6576 Results for “production”
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“Are We Telling Stories with Images through the Camera or from a Computer?” Ed Lachman on Shooting Carol in Super 16mm
Ed Lachman has been the director of photography on a long list of visually stunning movies. He has worked repeatedly with director Todd Haynes. This year he is nominated for an Oscar for his work on Carol, an adaptation of Patricia Highsmith’s novel that stars Cate Blanchett and Rooney Mara. For Carol, Lachman creates a beautiful pastiche of color and texture to invite the audience into the world of New York in the 1950s as well as the emotional state of two women suddenly and deeply in love. Lachman and I sat down in L.A. to talk about Carol and […]
by Alix Lambert on Feb 11, 2016 -
Creating a Promotional Video for the Kindle Best-Selling Sci-Fi Series Post-Human
David Simpson is the author of the bestselling sci-fi novel series Post-Human. There are currently five books in the series, with two more planned. Born in Ireland, he has lived in Vancouver since 2000 and believed he would end up a teacher of English until he discovered self-publishing on the Kindle. Having had success self-publishing, he hoped to create a promotional video for the series that might lead to the production of an actual movie. The resulting video represents what Simpson thinks the opening sequence of a Post-Human film might look like. The truly fascinating part of the story is […]
by Michael Murie on Feb 10, 2016 -
Embracing the Sublime and the Idiotic: 5 Questions with the Filmmakers of “Friends with Benefits”
When it comes to both geography and genre, the loose collective of American filmmakers made up of Gabriel Abrantes, Alexander Carver, Benjamin Crotty, and Daniel Schmidt favor radical destabilization. Their films are hard to categorize. They’re set in an array of countries, including France, Djibouti, Iraq, Puerto Rico, and underneath the US-Mexico border, and they’re not quite family drama, not quite political farce, and not quite science-fiction, though they borrow elements from each. The scenarios in their films often interrogate post-9/11 geopolitics and the legacy of colonization, but at the same time, the filmmakers approach these subjects with an absurd […]
by Whitney Mallett on Feb 5, 2016 -
A Showcase for Pacific Islands Filmmakers: The Hawaii International Film Festival at 35
How does one measure a film festival’s success? Through the number of world premieres, red-carpet events, and sold-out screenings? Or possibly it’s something that occurs beyond the screen, in terms of how a festival supports its community and helps nurture its local film culture. Turning a respectable 35 this past November, the Hawaii International Film Festival attempted to do both. It kept its usual youthful swagger with a strong lineup of world and international premieres and some glamorous events featuring the likes of Japanese star Tadanobu Asano and Hong Kong director Mabel Cheung, yet made sure to spotlight key new […]
by Jason Sanders on Feb 3, 2016 -
Five Questions for How to Tell You’re a Douchebag Writer/Director Tahir Jetter
Having made his Sundance debut with the short film Close. in 2011, filmmaker Tahir Jetter returned with his debut feature, How To Tell You’re A Douchebag — a film that, as he discusses below, he wasn’t sure would bring him back to Park City. After his web series Hard Times was picked up for distribution by Issa Rae Productions in 2014, Jetter set his sights on a feature film about dating in the modern world. To raise awareness of the project, Jetter published a blog, Occasionally Dating Black Women, written in a voice that would turn out to be his fictional main character. Inspired by films that handle […]
by Erik Luers on Feb 2, 2016 -
Five Questions for NUTS! Director Penny Lane
A medical doctor in name only, John R. Brinkley became famous in the ’20s and ’30s for claiming to have found an unusual cure for male impotence: all it would take was the transplantation of goat testicles into his human subjects. A hundred years removed from “discovery,” documentarian Penny Lane (whose Our Nixon was about another very larger-than-life public figure) dives into the life and times of Brinkley, a man whose entire history was based on lies and false acclaim. Filmmaker: Your first feature documentary Our Nixon is compiled from archival footage clearly relevant to American history and politics. Did you set out for your follow-up to be a […]
by Erik Luers on Feb 2, 2016 -
DP Caleb Heymann on Evoking the Early ’90s in Sundance Winner As You Are
The first feature film from writer/director Miles Joris-Peyrafitte, As You Are unfolds as the story of three teenage friends in the early 1990s. Joris-Peyrafitte hired Caleb Heymann, a fellow newcomer to feature filmmaking, to shoot the film. Heymann spoke with Filmmaker about shifting aspect ratios, vintage anamorphic lenses and the execution of a tricky long take. As You Are premiered at Sundance 2016 in the U.S. Dramatic program. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Heymann: Producer Sean Patrick Burke had seen […]
by Soheil Rezayazdi on Feb 1, 2016 -
“The Powers of These Magical Young People”: Directors Keith Fulton and Lou Pepe | The Bad Kids
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? What does a girl-servant of wizards who’s ashamed of her magical powers have to do with a […]
by Soheil Rezayazdi on Feb 1, 2016 -
Cinematographer Steven Holleran on Capturing the Streets of Cleveland in The Land
Cinematographer Steven Holleran has shot more than a dozen shorts since 2011. He makes his Sundance debut with The Land, a film about four skateboarding teenagers in Cleveland. Holleran speaks with Filmmaker below about Cleveland and capturing a city’s essence visually. The Land debuted in the NEXT program at Sundance 2016. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Holleran: The writer and director of The Land, Steven Caple Jr., and I were in the same introductory filmmaker class at USC’s MFA […]
by Soheil Rezayazdi on Jan 31, 2016 -
“No One Slept for 30 Hours Straight”: DP Siddhartha Nuni on Shooting Brahman Naman
Styled in the vein of American slacker and teen comedies, Brahman Naman is the newest film from Indian indie filmmaker Qaushiq “Q” Mukherjee. DP Siddhartha Nuni shot the film in 23 days in the city of Bangalore. Filmmaker spoke with Nuni about his love of Trainspotting, recreating ’80s-era India and capturing the “confused teenage mind visually.” Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Nuni: The director of the film Q was looking for a cinematographer who had an experience of working under the constraints with which […]
by Soheil Rezayazdi on Jan 31, 2016
