (or conscious lack of process) has developed over the years, and why it all started with what continues to be the main ingredient—truth. Her feature directorial debut […]
by Peter Rinaldi on Jun 28, 2022 -
“I Can’t Afford to Let Cliches Live in the Cinema I Make”: Leilah Weinraub on Shakedown
Leilah Weinraub’s 2018 Shakedown, which began playing Metrograph on June 17th (and has been held over through June 30th due to high demand), has been touted by Variety as the “the first-ever non-adult film” to be picked up by Pornhub. Yet it could also be called the sex site’s first-ever Berlinale-premiering and Tate/ICA/MoMA PS1/Whitney Biennial-screened acquisition. And likely the smut streamer’s first-ever labor of love release as well. Indeed, Shakedown is a film that defies any easy categorization. Ostensibly a longform cinematic exploration (crafted over 15 years starting in 2002) of the titular, mid-city, Los Angeles, Black lesbian strip club, the doc […]
by Lauren Wissot on Jun 27, 2022 -
“… A Means of Creating a Fulfilling Life, Rather Than Just About Creating a Film”: Morrisa Maltz on Her Lily Gladstone-Starring The Unknown Country
This interview with the director of the recommended The Unknown Country was originally posted during the 2022 SXSW Film Festival and is being reposted today as the film opens in New York, Los Angeles and other markets via Music Box Films. — Editor From the plains of the Dakotas to the Mexican-American border, landscape — seen through rain-streaked windshields at night, from overhead drone shots, and from the point-of-view of a single woman moving across a country that’s both reassuring and suddenly alien — is both subject and setting in The Unknown Country, the debut dramatic feature from artist and […]
by Scott Macaulay on Jun 27, 2022 -
“We Shot Seven Parties in 20 Days in an Abandoned Mall”: Cooper Raiff on Cha Cha Real Smooth
Titled after the hit party song no child of the early 2000s could escape, Cooper Raiff’s second feature, Cha Cha Real Smooth, originated as a love letter to parents of disabled children. Inspired by the perserverance of his own family (Raiff’s younger sister does not possess the ability to walk nor speak), Raiff’s screenplay eventually grew to become the story of Andrew (Raiff), a 22-year-old Tulane University graduate who moves back in with his brother (Evan Assante), mom (Leslie Mann), and her lover (Brad Garrett) in Livingston, New Jersey. Working a dead-end job and with his girlfriend in Barcelona on […]
by Erik Luers on Jun 27, 2022 -
“Whenever Cinema is in Chaos, You Can Do a New Irma Vep“: Olivier Assayas on His New HBO Series
In the early 1990s, French director Olivier Assayas was invited to develop a remake of a classic work of French cinema for television. “I hadn’t known where to start until I remembered [Louis] Feuillade’s Vampires,” he remembered in 1996, referring to the 1915 silent serial in which Musidora played the costumed criminal Irma Vep. “I spent a few weeks considering the possibility, then I decided that, attractive as it was, I couldn’t take it any further. Somehow, my heart wasn’t in it.” A few years later, another invitation: this time to join Claire Denis and Atom Egoyan in the sort […]
by Scott Macaulay on Jun 23, 2022 -
BEBA Director Rebeca Huntt and DP Sophie Stieglitz Lead NEON and Ghetto Film School Sponsored 16mm Workshop
During the lead-up to the release of Rebeca Huntt’s first feature, BEBA, a raw documentary portrait of the artist as a young Afro-Latina filmmaker on a path towards self-acceptance and discovery, the filmmaker and DP Sophie Stieglitz led a one-day workshop on 16mm production at the cinema arts organization Mono No Aware. Presented by NEON (Beba’s distributor) and Ghetto Film School, six women of color filmmakers were invited to take place and attended “an intimate discussion around personal filmmaking” led by Huntt before being sent outside to the streets of Brooklyn with a roll of film and a Bolex camera. […]
by Scott Macaulay on Jun 23, 2022 -
“I Never Saw This as a ‘True Crime’ Series”: Nanfu Wang on HBO Docuseries Mind Over Murder
One of the more surprising revelations in the provocatively titled six-part docuseries Mind Over Murder has nothing to do with the sad tale presented onscreen of the “Beatrice Six,” as the three men and three women convicted (and ultimately absolved) of killing a beloved grandma in Beatrice, Nebraska back in 1985 came to be known. Instead, the surprise comes when the end credits disclose the story is being revisited by none other than critically-acclaimed director Nanfu Wang (In the Same Breath, One Child Nation), not exactly a usual suspect for the sensationalist true crime genre. Then again, Wang doesn’t seem much interested […]
by Lauren Wissot on Jun 22, 2022 -
The Gotham Announces Brooklyn Navy Yard Location for 2022 Gotham Week
The Gotham, Filmmaker‘s publisher, announced today that Gotham Week, its annual conference and project market, will move to a new location: the Brooklyn Navy Yards. Taking place September 17 – 23, the ’22 edition marks the event’s return to in-person following two years of a virtual format. In addition, The Gotham announced a new component to Gotham Week, the inaugural Partner Expo, which will bring together, according to the press release, “partners from The Gotham’s Expanding Communities, Owning It, and Gotham EDU programs for the first time. The Expo will showcase thought leadership on the advancement of the film and […]
by Filmmaker Staff on Jun 22, 2022 -
“Cinema Doesn’t Heal or Cure You of Anything”: Dario Argento on “the Pleasure of Terrible Ceremonies” and His 20-Film Retrospective
The day before the start of his 20-film retrospective at Film at Lincoln Center, Dario Argento talked with film historian Rob King in front of a small delegation at the Italian Cultural Institute. King started by pointing out that the director has now directed giallo films for 53 years, or “four years longer than John Ford made westerns.” Asked what the genre means, Argento said he’s been asked this question thousands of times and that “once more” he will answer—“I don’t know.” Asked if his approach to directing giallo has changed, he also answered as he always has—No. He simply […]
by A.E. Hunt on Jun 21, 2022 -
Back to One, Episode 208: Luke Bracey
Luke Bracey didn’t dream about being an actor when he was a kid, he didn’t study the craft, and on his first job, which came from his very first audition, he didn’t even really know when he should start saying the lines. But with roles in films like Point Break, Hacksaw Ridge, Holidate and the soon-to-be-released One True Loves, he has built a career with his instinct, experience, and innate talent. Now he plays Jerry Shilling in the Baz Luhrmann blockbuster Elvis. He talks about what stopped him from getting overwhelmed by that “old school” big movie production, the value […]
by Scott Macaulay on Jun 21, 2022
