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Trailer Watch: New Directors/New Films 2021 Selection Wood and Water
One of the highlights of this year’s edition of New Directors/New Films, Jonas Bak’s strong feature film debut Wood and Water stars his own mother, Anke. Shot on 16mm in both the director’s native Germany and Hong Kong, where Bak is currently based, Wood and Water follows Anke in the immediate days following her retirement. When she leaves her small town to visit her long-gone son in Hong Kong, Anke finds herself adjacent to the protests unfolding there. With a keen compositional eye, palpable warmth towards all the strangers she meets and the occasional musical assist from Brian Eno’s New Space Music, Wood and […]
by Filmmaker Staff on Apr 22, 2021 -
Watch: Iva Radivojević’s Stunning and Eerie Arctic-Shot Short, UTUQAQ
Premiering online timed to Earth Day from Field of Vision is a stunning and poetic Arctic-shot short, UTUQAQ, directed by Iva Radivojević. Acting as her own cinematographer, Radivojević counterpoints elegant and abstract patterns across sweeping planes of ice with more human-scale documentation of the work of four researchers drilling ice cores in the region’s freezing temperatures. The narration — in Kalaallisut (West Greenlandic) by Aviaja Lyberth — is from the point of the view of the ice itself, evoking the earth’s geological memory as it confronts efforts of the researchers working in the moment to learn about what is being lost […]
by Scott Macaulay on Apr 22, 2021 -
No Small Matter: Six Tips for a Successful Grass Roots Release
The past year has thrown everything but the kitchen sink at filmmakers, disrupting distribution timelines, cutting the legs out from under theaters, and depriving our community of opportunities for networking, sales, and press. But there have also been bright spots. While contending with major disappointments this year, many filmmakers have successfully pivoted to unique and impactful releases — models that are worth learning from and iterating on in the years ahead. It’s tempting to reminisce upon the “before COVID” times with rose-colored glasses, but independent filmmakers were struggling to get by long before 2020. Following its completion in 2018, our […]
by Laura Wilson Fallsgraff and Jon Reiss on Apr 22, 2021 -
“Decolonization Has to Work in Both Directions; Both the Colonized and Colonizer Have to be Decolonized”: Camilla Nielsson on President
Currently competing for both the Dox:Award and the Politiken Danish:Dox Award at this year’s hybrid CPH:DOX (April 21-May 5), Camilla Nielsson’s President is a riveting followup to 2014’s Democrats, which centered on two political rivals in a Sisyphean quest to transform Zimbabwe from a corrupt dictatorship into a fledgling democracy. It’s also a film Nielsson never intended to make. But that was before a ban, a military coup, and the rise of two new political rivals led the undaunted director to pick up her camera once again. With President Nielsson focuses on the young and charismatic leader of the MDC (Movement for Democratic Change) Nelson […]
by Lauren Wissot on Apr 21, 2021 -
“I’ve Just Made Two-Lane Blacktop as a Film about a Filmmaker — It’s the Same Story”: Director Monte Hellman on Road to Nowhere
On the sad occasion of Monte Hellman’s passing, we’re republishing this interview of the director that originally ran here in March, 2011, by Nick Dawson. Focused on his “comeback” film, Road to Nowhere, the interview also deals with Hellman’s career in general, his philosophy towards filmmaking, and mentions a tantalizing unmade project based on Alain Robbe-Grillet’s La Maison de Rendezvous. — Editor There’s little better at restoring one’s faith in cinema then when a great director returns from the wilderness. Terrence Malick was MIA for 20 years between Days of Heaven and The Thin Red Line, but Monte Hellman’s time […]
by Nick Dawson on Apr 21, 2021 -
Trailer Watch: Leos Carax’s Annette (Plus Cannes 2021 News)
The long-awaited trailer for Leos Carax’s musical Annette — his follow-up to Holy Motors, one of best films of the last decade — has just been posted online. Concurrent with a communique from French President Emmanuel Macron that seems designed to assure anxious international industry about the viability of the upcoming ’21 edition of the Cannes Film Festival, where Annette will be opening night, it’s a particularly impressive publicity drop. The film’s synopsis, from the press release: Los Angeles, today. Henry (Adam Driver) is a stand-up comedian with a fierce sense of humor who falls in love with Ann (Marion […]
by Scott Macaulay on Apr 19, 2021 -
Doctor X, Wings and September 30, 1955: Jim Hemphill’s Home Video Recommendations
When film buffs talk about early sound horror films, they tend to associate the period with Universal and its justly famous monster movies. Yet at around the same time, Michael Curtiz directed three important horror pictures at Warner Brothers, the first two of which are far more transgressive, disturbing, and graphic than anything to come out of Universal City. Doctor X (1932), Mystery of the Wax Museum (1933), and The Walking Dead (1936) aren’t as iconic as later Curtiz classics like The Adventures of Robin Hood (1938), Casablanca (1942), and White Christmas (1954), but they’re every bit as atmospheric and […]
by Jim Hemphill on Apr 16, 2021 -
“She Can Only Function in the Dark”: Writer/Director Corinna Faith On Her Female-Led, ’70s-Set Ghost Story, The Power
Set during London’s so-called “Three-Day Week” period — just over two months in 1974 when Conservatives in Britain rationed electricity as part of a dispute with the coal miners whose output supplied most of the country’s energy — Corinna Faith’s The Power is an impressively accomplished debut feature that yokes a classic ghost story to the dynamics of the contemporary #MeToo movement. Val is an apprentice nurse working her first night shift in an aging East London hospital. There are plenty of shadows as lights go out in unused areas, and gas lanterns are the most frequent source of illumination. […]
by Scott Macaulay on Apr 15, 2021 -
Watch: “A Message to Viewers of Radu Jude: Forget About These Films!”
In the wake of Radu Jude’s Golden Bear victory at this year’s Berlinale for his latest, the pandemic production Bad Luck Banging, or Looney Porn, streaming platform DAFilms is hosting a five-film retrospective of his work. In the above video, recorded as an introduction to the series, Jude looks up a Romanian right-wing website which condemns him at last in verse. “You, cinephile, if you care who finances films, wish him to rest in peace and forget what he’s done,” reads part of the poem he recites without a blink. Click here to learn more about the series.
by Filmmaker Staff on Apr 14, 2021 -
Back to One, Episode 150: Clancy Brown
Clancy Brown is a living legend of actor’s actors. With nearly 300 credits, from Highlander and The Shawshank Redemption to SpongeBob SquarePants and Promising Young Woman, he’s morphed and adapted in this business and made it work for him. On this episode, I ask him how his approach to preparation has changed over the years. He talks about the importance of knowing the narrative purpose of your character, why “faster, funnier, louder” are directorial notes that work for him, and how he looked at auditioning as exercising his Spencer-Tracy-don’t-bump-into-the-furniture muscles. You can tell he had fun playing Montgomery Dark, a […]
by Peter Rinaldi on Apr 14, 2021
