Kate Hannah (Mary Elizabeth Winstead) is a devoted elementary school teacher who, early in James Ponsoldt’s new film Smashed, shows up for work with a wicked hangover and vomits in front of her students. Forced to explain her behavior, she tells her class and colleagues that she’s pregnant. The lie leaves her feeling awful, and it’s soon clear to Kate that she needs to back away from the bottle. After all, this isn’t a one-off incident. She and her husband Charlie (Aaron Paul) are almost constantly drunk, and it’s pretty clear to her that they live for booze as much […]
Martin Papazian has been a working actor for nearly two decades, supporting a list of heavyweights in projects like Jarhead and 24. For Papazian, learning on the sidelines from his colleagues and directors became an essential task, and ultimately has prepared him for his most pivotal role yet — a filmmaker. Working at break-neck speed for a total of 19 shooting days, Papazian made his feature debut as a writer/director with Least Among Saints. The film, in which he is also the lead actor, begins with a soldier returning from war and a boy who’s had to grow up in […]
The most important thing to know about V/H/S is that it is more than the sum of its gimmicky-on-paper parts, which include found footage film, genre anthology, and snuffy homage to the recent history of lo-fi horror. Although it is not entirely free of the inherent unevenness of the omnibus film, V/H/S works surprisingly well as a whole because of consistency in the aesthetic, clever writing, and tongue-in-cheek humor across multiple directors’ vignettes. The setup involves a group of 20-something delinquents whose primary activity is shooting prank videos of a slightly racier nature than the likes of Jackass. When they […]
Dennis Dortch is the director of the Sundance film A Good Day to Be Black & Sexy, available to watch on Netflix now. He also has created a veritable empire on YouTube with his channel Black & Sexy TV consisting of two successful web series, The Couple and The Number, and two more on the way. He and his team are currently crowdfunding a film based on The Couple. In this interview he talks about the difference between creating a film and creating content for the Web, how to juggle multiple web series at a time and how to keep […]
J. Maureen Henderson at Forbes asks a question for these times: “Are Creative Careers Now Exclusively Reserved for the Privileged?” She primarily refers to writing and publishing jobs, but her question applies to the film world too. Henderson’s piece quotes from another by writer Alexandra Kimball, who writes at Hazlitt about breaking into publishing… when you can’t afford to be an intern. From Kimball: To be a writer in this market requires not only money, but a concept of “work” that is most easily gained from privilege. It requires a sense of entitlement, the ability to network and self-promote without […]
As a filmmaker, I find myself more and more impressed with the indie game-making community. They’re supportive of their own at a level I wish we filmmakers were and they’re constantly innovating new ways of distribution. Because of this, it’s become a little quest of mine to learn more about indie game-making and how it overlaps with indie filmmaking. How are they similar, how are they different, and what can each hopefully learn from the other? One place where the filmmaking and game-making ley lines intersect is Fantastic Fest. It’s one of the biggest genre film festivals in the US and […]
One of the most intriguing things about transmedia when compared to traditional film, particularly documentary, is that through its multiple entry points and interactive experiences it has the potential to more fully engage viewers in causes. It doesn’t just inspire people to action, in other words; at its best, it gives them the tools and initial opportunities to take action then and there. Such is the case with Half the Sky, a four-hour film and transmedia property that airs in two parts tonight and tomorrow on PBS. In fact, it may be possible that Half the Sky is the most […]
A recent panel on State Tax Incentives sponsored by Media Services and Film Incentives Group, LLC., was centered on tax credits for Massachusetts and Rhode Island, but much of the advice is applicable to other state programs. It’s important to note that while many states offer some form of tax incentive for filmmakers, there are several important differences between the various programs: whether it’s a rebate or a credit, transferable, has a cap [the state has a total limit per years for all credits], the minimum production budget requirements, and several other details. Also covered was: different ways to use the […]
My first ancestors to come to America journeyed on the Mayflower in 1620; it’s hard to have a heritage more firmly rooted in America’s beginnings and long history. Just under a hundred years ago, however, my grandmother on my father’s side left her native Holland and sailed into New York harbor, passing through Ellis Island before moving west with her parents. Growing up, I was much prouder of my Dutch heritage and status as a third-generation American than of my ancestors who established Plymouth Colony 300 years earlier. In the 1990s, I learned Spanish and spent two years living and […]
San Sebastian is celebrating six decades in the film festival business with the insistence that “60 years is nothing.” In their welcome guide this year, the organizers say: “As far as a film festival is concerned, 60 years shouldn’t be concealed with facelifts, but should be flaunted proudly.” There’s little doubt that the ever-increasing leviathan that is the Toronto International Film Festival is having an effect on any festival close to its dates — and San Sebastian follows hot on its heels. But José Luis Rebordinos’s second edition as director shows this Basque country old lady has plenty of life […]