There’s a trend in actor-turned-director helmed films at Cannes this year, an impeccable direction of the people on screen. You can tell there’s a sense of trust and cohesive goal to create something great. One of the clearest examples of this is James Franco’s new feature film, As I Lay Dying, based on the great American classic by William Faulkner, the story of the death of Addie Bundren and her family’s quest to honor her wish to be buried in the town of Jefferson. The vivid characters have come to life on the big screen through Franco’s split-screen filmmaking, led by […]
In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn streetscape into existential theater, offers a strange love-letter to a city (at that moment) riddled with danger and alive with artistic possibility. Pendulum was made several years after Nares’s arrival in New York at age 21 from his native England. The city’s been […]
Transmedia producers in Canada already have ways to network with and benefit from each other through organizations like the Toronto-based group Transmedia 101. But those specifically interested in creating web series just received an additional resource with the formation of the Independent Webseries Creators of Canada (or IWCC; CIWC in French). Serendipitously coinciding with the announcement of the Vancouver Web Fest, the IWCC is a nonprofit professional association that sees today’s web producers like the television pioneers of the 1940s and 50s: building a new branch of the entertainment industry in uncharted waters, but this time doing so in a […]
Made quickly and on the cheap, prolific South Korean director Kim Ki-duk’s 18th film, Pieta, is an often disturbing revenge tale, moody and morally challenging, where redemption for one of recent cinema’s most dark-hearted anti-heroes seems just out of grasp. Kang-do (Lee Jung-jin) is a pitiless and anger-fueled debt collector for a equally brutal moneylender who specializes in forcing his often destitute debtors to commit insurance fraud in order to pay back what they owe him. Living a comfortless and filthy existence in the same slum as many of his victim, Kang-do has not a friend or a care in the […]
Julianne Moore makes it terribly easy to like her. Her remarkable consistency has helped her remain a stellar screen presence for more than two decades. Her transformative abilities have morphed her into everything from a troubled hypochondriac (Safe) and a maternal porn star (Boogie Nights) to a 1950s housewife (Far From Heaven) and one half of a loving lesbian couple (The Kids Are All Right). And her singular, nature-defying beauty has continued to land her fashion cover shoots at the age of 52. All of this springs to mind when Moore greets an eager parade of press while promoting her new […]
With all the discussion about the future of Kickstarter in recent weeks, it may be appropriate that a film that began its campaign at the beginning of the crowdfunding movement is finally coming out this Saturday. The Cosmonaut — a Spanish-made English-language film directed by Nicolás Alcalá and produced by Carola Rodriguez and Bruno Teixidor — raised over €300,000 from 5,000 contributors. It was the first crowdfunded film in Spain and helped pave the way for the foundation of Lánzanos, Spain’s Kickstarter equivalent. The Cosmonaut will be available to watch for free on Saturday on the film’s website; the DVD, theatrical […]
Frances Ha world premiered at the 2012 Toronto International Film Festival. It is being distributed by IFC Films and opens theatrically on Friday, May 17, 2013. Visit the film’s official website to learn more. Just when it seems oh so skull-poundingly clear that the world really, really, really does not need yet another portrait of confused Caucasian 20-somethings who are fumbling and bumbling their way through the posh shopping mall that is 21st century New York City, along comes a cinematic delight like Frances Ha to soothe ones agitated nerves like a tingly pill of Vicodin. And though the fact […]
In the penultimate part of Filmmaker and the MIT Open Documentary Lab’s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell’s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project “Computing for Advanced Identity Representation.” He has worked […]
Gabe Klinger is currently running a Kickstarter campaign for his documentary on directing legends James Benning and Richard Linklater. Below he talks about the experience of working on the project. My first encounter with Richard Linklater was through his Dazed and Confused. The film was of meteoric importance to me and my junior high peers. The soundtrack, which revived forgotten tunes by War and Foghat, got more play on our boomboxes than the Dr. Dre, Nirvana and Mariah Carey hits of the day. When a friend’s mom busted me for stealing her pack of smokes, I told her Dazed and […]
Get together for drinks with a group of people who work in film, and soon the memories will flow. And they are usually linked to films these people have worked on. Film titles become markers of memory. It was on that film that this electrician met his future wife. On this one a P.A. adopted her dog. The sound guy was going through a divorce on this other one. The films may have faded from our collective memory, but the days on those sets are still ripe for the people who were involved. In reading this letter from Michael Lew, […]