I have come across many folks who have allowed the completion of a perfect script to derail their entire production. I have also sat through (I’m including my own films here) more films that I can remember in which the filmmakers hoped improv will create something magical. In microbudget the latter is a necessity, in large indie films, it’s risky, and in Hollywood, no one but a select few can pull it off. I recently started a conversation with an Austin filmmaker in the very thick of making her second feature film, What’s the Use (pictured below), and this battle […]
Memphis-based filmmaker Kentucker Audley (Team Picture, Open Five), selected for Filmmaker’s “25 New Faces” list in 2007, is releasing today online his new film, Holy Land (pictured here, with stars Bunny Lampert and Cole Weintraub), and with it a platform for fellow directors working in the no-budget trenches. The site is called “No Budge Films,” and it is described simply as “a place to watch no-budget films… Post your short film or feature // for a short run or indefinitely.” Why such a simple site? “Because most films don’t get distributed + it’s cool to give away your film for […]
I first met Caspar Sonnen last November while covering the International Documentary Film Festival Amsterdam, where he serves as New Media Coordinator and launched IDFA DocLab three years ago. I was new in town and hadn’t heard about Pluk de Nacht, Amsterdam’s annual answer to NYC’s Rooftop Films, founded eight years ago by its current artistic directors Sonnen and Jurriaan Esmeijer, and its managing director Henne Verhoef. So when I returned to The Netherlands for the summer I decided to contact Sonnen to learn more. The indie spirit-driven curator was kind enough to take me to coffee, and then generously […]
I have been thinking about Kevin Smith quite a bit lately. Beyond the obvious happenings with his film Red State and his decision to follow in my footsteps (wink) by embracing the Topspin platform to go about his business of building a media empire, I’ve been a bit in awe of how this guy from New Jersey, who began his journey with a $27,000 ’90s Sundance hit that many in the artistic film world passed off as garbage, has weathered many a storm, some arguably manufactured, to be quite possibly the last man standing and perhaps most forward thinking in […]
When I listened to Francis Ford Coppola give a master class at last year’s Marrakech Film Festival, some of the most valuable information imparted was about the creative process. So that’s what struck me when I watched this trailer of his latest film, Twixt, premiering at the Toronto International Film Festival this month. Val Kilmer stars as a mass market horror novelist, and there’s clearly some kind of meditation going on about the workings of the imagination. As quoted at First Showing, Coppola says the film “‘was inspired by the eerie writings of Nathaniel Hawthorne and Edgar Allan Poe’ and […]
The Sundance Creative Producing Lab just wrapped, and here, with an account of her days there, is producer Melissa Lee (Dear Lemon Lima, Circumstance). Last week I had the honor of being one of six Fellows at the Sundance Institute Creative Producing Lab. Over the course of five days, the intimate group of Fellows and Advisors – about 15 in all — dissected, scrutinized, and re-energized not only the five projects selected for the Lab, but also each of the Fellows behind them. I’d heard the experience compared to rehab, group therapy, and King Arthur’s Court. It turned out to […]
The world of indie filmmaking is forever colliding with the larger worlds of technology and giant media conglomerates, regulatory and legal developments, non-profit groups and a fickle consumer who loves indie film and other indie media. “Media Current” is a monthly heads-up tracking these developments. It’s a big — and forever getting bigger – world out there, so readers are encouraged to e-mail me stories I’ve missed or something they believe is important for others in the indie community. I can be reached at drosennyc AT verizon.net. Shrinking Universe One of the important, if least appreciated, developments of the independent […]
Koran by Heart, premiering on HBO today, comes out at a time when it couldn’t be more necessary. In the wake of July’s attacks in Norway and the Islamophobic response in Western media outlets, the film offers a composed perspective of life in the Muslim world. Koran by Heart follows three Muslim youths — Nabiollah from Tajikistan, Rifdha from the Maldives, and Djamil from Senegal — as they enter into an annual Koran-reciting competition in Cairo, Egypt. The competition attracts hundreds of Muslims from all over the world, many of whom don’t speak Arabic, but are able to recite the […]
Video sharing site Vimeo announced today Vimeo PRO, a new account aimed at small business — including independent filmmakers and production companies. Offering high-quality hosting at a competitive price (50GB of storage and 250,000 plays for an annual $199 fee), the new service lives separately from the regular Vimeo community. From the press release: “Until now, quality video hosting has been expensive, confusing, and extremely difficult for a small business owner to understand. Small businesses have fallen between the cracks of free video services and massive enterprise video solutions,” said Dae Mellencamp, Vimeo’s General Manager. “Vimeo PRO resolves the contradiction […]
When I was a kid, one of my father’s favorite sayings was, “why don’t you play in the road?” He had two sons close in age who were active and rambunctious and it wasn’t a particularly large house, so any excuse to get us where we could be neither seen nor heard was a good one. And in his defense, it was a pretty quiet country road, so the danger was minimal. I think of this sometimes when I’m on set and a particularly non-essential person is, to put it nicely, in the way. For the sake of simplicity, let’s […]