6301 Results for “Open ”
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Watch: David Ehrlich’s Best Movies of 2018 Supercut
Indiewire Senior Film Critic David Ehrlich’s “best movies of the year” supercut is always an amazing watch, a video in which individual cuts, sequences, and music intros generate dopamine hits as you silently, or while singing along, endorse and possibly decry some of the individual selections. This year’s edition, at 13 minutes-plus, is no exception. I was happy to see here a number of personal favorites here alongside Ehrlich recommendations that I haven’t seen yet (Paddington 2!) as well an opening section that draws from the trippy ending of Alex Garland’s underrated Annihilation.
by Scott Macaulay on Dec 3, 2018 -
“Imagination and Reality Go Together”: Alice Rohrwacher Talks Happy as Lazarro with Josephine Decker and David Barker
Alice Rohrwacher’s work is an ecstatic affirmation of life and its imaginative possibilities. Her new film left me breathless. An unconventional story told in an unconventional way, Happy as Lazzaro is also deeply grounded. When we spoke with Alice, she spoke of creating a home inside of a film; that when you invite people to the theater, you’re also inviting them into your home. Wise beyond her years, Alice and her words have stuck with me, and we are excited to share her unique wisdom and this inspiring conversation with you. — Josephine Decker Although she grew up without access […]
by Josephine Decker and David Barker on Nov 30, 2018 -
Sundance Film Festival Announces 2019 Features Line-Up
The Sundance Film Festival has just announced the 112 feature films set to hit Park City next January 24- February 3. From a record breaking 14,259 submissions, these selections represent 33 countries. 40% of the films were directed by one or more women; 36% were directed by one or more filmmaker of color; and 13% by one or more people who identify as LGBTQIA. Highlights include new films from Joanna Hogg, Kim Longinotto, Alma Har’el, Martha Stephens, Penny Layne and Joe Berlinger, as well as the first features from former 25 New Faces Michael Tyburski, Joe Talbot and Pippa Bianco. Scroll […]
by Sarah Salovaara on Nov 28, 2018 -
In With The New at The 31st International Documentary Film Festival Amsterdam
This edition of the International Documentary Film Festival Amsterdam (November 14th-25th) — now in its third decade, but also marking its inaugural year under the exciting new leadership of Syrian documentarian Orwa Nyrabia — offered one of the most binge-worthy lineups I’ve experienced in all my years covering the world’s largest doc fest. Of the nearly two-dozen films I managed to catch both in Amsterdam during my stay (once again guests were put up at the lovely — and couldn’t get more convenient — Hotel NH Carlton, which doubles as the fest’s headquarters) and online, not one disappointed. Indeed, veteran […]
by Lauren Wissot on Nov 26, 2018 -
Lucrecia Martel’s First Doc Chocobar, A Collaboration Between Sundance and London’s ICA, Among New Sundance Documentary Film Program Grants
Among the 33 non-fiction works comprising the recently announced Sundance Institute Documentary Fund and Stories of Change Grantees is a particularly noteworthy project that’s both the debut documentary by a major international auteur as well as a first-time collaboration between the Sundance Institute and the U.K.’s Institute for Contemporary Art. Chocobar (working title), currently in development, is the first non-fiction film from Argentinian director Lucrecia Martel, whose Zama is bound to top many U.S. critic ten-best lists later this year. It tells the story of murdered photographer and land rights activist Javier Chocobar, slain while fighting the removal of his […]
by Scott Macaulay on Nov 26, 2018 -
IDFA 2018 Presents Industry Talk: Steve James and Claire Simon on Storytelling in Serialized Documentaries
People are “natural scriptwriters,” Claire Simon noted towards the beginning of what turned out to be a surprisingly lively discussion between the French documentarian and the US’s own Steve James about one of the hottest topics in the doc industry today: serialized storytelling. The setting was an intimate theater at De Brakke Grond (the longtime headquarters of IDFA DocLab, where this year’s Humanoid Cookbook theme whimsically allowed for browsing a menu before ordering, or rather requesting, VR experience time slots). The moderator was film programmer Sean Farnel. The two veteran directors opened by acknowledging the biggest difference between feature films […]
by Lauren Wissot on Nov 24, 2018 -
“Infusion Of New Blood Is Necessary To Remain Viable”: Kore-eda Hirokazu Expands his Palette for Shoplifters
All Kore-eda films prior to Shoplifters (Manbiki Kozoku) involved families pushed together by blood or filiation, but for his new family of misfits crime is the only accord. They are a troop of scavengers who steal to survive, orphans, abandoners, and the abandoned, who’ve found each other. For the first time he tells the story of a family that chooses to be together. Drama arises from those characters not wanting to admit their motivations, as doing so might affirm no “real” family awaits their return. Kore-eda doesn’t know this story, though he’s shaped it through his life experience as much […]
by A.E. Hunt on Nov 23, 2018 -
SFFILM Announces Westridge Grant Winners
Earlier today, SFFilm announced the five recipients of their Westridge Grant, a biannual funding initiative that awards $100,000 to US-based filmmakers who are in the development stage of social justice related projects. This round’s panel of judges was comprised of Lauren Kushner, SFFILM Senior Manager of Artist Development; Alana Mayo, Head of Production at Outlier Society; Shelby Rachleff, Westridge Foundation Program Manager; Shira Rockowitz, Associate Director, Feature Film Program, Sundance; Jenny Slattery, SFFILM Associate Director of Artist Development and Foundations; and Caroline von Kühn, SFFILM Director of Artist Development. The next application cycle will open later this month. Read on to […]
by Sarah Salovaara on Nov 20, 2018 -
“I Wanted to Do for Adam What Demme Did for David Byrne [in Stop Making Sense]”: Steven Brill Talks About Directing Adam Sandler: 100% Fresh
Adam Sandler may have chosen to title his Netflix stand-up special Adam Sandler: 100% Fresh as an impudent jab at the critics who consistently trash his comedies, but it’s garnering the actor some of the best reviews of his career. (As I write this, it’s not quite 100% fresh on Rotten Tomatoes — just an impressive 92%.) That’s deservedly so, given that the special contains Sandler’s funniest and most wide-ranging material in years. The act, written by Sandler with an assist from Paul Sado and Dan Bulla, veers back and forth between razor-sharp observational material, unapologetically juvenile (and hilarious) obscenity, […]
by Jim Hemphill on Nov 19, 2018 -
Indie Memphis: Not Just an Inclusion Rider
In Jim Jarmusch’s 1989 Mystery Train, two rock ‘n’ roll-loving Japanese teenagers arrive in Memphis, Tennessee, and make their way over to Sun Studio, the legendary recording studio once the stomping grounds for the likes of Johnny Cash, Carl Perkins, Jerry Lee Lewis, and, of course, Elvis Presley, who recorded his first song there at the age of 18. In part because of the faint replay of this scene that had lingered in my head for some years, I’ve long wanted to take the Sun tour, one of my many Memphis to-dos, which also included a bunch of famous barbecue […]
by Kristen Yoonsoo Kim on Nov 14, 2018
