Compared to film festivals, webfests — “film” festivals geared specifically toward web series (like Mission Backup Earth, pictured above) and other online videos — are definitely the new kids on the block, but they’re fast coming to fill the role for web video that names like Venice and Cannes did for film decades ago. And they’re springing up much faster — 10 of the thirteen events described below are premiering in 2013 or ’14 — making it appropriate to survey what’s out there, how filmmakers can get their content shown and who’s eligible. TO WebFest (Toronto): Announced Tuesday by the Independent […]
In Nenad Cicin-Sain’s moody debut feature, The Time Being, Frank Langella plays Warner, a wealthy art patron who after buying a painting at an art gallery hires the financially strapped artist behind the work (Wes Bentley) to do odd, artistically tinged jobs for him. Daniel, a dedicated painter who’s dour work isn’t exactly flying off the walls, struggles to support his family — to the increasing annoyance of his wife Olivia (Ahna O’Reilly). He is drawn to the reclusive and mysterious millionaire as a potential new benefactor, but when Warner’s assignments for Daniel become increasingly bizarre surveillance excursions, Daniel senses that he may […]
IFP, publisher of Filmmaker Magazine, announced today 163 projects in development selected for its Independent Film Week Project Forum. Projects include documentaries by such directors as Academy Award Winners Louis Psihoyos and Cynthia Wade; fiction features by documentarians Jennifer Fox and Jeremiah Zagar; fiction features by web creators Mesh Flinders and Thom Woodley; and an original web series, Awesome Asian Bad Guys, by Patrick Epino and Stephen Dypiangco. In addition, a number of projects from Filmmaker Magazine 25 New Faces have been selected, including new work from Carlen Altman, Sophia Takal, the Zellner Brothers, Alex Jablonski, Pete Ohs & Andrea […]
Lisanne Pajot and James Swirsky, directors of Indie Game: The Movie, are not only skilled filmmakers but also very savvy businesspeople. They chose to self-distribute their film rather than sell themselves short by giving it away to a distributor, and did a brilliant job of connecting with their audience and maximizing the potential of their product. (You can read their evolved thinking on self-distribution in a Filmmaker article they penned earlier this year.) Now the pair say they have reached “the end of a life-changing, 3-year odyssey” of Indie Game with the just-announced the release of a Special Edition, which […]
Tze Chun, a 2007 25 New Face based on his great short, Windowbreaker, appears to have done a 180 follow-up to his first feature, the low-key, character-based drama Children of Invention. Cold Comes the Night stars Breaking Bad‘s Bryan Cranston, rising star Alice Eve and a missing bag of cash. But, note that I wrote “appears” in the above sentence. Last year, Kishori Rajan spoke to Chun about this movie while it was in production, and the director says it’s not entirely unlike his previous work: When his manager sent him as a writing sample a psychological thriller script by […]
Since his 2006 debut, director and multi-hyphenate Dave Boyle has arguably carved out the most unique niche in independent film. That film, Big Dreams Little Tokyo, and his subsequent pictures White on Rice (2009), Surrogate Valentine (2011), and Daylight Savings (2012) have featured a mix of Japanese and Japanese-American characters in polyglot films that combine quirky comedy with high-strung drama. The latter two films added a semi-documentary element as musician Goh Nakamura plays a fictionalized version of himself. Now with Man from Reno Boyle retains several of his signature traits but moves in the new direction of a thriller. The film […]
Some titles that blur the gray line between ideology and pleasure could well have been fodder for battle between the just-concluded New York Asian Film Festival (NYAFF) and the Asian American International Film Festival (AAIFF), which runs July 24-August 3. The former is larger and younger (b. 2002) and comprised almost entirely of entertaining generic fiction; the latter, smaller, older (b. 1978), and more diverse, a politicized showcase in which fiction, documentaries, and hybrids share pride of place. Yes, there is telling overlap in their respective agendas. The AAIFF divides its 26 features into six strands (44 shorts are branded separately): Triple […]
A superviolent and supremely strange Bangkok nocturne, Only God Forgives is Nicolas Winding Refn’s follow-up to his Cannes award-winning pop culture sensation Drive. This film, sure to be nowhere near as popular, is a distinctly less accessible affair. One senses that the filmmaker, a born contrarian, takes a certain pleasure in this. In both Thai and English, it meditates on a white man who trains child fighters and runs a family-operated drug ring with his brother. When said brother is dispatched via some brutal south Asian justice involving really sharp swords (after he is found to have rapped and killed […]
Digital disruption is restructuring the media industries. New production, distribution and display technologies shook up publishing (including newspapers, books and magazines), records and home video/DVDs. The cable industry’s day of reckoning may be at hand. A series of disquieting developments in the cable industry have been accumulating. Over the last decade, basic subscribers have declined by nearly 16 percent, to 56.4 million in 2012 from 66.9 million in 2001. Consumer viewing habits are changing, with many either abandoning or supplementing their fixed TV set with new devices and multi-screen viewing. More and more households are turning to the Internet for […]
The summer used to be a slow period for independent film, so what better time to focus our readers’ attention on the up-and-coming artists who’d be shaping the next generation? That’s what we were thinking back in 1998, when we decided to devote our Summer issue to what has become our most celebrated feature of the year, the “25 New Faces of Independent Film.” We looked at a lot of work, canvassed our colleagues, and tasked ourselves with finding not the obvious names, the ones already bold-faced in the trades, but up-and-comers whose early work impressed and excited us. On […]