6296 Results for “Open ”
-
DAVID GORDON GREEN ON “YOUR HIGHNESS”
“By making this movie, David Gordon Green and Danny McBride have done what all of us have dreamed of doing since we too fantasized about making movies as adolescents. They have used their current success to truly test the boundaries of what they can get away with, and they’ve done it at a time when the Hollywood industry is as timid and fearful and insecure as it has ever been (which is saying something). They have caged their inner scaredy cats and swung for the f**king fence to produce something on a grand scale that has no direct precedent (or […]
by Scott Macaulay on Apr 8, 2011 -
Meek’s Cutoff — A Hammer to Nail Review
(Meek’s Cutoff is being distributed by Oscilloscope Laboratories. It opens theatrically at the Film Forum in NYC on Wednesday, April 8, 2011. Click on the links to learn more. ) As much as I approve of Kelly Reichardt’s Meek’s Cutoff in every single way, I’ve been finding it incredibly difficult to write a review of it. Not that I don’t have anything worthwhile to say. It’s just that everything I’ve come up with so far sounds like film school pretension. Though term papers could — and hopefully will — be written about how Reichardt revises and revitalizes the traditional Western […]
by Michael Tully on Apr 7, 2011 -
THE MIAMI INTERNATIONAL FILM FESTIVAL 2011
I guess it should come as no surprise that my preference for film festivals tends to follow my sensibility when it comes to films themselves. If everyone in the blogosphere and beyond is talking about the upcoming Hollywood blockbuster or even the latest offering from the mumblecore crowd, I’ll want to review what’s coming out of Kazakhstan (The Gift to Stalin — three stars!) or rave about an undistributed doc that takes a refreshing look at a trio of grandma-age sex workers in Berlin (Saara Aila Waasner’s uplifting Frauenzimmer). I often feel like I’m out of the loop as the […]
by Lauren Wissot on Apr 1, 2011 -
Le Quattro Volte — A Hammer to Nail Review
(Distributed by Lorber Films, Le Quattro Volte opens theatrically at the Film Forum on Wednesday, March 30, 2011. Click on one of the previous links to learn more.) They’re called motion pictures, but in the case of Michelangelo Frammartino’s Le Quattro Volte, that term isn’t quite accurate. Motion painting is more like it. Spiritual yet not overtly religious, playful yet dramatic, patient yet never ponderous, Frammartino’s extraordinary celebration of the cycle of life is as close to church as cinema can get. The beauty of this masterfully wrought docu-poem is that for all its superficial “art film” trappings, Le Quattro […]
by Michael Tully on Mar 31, 2011 -
ALISTAIR BANKS GRIFFIN, “TWO GATES OF SLEEP”
American independent films of the narrative variety are rarely hard art films. But in the case of Alastair Banks Griffin’s Two Gates of Sleep, which bowed at last year’s Directors’ Fortnight in Cannes before finding its way to AFI Fest last Fall, one should be ready to enter a long-take heavy, unspeakably gorgeous dirge that is sure of its influences and even more sure that it has something deeply resonant to express to you. It’s the type of movie that, as the cliche goes, requires the audience to “do some work,” that isn’t going to bend over backwards to entertain […]
by Brandon Harris on Mar 30, 2011 -
Blank City, Blank Generation
Here’s a brand new clip from Celine Danhier’s essential documentary on the wildly creative New York No Wave film scene of the early 1980s, Blank City. Appearing here are Steve Buscemi, Amos Poe, Vivienne Dick, and others, and clips feature the Talking Heads, Eric Mitchell’s The Way it Is, and more. The movie opens April 6; for more visit the website. And watch this space for an interview with Danhier. And here’s the trailer, which features shots from my favorite movie of this era, Underground USA Blank City Official Trailer from Celine Danhier on Vimeo. .
by Scott Macaulay on Mar 28, 2011 -
TRIBECA ’11 CLOSING WITH EDWARD BURNS’ “NEWLYWEDS”
Edward Burns‘ latest film, Newlyweds, which he also wrote, produced and stars in, will be the closing night film for the 10th Tribeca Film Festival, according to a press release that was sent out today. From the release: The film, shot almost exclusively in New York City’s TriBeCa neighborhood, is a chronicle of modern marriage, pointing out an essential truth: When you get married, you’re not just getting a husband or wife—you’re getting the family, the friends, and even the exes. With crackling humor and sharp insights into contemporary relationships, Burns tracks a newly wedded couple whose honeymoon period is […]
by Jason Guerrasio on Mar 28, 2011 -
CONDITION ONE REINVENTS WAR JOURNALISM IN LIBYA
At the end of my profile of filmmaker Danfung Dennis in our 2010 “25 New Faces” feature, I touched on what was then his next project. After completing Hell and Back Again — winner of the World Cinema Jury Prize and World Cinema Cinematography Award at the 2011 Sundance Film Festival — Dennis embarked on Condition One, which he told me “will use a network of journalists, filmmakers and servicemen to send a stream of high-quality video to millions of mobile devices.” Danfung’s new venture now has a website, a Facebook page and a proof-of-concept video that’s also 90 seconds […]
by Scott Macaulay on Mar 27, 2011 -
Adam Bhala Lough And Ethan Higbee, Tha Upsetter
Widely revered in reggae and hip-hop circles, Lee “Scratch” Perry is one of 20th century music’s most influential and mysterious artists, a tried-and-true rasta man whose lasting contribution goes beyond spawning some of reggae’s most seminal acts. He was, in fact, the driver for the aesthetic innovations that germinated into the two genres mentioned above, and he reinvented the image of the studio engineer from mere technician to artistic focal point. Now in his mid seventies and expatriated to Switzerland, he’s the subject of the feature-length doc The Upsetter, from the directors Adam Bhala Lough (The Carter, Weapons) and […]
by Brandon Harris on Mar 23, 2011 -
Second Life
For Miranda July’s second feature film, THE FUTURE, the performance artist and director mixes humor, fantasy and psychodrama to explore the anxieties of adulthood.
by Alicia Van Couvering on Mar 22, 2011
