The Squid and the Whale The Squid and the Whale was, for Noah Baumbach, a rare and blessed thing: an honest to god new beginning. Baumbach’s directing career started strong (his first two films, Kicking and Screaming and Mr. Jealousy, were both released before he turned 30) but sat idle for eight years between Mr. Jealousy and the 2005 Sundance premiere of The Squid and the Whale, which brought Baumbach back with a passion. Watching the film, you get the sense that the wasteland years created within him a burning passion to scream this autobiographical story as furiously as possible […]
Despite outliers such as Alex Ross Perry and Todd Haynes, the general consensus among independent filmmakers is that shooting on film is too expensive to be feasible. Over the past year, Kodak has been working to get the word out that shooting on film is a possibility – even for low-budget indies. Along with Kickstarter, the Eastman Kodak Company today announced a new initiative to support independent filmmakers who want to shoot on film. The program is open to cinematographers launching a Kickstarter campaign in order to bring their vision to life using 35mm or 16mm film. Four directors with upcoming Kickstarter campaigns […]
Since its first edition in 2009, the Big Ears Festival in Knoxville, TN has earned a reputation as a daring music festival whose eclectic lineup is unfettered by commercial or corporate concerns. Artists run the gamut: avant garde jazz (Anthony Braxton), experimental hip hop (Shabazz Palaces), electronic (Nicolas Jaar), modern classical (Philip Glass). All of this takes place in remarkable indoor venues within walking distance of each other in the city’s downtown center. Governed by the idiosyncratic taste of its founder, Ashley Capps of AC Entertainment, Big Ears has attempted to expand its scope into film and video. In the 2015 edition, there was a […]
Simultaneously a rebellious yell against Christian authority and an appreciation for growing up with evangelical values, Stephen Cone’s Henry Gamble’s Birthday Party is neither religious condemnation nor agitprop. Its title character is a gay teenager celebrating his birthday with friends and family; the film, unfolding over 24 hours, keenly observes how temptation and buried secrets can rise to the surface when theological and political debates make their presence known. A rather sexy movie — in part because premarital sex is presented as something risqué or taboo — Henry Gamble’s Birthday Party is a beautifully rendered, impeccably scored experience that makes a profound, heady impact. There’s an interesting moment featuring a conversation […]
Following on the previously announced Midnight slate, Sundance has announced the 65 titles comprising its competition and NEXT slates. More films to be announced soon, but the 65 to sort through here are more than enough to investigate in the meantime. Some quickly noted highlights: Actress documentarian Robert Greene graduates to Sundance with his fourth feature Kate Plays Christine, and two films from recent 25 New Faces, Anna Rose Holmer and Bernardo Britto. U.S. DRAMATIC COMPETITION As You Are / U.S.A. (Director: Miles Joris-Peyrafitte, Screenwriters: Miles Joris-Peyrafitte, Madison Harrison) — As You Are is the telling and retelling of a relationship between three teenagers as it traces the […]
Creative freedom can be a real motherfucker. As anyone who has tried to make something — a story, a poem, a painting, a movie — can attest, the mantra “go ahead, make whatever you want” can lead to paralysis when it comes to actually creating something of distinction. Having unlimited creative options is like having none. There’s a long and rich history in cinema of self-conscious efforts to impose strictures on the filmmaking process, whether it be the Dogme 95 movement, the single-take technique (Victoria, directed by Sebastian Schipper, is a recent example), or the structural limitations imposed by the […]
Blue City The 1986 release Blue City might not be one of the best movies Walter Hill ever had his name on, but it’s certainly one of the most fascinating from an auteurist standpoint, despite the fact that Hill isn’t even its auteur. That credit goes to Michelle Manning, who got the job while still in her mid-20s after her former boss, Ned Tanen, took over as head of Paramount. Manning’s early career trajectory was swift: fresh out of University of Southern California film school, she rose from Zoetrope production assistant to a position as Tanen’s associate producer on a […]
I don’t think it’s unreasonable to speculate that any director, following his second ambitious, divisive high-profile theatrical underperformer/probable money-loser (or anyone fresh off a recently completed production, really), might generally welcome a chance to get out of town. It’s unclear how far in advance Radiohead’s Jonny Greenwood planned to go to Rajasthan to collaborate on an album with Israeli-born, Indian-residing Sufi convert Shye Ben Tzur, or whether Paul Thomas Anderson initially committed to tagging along; regardless, it seems to have been restorative fun. Junun is a 54-minute music doc in which Anderson shoots whatever he wants, however he wants to. There are five credited camera operators, including Anderson […]
In this era of digital projectors, ALEXA cameras and minimal, DSLR-enabled budgets, the art of loading rolls of film into a magazine and shooting with a 16 or 35mm lens is fast becoming a fading practice. And yet, there are those determined storytellers who dare to pull it off. But is shooting on film on a low budget even possible these days? A Wednesday morning panel at the IFP’s Screen Forward conference comprised of cinematographer Frank DeMarco (All is Lost, Margin Call), producer Adam Piotrowicz (Listen Up Phillip, Queen of Earth). cinematographer/producer/director/editor Ferne Pearlstein (Imelda) and director/producer Ari Taub (79 […]
The major studios’ current preference for selecting the shepherds of their franchise properties is to pluck directors from the relatively obscurity of indiedom. Colin Trevorrow went from Safety Not Guaranteed to Jurassic World. Josh Trank moved from Chronicle to Fantastic Four. Jon Watts leaped from Cop Car to the reboot of the reboot of Spider-Man. Alex Ross Perry opted for the opposite approach. After his breakthrough film Listen Up Philip, Perry stripped down his budget, cast, and crew for a character piece about a pair of female friends (Elisabeth Moss, Inherent Vice’s Katherine Waterston) whose relationship unravels during a week-long […]