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Watch Wes Anderson’s Charming Prada Short Castelo Cavalcanti
I’m not totally optimistic about Wes Anderson’s upcoming The Grand Hotel Budapest — which will open the Berlinale early next year — but watching his latest offering has somewhat raised my hopes. Castelo Cavalcanti, a short film made for Prada, is a charming, self-contained little effort about a racecar driver (Jason Schwartzman) who crashes in the tiny Italian village of Castelo Cavalcanti, which just happens to be his ancestral home. Written and directed by Anderson, it was shot by Darius Khondji and filmed at Rome’s legendary studio, Cinecittà.
by Nick Dawson on Nov 13, 2013 -
Michael Kleiman on Web, Connectivity, and Social Documentary
Only 32% of the world’s population has access to the Internet. That figure, coming from the organization A Human Right, means that 4.6 billion people are effectively left out of the Information Age that most of us take for granted. Individuals and organizations across the world are working to ameliorate that and spread online connectivity into underdeveloped and rural areas from the U.S. to Kazakhstan. And films like Tiffany Shlain’s Connected (2011) are starting to probe what can happen to global consciousness when the collective wisdom of the world, not just our meager social networks, are finally truly linked together. […]
by Randy Astle on Nov 13, 2013 -
Introducing 8K: The Final Frontier?
Keeping apace with camera technology is like running a race where the finish line keeps on moving. Just as the next generation of games consoles go on sale boasting the ability to display 4K images (although for the moment only those with the salary of a pro-footballer can afford screens able to make use of all those pixels) Japanese broadcaster NHK has started to film and broadcast events in 8K. NHK are so excited about the technology that they have commissioned filmmakers to make short films showcasing 8K, which were screened at the recent Tokyo International Film Festival. I went […]
by Kaleem Aftab on Nov 13, 2013 -
Five Questions for I Learn America‘s Jean-Michel Dissard and Gitte Peng
The coming-of-age tale is a durable independent film genre, but it takes on added political and personal dimensions in I Learn America, Jean-Michel Dissard and Gitte Peng’s documentary about five new teenage immigrants within New York’s public school system. Dissard, a dual citizen who immigrated himself from France when he was a teenager (and with whom I worked with on Raising Victor Vargas), and Peng, an education reform expert who worked in the Bloomberg administration, embrace within the film the emotional complexity of their subjects’ lives while an exhaustive outreach campaign amplifies its various messages and policy implications. I Learn […]
by Scott Macaulay on Nov 13, 2013 -
What to See at DOC NYC
Wedged between international documentary mega-fests CPH:DOX and IDFA on the festival calendar, this country’s largest documentary film fest DOC NYC might seem a humble affair. (Indeed, the four-year-old DOC NYC is downright cozy and laidback compared to Amsterdam’s industry-driven shindig where making sales often eclipses enjoying the sheer pleasure of cinema.) This year’s lineup features 131 films and events, including 11 world premieres and 9 US premieres – not to mention high-caliber attendees from Noam Chomsky to Michel Gondry, to Sarah Polley and Oliver Stone. Yet several small gems that I’ve written about at prior fests are every bit as […]
by Lauren Wissot on Nov 13, 2013 -
Indie Memphis Prizes Unheralded Indies in 16th Edition
Memphis is the largest city on the Mississippi River and Tennessee’s most populous; funny that more than a few folks visiting from coasts east and west refer to it as a small town. A place well known for violent reckonings with history, the ghosts of more than a few legendary men haunt the streets east of its unassuming downtown, located on the fourth of the chickasaw bluffs stretching from the Wolf River to the Mississippi. The more sordid aspects of the place’s past, both long ago and fairly recent, mingle freely with its great cultural legacies; Sun Studios, where Elvis […]
by Brandon Harris on Nov 10, 2013 -
Political Zoo: AJ Schnack on Caucus
The 2012 candidates for the Republican Presidential nomination — in other words the people who vied to be the standard bearer for those responsible for the government shutdown spurred by opposition to the Affordable Care Act — were photogenic, prone to gaffes: a documentarian’s wet dream of a cast. The GOP primaries offered us ambitious charlatans and lunatics eager to put themselves of display, finding room after room of deluded or poorly informed or simply mean-spirited white people to entertain and cajole. The entire primary season, while not as entertaining as it could have been (how can people with such depressing […]
by Brandon Harris on Nov 8, 2013 -
Desert Storm: the 7th Abu Dhabi Film Festival
Poor Tobe Hooper. It’s got to be tough to be best known for movies made over 40 years ago and desperate enough for a paycheck to make something like Djinn, the first movie I saw at this year’s Abu Dhabi Film Festival and perhaps the most astoundingly inane motion picture I’ll see all year. “Rosemary’s Baby meets The Shining in an ominously empty residential tower halfway between Dubai and Abu Dhabi” is apparently a pitch that gets you $9 million from ImageNation, the Abu Dhabi-based film finance outfit to make a rote and clumsy and predictable horror movie, with waves […]
by Brandon Harris on Nov 8, 2013 -
Five Questions with Go For Sisters Director John Sayles
Childhood friends Bernice (LisaGay Hamilton) and Fontayne (Yolanda Ross) have been out of touch for a few years. When they reconnect, during an early sequence in John Sayles’ 18th feature film Go For Sisters, it is over a desk. Bernice, a parole officer, sits before folders of rap sheets to one side; Fontayne, a former junkie and criminal, fidgets on the other. It doesn’t take long, however, for the circumstance to turn from professional to personal. When Bernice’s drug running son vanishes near the Mexican border, she calls on Fontayne to help track him down. The two women head South, […]
by Sarah Salovaara on Nov 8, 2013 -
Five Films Announced for 8th Annual Best Film Not Playing at a Theater Near You Series at MoMA
Filmmaker, Independent Filmmaker Project (IFP), and The Museum of Modern Art announce today the five films chosen for the organization’s annual Best Film Not Playing at a Theater Near You series, running November 15 – 18 in MoMA’s Roy and Niuta Titus Theater 2. They are: Eddie Mullins’ Doomsdays; Kevin Jerome Everson’s The Island of St. Matthews; Eliza Hittman’s It Felt Like Love; Aaron Douglas Johnston’s My Sister’s Quinceanera and Benjamin Greené’s Survival Prayer. As always, Filmmaker editors (myself, Nick Dawson, Brandon Harris, Alicia Van Couvering and Ray Pride), the IFP’s Milton Tabbot and, new this year, MoMA’s Sophie Cavoulacos have […]
by Scott Macaulay on Nov 7, 2013
