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Watch: Lydia Cambron’s One-Woman 2001 Homage, 2020: an isolation odyssey
Brooklyn-based designer Lydia Cambron — whose commercial work focuses on retail environments and who is fascinated, according to her website, “in the narrative ability of products and objects” — has used her quarantine days to make a witty and poignant one-woman/one-apartment homage to the final sequence of Stanley Kubrick’s 2001. From Cambron: 2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors. This […]
by Scott Macaulay on Aug 13, 2020 -
“Filmmaking is Not a Job, It’s a State of Mind”: Directors John C. Lyons and Dorota Swies on Unearth
Fifteen years ago I was touring the regional horror film festival circuit with my first feature when I discovered the work of John C. Lyons, a filmmaker based in Erie, Pennsylvania whose short Hunting Camp was one of the more inventive and compelling movies I encountered that year. It was also one of the most interestingly photographed, by cinematographer Dorota Swies, who formed Lyons Den Productions with Lyons in 2004; the two of them have been working together ever since. Their latest collaboration and first feature together is the environmental horror movie Unearth, set to premiere on August 25 at this year’s virtual […]
by Jim Hemphill on Aug 12, 2020 -
Watch: Kirby Ferguson’s Conspiracy Explainer, Trump, QAnon and the Rise of Magic
Kirby Ferguson, who landed on Filmmaker‘s 25 New Faces list in 2011 following this Everything is a Remix web series, is back with a new work that explains the QAnon phenomenon and places it in larger political context. For anyone who found themselves Googling “Marjorie Taylor Greene” this morning (Or was perhaps mystified by a colleague’s late-night email screed), the video offers a bit of a primer on the internet phenomenon as well as analysis. As Jason Kottke summarizes at Kottke.org, Ferguson sees QAnon as a form of magical thinking, breaking down six specific characteristics: 1. Obsession with symbols and […]
by Scott Macaulay on Aug 12, 2020 -
Watch: Michel and Oliver Gondry’s Music Video for “Model Village,” by IDLES
Director Michel Gondry (Eternal Sunshine of the Spotless Mind) and brother Olivier, who previously worked together on music videos like the Chemical Brothers’s “Star Guitar,” have just released a new quarantine-made clip for the Bristol band IDLES. Using a blend of lo-fi animation (Michel’s cardboard cutouts shot by a suspended-overhead iPhone) and CGI (Olivier’s desktop wizardry), the clip, which suggests a Richard Scarry adaptation of Animal Farm, moves from a racist village to the moon. From an article on the video at WePresent: The song is really about the dangerous small-mindedness born out of villages which can sometimes act as […]
by Scott Macaulay on Aug 12, 2020 -
Back to One, Episode 121: Kevin Alejandro
Kevin Alejandro is finishing his fifth season playing Detective Dan Espinoza on Netflix’s Lucifer. He’s also graced your small screen in such series as The Returned, Southland, and True Blood. In 2017 he graduated from the Warner Brothers television director’s workshop and directed an episode of Lucifer. Since then he started his own production company and has turned into a multi-hyphenate, churning out award winning shorts, including the absolutely hilarious Adult Night. He’s back in the director’s chair on Lucifer’s fifth season (part 1), which drops August 21st on Netflix. On this episode, he talks about how the need to […]
by Peter Rinaldi on Aug 11, 2020 -
Making a Pandemic Horror/Thriller During a Pandemic: The Quarantine-and-Bubble Strategy of Banishment
As studio and television filmmaking creaks back into production, a first wave of microbudget films made amidst the coronavirus-related shutdowns enters post. One such film is the horror-thriller drama Banishment, which launches today an Indiegogo campaign for its post-production costs. Shot in and around a secluded cabin in Lake Placid, New York for just $5,000, the film fashioned its own safe production protocols before official industry guidances, like the recent “Safe Way Forward” plan, were issued. Nonetheless, the basic tenets of today’s safe production — quarantining, social distancing, mask-wearing on set — were all adhered to. But one other element […]
by Scott Macaulay on Aug 10, 2020 -
“Very Much Like Short Cuts, and the Medfly was Duterte — That Was My Pitch”: Ramona S. Diaz on A Thousand Cuts
While recent right-wing attacks on the free press here in the US have rightly been sounding alarm bells, in a global context they are merely wake-up calls. Sure, Trump deeming the “lamestream” media “fake news” is dangerously juvenile, but it’s also a far cry from, say, the Duterte administration finding the founder and CEO of the Philippines’s top online news site Rappler guilty of “cyber libel” — a travesty of justice that happened just this past June. And the politically orchestrated verdict comes with both a hefty fine and potential prison time for “2018 Time Person of the Year” Maria […]
by Lauren Wissot on Aug 6, 2020 -
“Narratives Don’t Have Lower Thirds and IDs, Why Should Documentaries?” Marlon Johnson and Anne Flatté on River City Drumbeat
The Ohio River Flood of 1937 killed 385 people and left a million more without a home. That same year, the Home Owner’s Loan Corporation (HOLC) drew redlining maps of Louisville to decline mortgage insurance and credit to the Black and immigrant communities hit hardest by the floods. In the “Clarifying Remarks” of one of the HOLC’s area assessments they sum up a “D” rated region: “This area, known as ‘Little Africa.’ No paved streets – low type of inhabitants.” Disinvestment still cripples the West Louisville community today. The “ninth street divide,” the demarcation between West Louisville and downtown, places […]
by A.E. Hunt on Aug 6, 2020 -
Trailer Watch: Charlie Kaufman’s I’m Thinking of Ending Things
A long, progressively disorienting drive across a snow-battered landscape leads to a relationship milestone — meeting the parents — in the latest from writer/director Charlie Kaufman. For Jessie Buckley’s unnamed girlfriend character, Jake (Jesse Plemmons) is someone promising even as the film’s serenely despondent title functions as her mantra-like internal dialogue. Awaiting in a house that seems unmoored by time are Jake’s mom and dad, played by Toni Collette and David Thewlis. Said Kaufman to Entertainment Weekly, “The house represents the imagined interaction between someone you bring home to your parents — that panic that is twoheaded at that point. […]
by Scott Macaulay on Aug 6, 2020 -
“This Movie is a Cry for Help from the Members of Congress to the American People”: Daniel DiMauro and Morgan Pehme on Their HBO doc The Swamp
To call HBO’s The Swamp a thrilling character-based portrait of three conservative white guys might seem oxymoronic, but in the capable hands and open minds of co-directors Daniel DiMauro and Morgan Pehme (Get Me Roger Stone) it’s a completely apt description. The doc is an unexpected, up-close look at the daily D.C. lives of a trio of House members who few subscribers to HBO would ever conceive of voting for: far right-wingers Matt Gaetz (R-FL 1st District), Thomas Massie (R-KY 4th District), and Ken Buck (R-CO 4th District). In other words, it’s exactly the caricature-busting film that progressives (like myself) really need […]
by Lauren Wissot on Aug 4, 2020
