6582 Results for “production”
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Narrowing the Gap at Fantastic Fest 2012
As a filmmaker, I find myself more and more impressed with the indie game-making community. They’re supportive of their own at a level I wish we filmmakers were and they’re constantly innovating new ways of distribution. Because of this, it’s become a little quest of mine to learn more about indie game-making and how it overlaps with indie filmmaking. How are they similar, how are they different, and what can each hopefully learn from the other? One place where the filmmaking and game-making ley lines intersect is Fantastic Fest. It’s one of the biggest genre film festivals in the US and […]
by Michael Medaglia on Oct 2, 2012 -
Half the Sky & Social Documentary Transmedia
One of the most intriguing things about transmedia when compared to traditional film, particularly documentary, is that through its multiple entry points and interactive experiences it has the potential to more fully engage viewers in causes. It doesn’t just inspire people to action, in other words; at its best, it gives them the tools and initial opportunities to take action then and there. Such is the case with Half the Sky, a four-hour film and transmedia property that airs in two parts tonight and tomorrow on PBS. In fact, it may be possible that Half the Sky is the most […]
by Randy Astle on Oct 1, 2012 -
Film Tax Incentives
A recent panel on State Tax Incentives sponsored by Media Services and Film Incentives Group, LLC., was centered on tax credits for Massachusetts and Rhode Island, but much of the advice is applicable to other state programs. It’s important to note that while many states offer some form of tax incentive for filmmakers, there are several important differences between the various programs: whether it’s a rebate or a credit, transferable, has a cap [the state has a total limit per years for all credits], the minimum production budget requirements, and several other details. Also covered was: different ways to use the […]
by Michael Murie on Sep 28, 2012 -
Eduardo Lopez and Wendy Thompson-Marquez on Harvest of Empire
My first ancestors to come to America journeyed on the Mayflower in 1620; it’s hard to have a heritage more firmly rooted in America’s beginnings and long history. Just under a hundred years ago, however, my grandmother on my father’s side left her native Holland and sailed into New York harbor, passing through Ellis Island before moving west with her parents. Growing up, I was much prouder of my Dutch heritage and status as a third-generation American than of my ancestors who established Plymouth Colony 300 years earlier. In the 1990s, I learned Spanish and spent two years living and […]
by Randy Astle on Sep 25, 2012 -
San Sebastian Critic’s Notebook #1
San Sebastian is celebrating six decades in the film festival business with the insistence that “60 years is nothing.” In their welcome guide this year, the organizers say: “As far as a film festival is concerned, 60 years shouldn’t be concealed with facelifts, but should be flaunted proudly.” There’s little doubt that the ever-increasing leviathan that is the Toronto International Film Festival is having an effect on any festival close to its dates — and San Sebastian follows hot on its heels. But José Luis Rebordinos’s second edition as director shows this Basque country old lady has plenty of life […]
by Amber Wilkinson on Sep 24, 2012 -
Independent Film Week: 3 Films I Can’t Stop Thinking About, Part 1
The first rule of Film Week is that if you have time to blog during Film Week, you’re probably not doing it right. The second rule of Film Week is that if you attend, the best part is that you will meet all kinds of awesome people making awesome films. This may intimidate you. It’s okay. Be cool. I guess that’s the third rule of Film Week, bro: just be cool. When the good folks at Filmmaker Magazine asked me to blog about Film Week again this year, I knew I wanted to write about some of the awesome people […]
by Penny Lane on Sep 24, 2012 -
Nuts, Bolts and Zen: Independent Film Week Wrap-Up
IFP’s Independent Film Week came to a close on Thursday, I took the train home on Friday, spent Saturday relaxing, and here we are…ready to take a more in-depth look at my time in New York City. I’ve already covered practicing my pitch in the days leading up to Film Week, delivering that pitch at the Emerging Narrative orientation, and experiencing unexpected moments during my one-on-one meetings. But I feel like I’ve barely scratched the surface – on either the nuts-and-bolts level, or that philosophical plane that I’ve become so fond of. To begin with, let me explain a little bit more about what […]
by Zoje Stage on Sep 24, 2012 -
Shooting Diary: Sean Meehan on Shooting in Small Spaces
When D.P. Sean Meehan went to college he was undecided about what he would study. But in his first semester he took an American Film studies class and it prompted him to call his parents two weeks into school and say, “I’m sorry, I’m going to be a film major.” He then spent all his time turning Boston College’s film department into “my own mini film production major.” He took as many classes as possible and also did side projects to learn about the filmmaking process. Only graduating in 2011, Sean’s already freelancing regularly for a variety of clients. I […]
by Michael Murie on Sep 24, 2012 -
What’s New on Our Curated Kickstarter Page
Filmmaker has a curated page on Kickstarter, where we point you towards projects that we think are worthy of your attention. Here are our recent additions, and to read more about them visit them via Filmmaker Magazine on Kickstarter. Love Spasm: New York underground film icon Nick Zedd has just launched a campaign for what sounds like an ambitious feature set to shoot in Berlin. “The themes of this movie are love, sexual freedom, loyalty, human insecurity and the strategies people employ to survive and maintain relationships within the unnatural constraints imposed upon them by the economic pressures of capitalism, […]
by Scott Macaulay on Sep 23, 2012 -
Writer/Director Stephen Chbosky on The Perks of Being a Wallflower
Stephen Chbosky has been influenced by a lot of angsty classics, like The Graduate and Catcher in the Rye. In 1999, he made his own contribution to the canon, releasing The Perks of Being a Wallflower, a young-adult novel whose tough themes helped make it a formidable word-of-mouth success, becoming the best-selling title from MTV Books by 2000. Within seven years, it sold nearly 800,000 copies, while also getting regularly challenged by the American Library Association for its exploration of drug use, homosexuality, and adolescent suicide. A film version seemed inevitable, but Chbosky wasn’t ready to hand over his polarizing […]
by R. Kurt Osenlund on Sep 21, 2012
