6300 Results for “Open ”
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2013 Cannes Film Festival Lineup Announced
Yesterday, a relatively convincing hoax lineup was “leaked” to a few websites, which presented a tantalizing vision of what Cannes 2013 had to offer. This morning, however, the real slate has been unveiled and its actually even more stacked with big name directors and exciting films. In competition, there are the new titles from U.S. directors Steven Soderbergh (his HBO “non-film” on Liberace), Alexander Payne, James Gray and the Coen brothers, with Europe represented by films from auteurs such as Paolo Sorrentino, François Ozon, Arnaud Desplechin, Abdellatif Kechiche (The Secret of the Grain), Nicolas Winding Refn, Valeria Bruni Tedeschi and Roman Polanski. From […]
by Nick Dawson on Apr 18, 2013 -
The New Digital Storytelling Series: Ingrid Kopp
In the seventh part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Ingrid Kopp, Director of Digital Initiatives at Tribeca Film Institute, answers our questions. Kopp oversees the TFI New Media Fund, runs Tribeca Hacks and produces TFI Interactive during the Tribeca Film Festival. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Kopp: I think people have […]
by MIT Open Documentary Lab on Apr 18, 2013 -
Ryan Koo on Amateur, Feature Fundraising, and the Kickstarter Long Game
In the Fall of 2011, filmmaker Ryan Koo — featured along with then-partner Zachary Lieberman on our 2008 “25 New Faces” — announced his debut feature, Man-child. Embarking on an ambitious Kickstarter campaign, Koo leveraged not only the community he had been building via his excellent website, No Film School, but also his project’s selection for the IFP and Film Society of Lincoln Center’s Emerging Visions program. The campaign was a success, raising $125,100, and, as he’s moved his story of youth basketball forward, Koo has been, essentially, open-sourcing his progress, giving advice on not only social-media fundraising but screenplay […]
by Scott Macaulay on Apr 17, 2013 -
Salman Rushdie and Deepa Mehta on Midnight’s Children
“You must tell him about the greeting cards,” Deepa Mehta said to Salman Rushdie the other day. The director and the writer were sitting next to one another in a book-lined room in a midtown Manhattan hotel, and as they prepared to field a few of my questions about their new film, she urged Rushdie to share an anecdote about the movie’s source material, his famed novel Midnight’s Children. Rushdie complied. “It’s sold millions of copies,” he said, sounding less like a boastful author than a man stating a simple fact. “And in India it’s sold zillions extra because there […]
by Kevin Canfield on Apr 17, 2013 -
POV’s Third Nonfiction Transmedia Hackathon
The most encouraging aspect of POV’s third hackathon, which wrapped with a public presentation Sunday night, was the social commitment of the five projects. When they hit close to home, events like Monday’s bombing in Boston can make you step back and reevaluate your work, its purpose and meaning. So it was gratifying, a day earlier, to see how committed the hackathon teams were to remedying some kind of societal problem, including some situated half a world away. Over two days the participants worked together to use new technologies to make real strides against issues like homelessness, war, and the […]
by Randy Astle on Apr 17, 2013 -
Five Questions with Herman’s House Director Angad Singh Bhalla
Angad Singh Bhalla uses film to bring us voices we rarely hear. After spending months with Indian villagers who had been resisting an alumina project backed by the Canadian company Alcan, he produced his first independent project U.A.I.L. Go Back. It was used widely as an organizing tool and helped pressure Alcan to end its involvement in the project. Passionate about using media as a tool for social change, Bhalla has since produced videos for groups including the Service Employees International Union, Human Rights Watch, and The Center for Constitutional Rights. His award-winning short on the lives of Indian street […]
by David Licata on Apr 16, 2013 -
Which Way is the Front Line from Here? The Life and Time of Tim Hetherington Director Sebastian Junger
One great journalist salutes another in Which Way is the Front Line From Here? The Life and Time of Tim Hetherington, a moving combat documentary premiering Thursday, April 18 on HBO. The film is celebrated author-turned-director Sebastian Junger’s tribute to Hetherington, the British-American photojournalist who co-helmed the Oscar-nominated Restrepo with Junger, and tragically lost his life in 2011 while covering Libya’s civil war. Like Restrepo, which ditched political agendas to get at the human core of a platoon of soldiers stationed in Afghanistan, Which Way is the Front Line From Here? pins its focus on the heart and unquenchable drive […]
by R. Kurt Osenlund on Apr 16, 2013 -
Why Filmmaking is Like Software Design
Before becoming a filmmaker I spent 15 years designing software. Started out as a Mac OS programmer and then moved to Microsoft Windows. My endeavors included all things visual—from icon design and screen layout, to the more abstract design patterns found in system architecture and coding. What I discovered along the way was that the most elegant solutions—the products that worked best, most reliably, and resonated strongly with their user base—were always the most simple and minimalist in design. And there was always room for improvement via testing, focus groups, and refactoring (a techie word for the iterative process of […]
by A.D. Calvo on Apr 15, 2013 -
Kickstarter Tax Implications, Veronica Mars, SFX and a Tragic Dimension: Sunday Morning Links
Bruce Sterling’s closing remarks at SXSW Interactive have been posted at Wired’s Beyond the Beyond blog. It’s a long talk on the aesthetic and moral dimensions of disruption, an emergent Southwest and the tackiness of 3D figurines. An excerpt: And then there’s this empty pretense that these innovations make the world “better.” This is a dangerous word. Like: “If we’re not making the world better, then why are we doing this at all?” Now, I don’t want to claim that this attitude is hypocritical. Because when you say a thing like that at SouthBy: “Oh, we’re here to make the […]
by Scott Macaulay on Apr 14, 2013 -
The Freeman Brothers on Cell Count, The Weather Outside and Indie Genre Filmmaking
Brothers Todd and Jason Freeman are a filmmaker duo who have been working together for more than 15 years. They collaborate closely during the creative process yet each writes and directs their own films. I caught them fresh off of completing two microbudget movies back-to-back. Jason’s feature, The Weather Outside, is a kind of noir drama which takes place over the Christmas holidays. Todd’s film, Cell Count, is a body horror flick about the side-effects of an experimental drug treatment. Filmmaker: How do you work as both brothers and a filmmaking team? Jason: Well, it starts early on. One of […]
by Michael Medaglia on Apr 12, 2013
