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IFP Week 2020 Will Go Virtual
Independent Filmmaker Project (IFP, and Filmmaker‘s publisher) announced today that the 2020 edition of its long-running signature program, IFP Week, will be virtual. The program, which has drawn thousands of directors, producers, screenwriters, financiers and executives to panels, workshops and one-on-one meeting events in IFP’s Brooklyn home, will, this September 20 – 25, take place through digital platforms. The announcement today makes IFP one of the first film organizations to announce a virtual Fall event in response to the novel coronavirus pandemic. “Given the ever-changing landscape of today’s world we have decided to host IFP Week virtually this year to […]
by Scott Macaulay on May 27, 2020 -
“Should You Give the Person a Hug, or Should You Continue Filming?”: Benjamin Ree on His Art World Crime Doc The Painter and the Thief
The following interview with director Benjamin Ree about his documentary The Painter and the Thief was published during the 2020 Sundance Film Festival. It’s being rerun now to coincide with the virtual cinema and VOD release of the film from NEON. Spectacularly cinematic and employing a risk-taking structure that keeps the viewer as off-balance as the film’s emotionally fragile protagonists, The Painter and the Thief is the second feature-length doc from Norwegian director Benjamin Ree. (Ree’s prior film Magnus, a coming-of-age tale about the chess prodigy Magnus Carlsen, premiered at the Tribeca Film Festival in 2016.) The film follows the stranger-than-fiction story of […]
by Lauren Wissot on May 23, 2020 -
Director Michael Jacobs on Making the Basketball Doc Blackballed for Quibi’s Mobile, Dual Aspect-Ratio Platform
Long regarded as the worst-run franchise in the National Basketball Association, the Los Angeles Clippers have (after brief stints in Buffalo and San Diego) called the “City of Angels” their home since the summer of 1984. Purchased for a cool $12.5 million in 1981 by real estate tycoon Donald Sterling, the Clippers’ relocation to LA was seen as a move that would hopefully rival its “big brother” franchise led by Magic Johnson and Kareem Abdul-Jabbar, the Los Angeles Lakers. That ultimately wasn’t meant to be: the Lakers, long a shining example of the league, continued its successful run atop the […]
by Erik Luers on May 21, 2020 -
IFP Announces 26 Projects Selected for 2020 Documentary, Narrative and Episodic Labs
The Independent Filmmaker Project (IFP) announced today twenty-six feature projects and series selected to participate across three labs over the next month: The IFP Filmmaker Labs’ Documentary Lab (currently running through May 22) and Narrative Lab (running June 15 – 19) for feature films by directors currently in post-production on their debut features; and the IFP Episodic Lab (running June 1 – 5), for outstanding series projects in development for TV and digital platforms from breakthrough creators. In the wake of the COVID-19 pandemic, all labs will take place virtually. The IFP Filmmaker Labs support first-time feature filmmakers through the […]
by Filmmaker Staff on May 21, 2020 -
The Audience as a Virtual Jury: Roee Messinger on Tonight’s Screening of American Trial: The Eric Garner Story
How does one relitigate a case that was never litigated (outside the media) in the first place? This is the challenge at the heart of Roee Messinger’s American Trial: The Eric Garner Story, which premiered at last year’s New York Film Festival and releases online today May 21st, accompanied by a live stream Q&A and interactive audience component. The film is an unscripted courtroom drama that casts real-life prosecutors and defense attorneys (though none directly involved with the 2014 case of the NYPD officer videotaped choking Staten Islander Eric Garner to death), alongside real-life evidence, expert testimony, and rules of […]
by Lauren Wissot on May 21, 2020 -
Quarantine Reading: David Mamet’s Three Uses of the Knife
As a publication about film, we find ourselves in the peculiar position of publishing during a moment when theatrical access to movies, and their ongoing future, is as much in question as everything else. During this suspension of normal filmwatching habits, we’ve reached out to contributors, filmmakers and friends, inviting them to find an alternate path to the movies by participating in a writing exercise engaging with any book about or lightly intersecting with film, in whatever way makes sense to them. Today: Brendan Byrne on David Mamet’s Three Uses of the Knife: On the Nature and Purpose of Drama. The […]
by Brendan Byrne on May 19, 2020 -
Are Virtual Theaters Here to Stay?
When Toby Leonard, programming director at Nashville’s Belcourt Theatre, returned to the space for the first time since the COVID-19 shutdown began, a six-foot cardboard display for Never Rarely Sometimes Always struck his eye. Eliza Hittman’s film was four days into the first week of a planned platform release before it was pulled from theatrical exhibition and hadn’t yet made it to the Belcourt, but its physical teaser remained. “How many of these things were there and how many did they send around the country?,” Leonard wondered. Then he took it down. As exhibitors and distributors initially adjusted to no theatrical releases for […]
by Vadim Rizov on May 18, 2020 -
King Creole, To Catch a Thief and Gunsmoke: The Complete Series: Jim Hemphill’s Home Video Recommendations
The conventional wisdom among cineastes is that Elvis Presley’s best movie was the Don Siegel Western Flaming Star (1960), mainly thanks to the fact that it was one of the few times the singer worked with an important auteur. While I bow to no one in my admiration of Siegel in general and Flaming Star in particular, it’s less a great Elvis movie than a great movie that has Elvis in it; for a terrific film by a terrific director that’s also a supercharged vehicle for what Presley did best, one need look no further than 1958’s King Creole, which […]
by Jim Hemphill on May 15, 2020 -
A Virtual Promotional Tour: Setting Up a Home Zoom Studio for Spaceship Earth
I’m sitting in my living room doing press for the release of Spaceship Earth. Normally I’d be at a distributors’ office or running around to different studios, but this week I’m wearing a nice shirt with sweatpants and a cat on my lap. In the past two weeks in anticipation of being on Zoom a lot, I put together a modest Zoom studio. Besides doing press days, I’m pre-recording a lot of intros and Q&As for virtual cinema presenters. Neon has partnered with over 200 different venues and small businesses to present the film digitally. We pre-recorded an intro and […]
by Matt Wolf on May 14, 2020 -
“Directing Other People’s Writing Makes You Become a Better Writer”: Andrew Ahn on Driveways
There are a number of films about an inquisitive child who discovers a solemn, older neighbor next door, but it’s rare for one to provide equal weight to both the child and adult characters. Driveways, a modest but heartfelt second feature from Spa Night’s Andrew Ahn, succeeds at striking the balance. Kathy (Hong Chau) and Cody (Lucas Jaye), a mother and son from Michigan, arrive in upstate New York to clear out the home of a deceased family member and prepare it for sale. Del (Brian Dennehy), a Korean War veteran and lonely widower, spends his days sitting on the porch next […]
by Erik Luers on May 14, 2020
