6560 Results for “production”
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GRAVITATIONAL PULL: MIKE CAHILL’S “ANOTHER EARTH”
Originally published in the Summer 2011 issue. Another Earth is nominated for Breakthrough Director. “It has a gentle sensibility,” says director Mike Cahill about his debut feature, the Sundance hit Another Earth. Indeed, this tale of grief, love and “Life Out There” does have a delicate touch, a sensitivity that sets it apart from the summer’s other science fiction. While in other films giant robots destroy entire cities — in 3D, no less — and romance is punctuated every 10 minutes by a train-destroying fireball, Another Earth, starring and co-written by newcomer Brit Marling, harkens back to the speculative parables […]
by Scott Macaulay on Nov 16, 2011 -
THE RETURN OF MARCEL THE SHELL
Marcel the Shell with Shoes On is the totally winning animated short that placed writer/director Dean Fleischer Camp and writer/actress Jenny Slate on Filmmaker‘s 2011 25 New Faces list. (Read their profile here.) Now, the couple — and Marcel, the Montaigne of animated seashells — returns in a new short. He seems slightly cheerier than last time, and the production values are a smidgen better while not betraying the short’s lo-fi origins. There is no better way to start your morning.
by Scott Macaulay on Nov 16, 2011 -
Blue Velvet 25th Anniversary Blu-Ray Edition
Blue Velvet remains a masterpiece of American cinema – one of the defining films of the 1980s, and arguably still director David Lynch’s best work (personally, I actually slightly prefer Lost Highway, but I’ve become gradually fatigued over the years with people looking at me like I’m insane when I divulge that) – and it still retains every bit of its power today. But to have seen it upon its original 1986 release was like experiencing a bomb going off inside the theater. American films during the conservative Reagan decade were going through an awkward transitional period (and, outside […]
by Travis Crawford on Nov 15, 2011 -
The Microbudget Conversation : Ex Girlfriends
Earlier this month I had the opportunity to take a master class with Ted Hope and Christine Vachon. Now out of respect to them I will not reveal all that was discussed, but what I can tell you is that my perspective of things has been altered quite a bit. I first started this blog with the intention of showcasing microbudget work as the passionate filmmaking it is…and fuck the rules. (The whole series of manifestos is evidence of that.) We were making cinema fast and cheap, and we needed to completely re-write the rules; a message that can be […]
by John Yost on Nov 15, 2011 -
Lady Vengeance: The Bride Wore Black Review
Loaded with recognizable tropes just begging to be tampered with, genre film is fertile spoof material, as can be evidence by obvious examples like the pointless Scary Movie franchise, or even within the same film as in those slasher film that knowingly straddle the line between terror and comedy, or B-Movies so tongue-in-cheek campy they function both as a good-humored critique of the genres the are playing against as well as a standalone narratives in their own right. Francois Truffaut’s sometimes goofy, sometimes chilling 1969 film The Bride Wore Black is genre lampoonery in the hands of a French auteur, […]
by Farihah Zaman on Nov 14, 2011 -
BUILDING COMMUNITY… ONE PROJECT AT A TIME
As the practice of ‘crowd-funding’ has come of age over the past couple years, so has the wide array of opinion about it. Some have called it a ‘game-changer’, especially when it comes to funding films, others seem to think of it as a magical place where free money simply appears from thin air, and yet others are wholly unconvinced, if not fully disdainful, of this practice of ‘organized-begging’. I can sympathize with the latter, seeing how crowd-funding has contributed to the advent of incessant self-promotion via social media sites, and the fact that you feel like everywhere you turn […]
by Gregorybayne on Nov 14, 2011 -
Reaction To The Canon C300 And Red-Scarlet-X: Part Two
In my previous blog post I interviewed several directors of photography who are shooting material for web and television to get their reactions to the recent Canon and RED announcements. You might sum up their reactions as, “We wanted to like the Canon, but it’s too expensive!” To complete the picture, I talked to a couple of people who have worked on a number of indie films, and have worked extensively with cameras like the RED and Arri Alexa. Finishing Artist and VFX Supervisor Dermot Shane is based in Vancouver and routinely works with material from REDs, and Arri’s (both […]
by Michael Murie on Nov 14, 2011 -
New Super 35 Digital Motion Picture Cameras from Canon and Red – What They Are and Aren’t
by David Leitner on Nov 12, 2011 -
25 NEW FACES: “GREEN”‘S SOPHIA TAKAL
Originally published in the Summer 2011 issue. Green is nominated for Best Film Not Playing At A Theater Near You. Sophia Takal is engaged to filmmaker Lawrence Michael Levine and their roommate is actress Kate Lyn Sheil. After the three worked on Levine’s debut feature, Gabi on the Roof in July (Takal played the eponymous lead, and Sheil co-starred), Takal decided to make her own movie, which would explore the theme of jealousy. She cast rising star Sheil as an insecure bookstore clerk, Genevieve; Levine as Sebastian, her intellectually patronizing boyfriend; and herself as Robin, the offbeat, emotionally hungry local […]
by Scott Macaulay on Nov 11, 2011 -
Karen Mintz and Simon Egleton on Their Frank Bender Doc
Karen Mintz has just finished shooting her documentary, The Recomposer of The Decomposed, about the forensic artist Frank Bender, who died recently. She is about to move into the post-production phase. I had the opportunity to meet with her and her producer Simon Egleton and talk about her film, the pros and cons of no-budget filmmaking, and the friend that she made, and also lost, during the process. Filmmaker: Can you start by telling me a little about how you became a filmmaker and what your background is? Mintz: I started working in production 15 years ago. I just kind […]
by Alix Lambert on Nov 10, 2011
