6560 Results for “production”
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Hot Docs Podcast Festival Showcase 2023: Non-Fiction Without Borders: A Co-Production Case Study with The LA Times and CBC Podcasts
Featuring LA Times head of audio Jazmín Aguilera and CBC Podcasts director Arif Noorani (and moderated by Lindsay Michael, Senior Podcast Manager for Amazon Music in Canada), “Non-Fiction Without Borders: A Co-Production Case Study with The LA Times and CBC Podcasts” covered an impressive amount of ground for an hour-long panel. Part of the Hot Docs Podcast Festival Showcase (a mini audio-storytelling fest nestled within this year’s 30th anniversary edition, April 27-May 7), the discussion began, ironically enough, with a high-adrenaline video teaser for Outlaw Oceans, the case study at hand. It starred both Somali pirates and Ian Urbina, the […]
by Lauren Wissot on May 12, 2023 -
Speaking Volumes: The Production Benefits and Challenges of Shooting on Virtual Stages
For Metropolis special effects artist Eugen Schüfftan, a model, a mirror and a sharp-edged tool were all the instruments required to create cinematic wonder in the 1920s. The mirror—placed at a 45-degree angle in front of the camera—reflected the image of a model cityscape located just out of frame. The tool then scraped away sections of the mirror’s reflective layer, leaving only glass and revealing strategically placed actors in the distance. When the mirror was filmed, the citizens of Metropolis now magically appeared to inhabit the colossal urban dystopia. A century later, virtual production is the latest evolution in cinematic […]
by Matt Mulcahey on Mar 16, 2023 -
Artistic Outputs: Filmmakers and Production Designers on Using Generative AI
“An ominous slender figure in the foreground, a gay couple kissing in the distance, alleyway, two-point perspective, at night, a bar crowded, 8K, cinematic, cinematic composition, in the style of Jean-Luc Godard, rendered in the Gaspar Noe engine.” Via Zoom, Natou Fall shares her screen with me, allowing me to look at the hundreds of images she’s created using text prompts in the generative AI program Midjourney. The image resulting from the prompt above is an eerie one of a silhouetted couple holding hands, both wearing fashionable flared jackets and standing in a sparse, neon-accented nightclub with a figure lurking […]
by Scott Macaulay on Dec 15, 2022 -
Houses in Motion: Production Designer Rick Carter on The Fabelmans
Production designer Rick Carter caught the eye of Steven Spielberg when he was art director on The Goonies and first worked with him directly on the pilot of Spielberg’s anthology series Amazing Stories. Spielberg told him the minimal amount of train he needed for the episode; Carter ended up giving him more without increasing the budget. “I think I have an ability to prioritize what’s important so that I can put the resources into [those] elements, whether it’s the set or visual effects or any other aspect of the movie,” says Carter. Starting with Jurassic Park, Carter has served as […]
by Vikram Murthi on Dec 15, 2022 -
Judy Becker’s Top Ten Films (That Most Influenced Her Work as a Production Designer)
I came to production design as someone who has always loved movies. I also loved art, design, architecture and photography, so discovering that I could have a career that combined all my loves was one of the greatest moments of my life. I have a realism-based approach to filmmaking — most of the worlds I create are fictional, but within the context of the film my goal is to make them feel real, grounded, worn, authentic. If a director wants a stylized or surreal approach I would need to find a way to dirty it up and add imperfections to […]
by Judy Becker on Nov 21, 2022 -
Full Sail University: A Talent Pipeline for the Virtual Production Industry (Sponsored Post)
Following the filming of The Mandalorian, accelerated interest grew in the emerging technologies utilized to create this visually stunning epic. Outside of the creation of the green screen, the virtual production technology behind The Mandalorian is one the most cutting-edge recent creations impacting the industry. In fact, according to Technavio, 46% of the projected USD $1.85B global growth, is expected to come from North America exclusively. The recent popularity and capabilities of virtual production technology could not have come at a more opportune time. Virtual production technology permits film crews and productions to be anywhere in the world with the […]
by Filmmaker Staff on Apr 18, 2022 -
“I Was Born in Cinecittà”: Production Designer Dante Ferretti on Collaborating with Pasolini and Scorsese
Saturday, March 5th marks the centennial of Pier Paolo Pasolini’s birth, and numerous retrospectives are being held worldwide commemorating the late Italian filmmaker. Tragically murdered at the age of 53, weeks before his infamous Salò, or the 120 Days of Sodom, was set to premiere, Pasolini’s output continues to attract cinephile appreciation, political discourse, cultural reevaluation and a fair share of controversy. “His movies, influenced by his struggle to reconcile his concerns with Marx, Freud and Christ, often drew him into conflict with the Roman Catholic church and with secular authorities,” reflected The New York Times in 1990. Currently running […]
by Erik Luers on Mar 2, 2022 -
“The Pandemic Just Exaggerates All the Issues You Already Face in Production to an Almost Comedic Level” | Chloe Okuno, Watcher
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? Personally, I feel that the pandemic just exaggerates all the issues you already face in production to an almost comedic level… you have to laugh so […]
by Filmmaker Staff on Jan 21, 2022 -
“The Rhythm of Nature Many Times Conflicts With the Rhythm of an Independent Production”: DP Alfonso Herrera Salcedo on A Love Song
A Love Song depicts the reconnection and the romance of childhood sweethearts, decades removed from their last meeting. Both widowed now, they use the meeting to reflect on life, love, and loss. It all takes place in an American West that is neither rugged like the films of yesteryear nor depleted like more more recent revisionist takes, but quiet and expansive. Cinematographer Herrera Salcedo explains why 16mm was the right format to capture both characters and the landscapes and how he used the camera to bring the characters to life. Filmmaker: How and why did you wind up being the […]
by Filmmaker Staff on Jan 20, 2022 -
After the Curtain: The Tragedy of Macbeth Production Designer Stefan Dechant
Shot by director of photography Bruno Delbonnel in stark black and white using the Academy aspect ratio, Joel Coen’s The Tragedy of Macbeth is an impressively lean (105 minutes total runtime) and stylized take. A reserved Denzel Washington stars in the title role alongside Coen’s wife Frances McDormand as Lady Macbeth, reprising a performance she gave for the Berkeley Repertory Theatre in 2016. In his first film without his brother Ethan, Coen eschews halfhearted attempts to “open up the text,” instead choosing to embrace its theatricality by filming the entire production on Warner Brothers’s soundstages in Burbank, California before and, […]
by Erik Luers on Jan 18, 2022
