6303 Results for “Open ”
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The Blackmagic Production Camera and Pocket Camera: A Review
I’ve been shooting exclusively with Blackmagic cameras for the past year. Their three primary offerings, the 1080p Pocket Cinema Camera, the 2.5K Cinema Camera, and the 4K Production Camera, to my mind, are the most practical low-cost/high-quality cameras currently available for DIY filmmakers. Are they perfect? No. In fact, many people prefer going with the Panasonic GH4, the new low-light sensation Sony a7S, or even the Canon 5D Mark III. The truth is, there is no perfect camera, just personal preference. There’s always been a specific camera at a specific time that works best for me. In the prehistoric age […]
by Jamie Stuart on Sep 2, 2014 -
12 Picks for the SXSW PanelPicker
Not five months after the mammoth festival wraps, SXSW opens up their PanelPicker site, an online forum which aggregates all industry and filmmaker programming pitches for their next conference. Last year, I went through the offerings and highlighted 15 that piqued my interest; this year, the stakes are higher, and I’m down to 12 from the 183 listed. You have till September 5 to vote on your favorites. How “High Maintenance” Is Redefining Storytelling I fondly recall the day former Managing Editor Nick Dawson sent me a link to an episode of High Maintenance some 18 months back. Since then, Ben Sinclair and […]
by Sarah Salovaara on Aug 29, 2014 -
“Dying of the Light” at MASS MoCA
Do not go gentle into that good night, Rage, rage against the dying of the light. – Dylan Thomas If you’re anywhere near North Adams in the northwest corner of Massachusetts, close by the New York and Vermont borders, anytime between now and February 1, 2015, do yourself a favor and drop by the Massachusetts Museum of Contemporary Art to contemplate their exhibition marking the last days of photochemical motion pictures: The Dying of the Light: Film as Medium and Metaphor. With the contraction of film manufacturing and virtual demise of laboratory services in the face of near-universal digital imaging, the medium of […]
by David Leitner on Aug 28, 2014 -
Stray Links 8/25-8/28: David Fincher’s Gap Ads and Kazakhstani Cowboys
Behind the scenes of David Fincher’s new Gap ad campaign, the logistics of growing the beef industry in Kazakhstan, a look at illegal logging in Indonesia and more in this week’s links round-up: • Yesterday the Gap released four new ads directed by David Fincher. Mashable’s Todd Wasserman has the videos and quotes from Gap Global CMO Seth Farbman on Fincher’s typically exacting work process. One spot had the actors running 50 to 60 times up a set of stairs (the audition included ten minutes of running). Fincher lived up to his end of the bargain by creating “a new […]
by Vadim Rizov on Aug 28, 2014 -
Trailer Watch: Jesse Moss’s The Overnighters
I was flat out floored when I saw The Overnighters a few months back. It’s a documentary that unravels with the jagged edges of a thriller, while managing to be both an individual character study and comprehensive portrait of blue collar middle America and the nation’s economic and environmental crises. Still, it is somewhat unsurprising that many critics are calling out the film’s so-called manipulative treatment of its subjects, in a manner not unlike The Act of Killing‘s dissenters. I’d recommend seeing it for yourself and coming to your own conclusions when it opens on October 10. In the meantime, there’s the first trailer for […]
by Sarah Salovaara on Aug 28, 2014 -
Watch: Gina Telaroli on Smaller Cinema as an Extracurricular
Ricky D’Ambrose consistently runs some of the most revealing, worthwhile video interviews over at MUBI Notebook, and his latest is no exception. This go around, Ambrose converses with Gina Telaroli, one of our brand new 25 New Faces, about her process, the “classic Hollywood system,” and the potential drawbacks of having your hand in too many of the industry’s depleted honeypots. Most significant are Telaroli’s opening remarks: “I think there’s really a lot of people who still have this idea, either filmmakers or film writers, that they will be the person that somehow makes it, that somehow is the genius. […]
by Sarah Salovaara on Aug 26, 2014 -
Made in NY Media by IFP Center Announces New Managing Director and Promotions
IFP, Filmmaker‘s parent organization, announced yesterday that Gordon Ampel, most recently vice president of worldwide operations at Focus Features, has been hired as the Managing Director of the Made in NY Media Center. Ampel’s prior experience includes positions at USA Films and October Films. As the new Managing Director, Ampel will oversee programming, education, marketing, communications, community engagement, creative operations, rentals and hospitality teams at the Center. In its nine months of operation, the Media Center has opened its 20,000 square-foot-space in downtown DUMBO — including co-working spaces, talent incubator, 72-seat screening room, art gallery and café — to more […]
by Filmmaker Staff on Aug 22, 2014 -
A Series of Visitations: Alexander Sokurov’s Days of Eclipse
The Strugatsky brothers novel upon which Alexander Sokurov’s 1988 Days of Eclipse is based has the following fairly mind-blowing premise: a group of scientists in Moscow find their research in various fields frustrated by inexplicable events, and conclude that the universe is deliberately sabotaging them in an attempt to preserve its mysteries. Sokurov’s film has plenty of the inexplicable but none of this throughline — it’s parsable only with difficulty and guidance from external sources — and relocates the settting from St. Petersburg to Krasnovodsk, Turkmenistan. Krasnovodsk is now Türkmenbaşy, having reclaimed an indigenous name in the post-Soviet era. This […]
by Vadim Rizov on Aug 22, 2014 -
Life’s Compass: Talena Sanders on Liahona
Liahona begins with distant figures walking silently through a field. It is nighttime, and both the sky and the ground seem to sparkle. The people move slowly while wearing glittering and flickeringly feathered costumes that, from a distance, make them appear to be extraterrestrial. Within the scope of modern American culture, perhaps they are: they’re members of the Church of Latter-Day Saints, known more commonly as Mormons. This opening sequence of American filmmaker Talena Sanders’s 2013 debut feature — which will screen in September at Brazil’s Indie Festival, following sessions at FIDMarseille and at last year’s New York Film Festival — […]
by Aaron Cutler on Aug 20, 2014 -
Watch: The Evolution of Title Sequences
Title sequences just aren’t what they used to be. Nowadays, if they aren’t entirely absent, opening credits are relegated to the corner of the frame, an afterthought accessory to a film’s first scenes. This video from Nora Thös and Damian Pérez entitled “The Film Before The Film,” examines the history of credit sequences from the first Edison films to the age of pioneering designers like Saul Bass and Maurice Bender, through the advent of AfterEffects in the 1990s. Ironically, with all the more tools now at filmmakers’ disposal, titles have recessed into something of a lost art outside of Bond films and other (relatively) aesthetically high-brow big-budgets. “The […]
by Sarah Salovaara on Aug 19, 2014
