A passion for cinema and its most well-known and iconic action stars of the past decades, including Bruce Lee, Jean-Claude Van Damme, Sylvester Stallone and Tom Cruise. A passion that at first nurtures a desire to imitate, but then finds an organic landing place with the creation of an original film character Donato Lecce plays in a film he self-produces: Doran Eccel. But that’s not all. Donato—a martial arts expert and profound connoisseur of Eastern philosophy—is an multi-hyphenate talent, self-producing several artistic projects in fields from music to publishing to cinema. All revolving around the figure of a fictional character—Doran […]
If there’s one thing that indie filmmakers, especially first-timers, can generally agree on, it’s that applying to film festivals can be a mystifying process. What type of films are film programmers looking for? Does running time matter? “Demystifying Film Festivals,” a panel at the recent 20th BendFilm Festival in Bend, Oregon (October 12-15, 2023) attempted to answer some of those questions. Open to the public and held at Somewhere That’s Green, a plant store and community space, the free panel was moderated by Selin Sevinç, director of programming at BendFilm and featured veteran programmers Joanne Feinberg (BendFilm, Big Sky), John […]
Co-winner of the Cannes 2023 Golden Eye, Kaouther Ben Hania’s (Zaineb Hates the Snow, Beauty and the Dogs) Four Daughters is both compellingly crafted and deeply disturbing. The “fictional documentary” looks back on an infamous, winding and tumultuous Tunisian saga involving five women: the titular quartet of older siblings Ghofrane and Rahma and youngest Eya and Tayssir, along with their mother Olfa Hamrouni. The younger daughters appear as themselves, and the film features two actors taking on the roles of the oldest, a necessity since Ghofrane and Rahma can’t “play” themselves, having “disappeared” back in 2015 at the tender ages of […]
Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film, The Event, in which a filmmaker wakes up his roommate in the middle of the night to ask why he hasn’t watched his short film. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure who keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and […]
Good Condition is an eight-minute meditation on loneliness, technology and new beginnings. It marks the second collaboration between filmmakers Frank Mosley and Hugo De Sousa after their 2022 comedy short film The Event. This time, they embark on an eerie trip to the suburbs, following a melancholy man named Barry (Hugo De Sousa) trying to complete a transaction with a ghostly figure that keeps evading him. Good Condition premiered at Aspen ShortFest and Fantasia earlier this year, and will finish its run this November at the Cucalorus Film Festival. Click here to read Mosley and De Sousa’s interview with Patrick […]
We’re happy to share the first trailer for Leslie Tai’s debut documentary How to Have an American Baby, which next plays at the San Diego Asian Film Festival on Nov. 3 before making its New York City premiere on November 14th at DOC NYC and continuing on to Cucalorus Film Festival screenings on November 16 and 19. From the press release: a creative documentary that takes us behind the closed doors of the booming shadow economy catering to Chinese tourists who travel to the U.S. to give birth—in order to obtain U.S. citizenship for their babies. Told through a series of […]
The Gotham Film & Media Institute, Filmmaker‘s parent publisher, today announced the nominees for the 33rd annual Gotham Awards, to be held this Monday, November 27 at Cipriani Wall Street. All of Us Strangers leads the feature film nominations with four total. Click here to watch the live-streamed nominations announcement, or read them below. Best Feature Passages Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI) Past Lives Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24) Reality Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films) Showing Up Kelly Reichardt, director; […]
When thinking of Armenian cinema, the names of Sergei Parajanov and Artavazd Peleshyan come to mind. These two titans are influential not only for Armenian or Soviet cinema but world film heritage. Both introduced unique storytelling methods—one infusing the screen with poetry and collaged images, the second conceiving of the “Distance Montage” technique. But Armenian cinema, which marks its 100th anniversary this year, has other notable filmmakers whose work deserves no less recognition. ArmenFilm (HayFilm), the first and main film production body of Armenia, was established in 1923 as a separate department within the People’s Commissariat of the Soviet Armenia. […]
Martina Radwan’s Tomorrow, Tomorrow, Tomorrow will have its world premiere at DOC NYC in the U.S. Competition section on November 10. In advance, we’re pleased to share the film’s trailer. From the press release: This film tackles the emotional and ethical challenges that arise when a determined, idealistic and thoroughly unprepared American cinematographer decides to support three Mongolian orphans, while traveling back and forth. Told over the span of six years, Tomorrow, Tomorrow, Tomorrow is a deeply personal film and an honest portrait of how storytellers and their characters impact each other. As the filmmaker and central character, Martina grapples […]
Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss their working dynamics and mutual passion for the craft of storytelling. Ethan Tobman describes production design as the art of “visually interpreting the world of a director through emotional architecture.” Below, he and director Mark Mylod discuss their film The Menu and going from reference images on the wall to a fully realized world structured to best absorb the viewer emotionally while furthering the narrative (along with meticulously crafting a last-minute birthday cake […]